A sculptural synergy: Ron Arad's 'Summer Exhibition' at Ben Brown Fine Arts

‘I have no doubt that you will immediately be confronted by humour, the inventiveness and the genius of Ron Arad,’ states Ben Brown, founder of the contemporary arts space Ben Brown Fine Arts. Tucked away in his Mayfair mews is the latest exposé of the creative maverick's sculptural and avant-garde works.
Ben Brown’s relationship with the artist started when he opened a Hong Kong space with a show of Arad's works in 2009. Nearly a decade later, that bond stays strong with the opening of 'Summer Exhibition'. Wallpaper* quizzed Arad how he decided which pieces would go into the compact show. ‘It’s always a problem, you always want to show everything,' he explains. 'But you need it be restrained and coherent to look like a good show.’
The result is a wonderful mix, with many pieces showing for the first time, in an intimate exploration of Arad’s mind through his crafted forms. The newest piece is 'Useful, Beautiful, Love' – a mobile, rocking log of cedar wood carved into a bench that brought the organic indoors. Imbued with Arad’s quirky details, the seat is engraved with a William Morris quote, with the addition of ‘or love’ at the end. ‘It can mean whatever you want it to,' he muses, 'it is not prescriptive.’ Drawing on the design for the Moroso ‘Glider' sofa, that also rocks back and forth, Arad wanted to shock the audience with something larger and heavier that can move similarly smoothly and gracefully.
And the unique juxtapositions do not stop there. Displayed in the gallery windows are three new sculptures, intriguingly fusing glass and steel. ‘Normally you blow glass into moulds,' Arad explains of the melding, 'and here I wanted to blow glass into something else. No moulds, let the glass blow as it wants to.’
The Bucket vase sculpture sees a range of country names – Chile, Liechtenstein, Seychelles, Fiji – carved into steel. These were the only countries that when written in capital letters, nothing drops, Arad explains. The type remains linear. 'We could not include any Os or Ds or Ps,’ he adds.
This experimental synergy continues through the room, across the 'Even the Oddballs' chairs, 'Tuba' steel sofa and, finally, the 'Puddles' series of coffee tables that crawl along the floor, creating artistic mirror and shadow images across the white walls. These play with the contrastingly opaque, rusty form of the 'BTT2' rocking chair and all come together outside in Free Standing China, an abstract sculpture that untilises both shiny steel and raw Corten steel.
Arad’s whimsical world was flummoxing to at least one viewer: ‘My favourite question at the opening was "Why did you use the Disney typeface for the text on 'Useful, Beautiful, Love'?" And I replied, that’s my handwriting!’
The result is a wonderful mix, with many pieces showing for the first time, in an intimate exploration of Arad’s mind through his crafted forms
The newest piece is ’Useful, Beautiful, Love’ – a mobile, rocking log of cedar wood carved into a bench that brought the organic indoors. Imbued with Arad’s quirky details, the seat is engraved with a William Morris quote. Pictured left: ’Useful, Beautiful, Love
Drawing on the design for the Moroso ‘Glider’ sofa, that also rocks back and forth, Arad wanted to shock the audience with something larger and heavier that can move similarly smoothly and gracefully. Pictured left: ’BTT2’, 2015. Right: ’Useful, Beautiful, Love’, 2016
This experimental synergy continues through the room, across the ’Even the Oddballs’ chairs, ’Tuba’ steel sofa and, finally, the ’Puddles’ series of coffee tables (pictured) that crawl along the floor, creating artistic mirror and shadow images across the white walls
Displayed in the gallery windows are three new sculptures, intriguingly fusing glass and steel. ‘Normally you blow glass into moulds,’ Arad explains of the melding
here I wanted to blow glass into something else. No moulds, let the glass blow as it wants to
Outside is Free Standing China, an abstract sculpture that untilises both shiny steel and raw Corten steel
INFORMATION
’Ron Arad: Summer Exhibition’ is on view until 15 September. For more information, visit the Ben Brown Fine Arts website
ADDRESS
Ben Brown Fine Arts
12 Brook's Mews
London, W1K 4DG
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Sujata Burman is a writer and editor based in London, specialising in design and culture. She was Digital Design Editor at Wallpaper* before moving to her current role of Head of Content at London Design Festival and London Design Biennale where she is expanding the content offering of the showcases. Over the past decade, Sujata has written for global design and culture publications, and has been a speaker, moderator and judge for institutions and brands including RIBA, D&AD, Design Museum and Design Miami/. In 2019, she co-authored her first book, An Opinionated Guide to London Architecture, published by Hoxton Mini Press, which was driven by her aim to make the fields of design and architecture accessible to wider audiences.
-
Herzog & de Meuron and Piet Oudolf unveil Calder Gardens in Philadelphia
The new cultural landmark presents Alexander Calder’s work in dialogue with nature and architecture, alongside the release of Jacques Herzog’s 'Sketches & Notes'. Ellie Stathaki interviews Herzog about the project.
-
Beloved British screenwriter Dennis Potter inspires an exhibition with a difference at Studio Voltaire
Hilary Lloyd's multi-faceted exhibition at Studio Voltaire considers Dennis Potter's life and work, from much-loved TV classics to power inequalities
-
Insert here: London Design Festival gets intimate with insertable design
At London Design Festival, Heirloom Studio showcases 36 objects – some life-saving, some pleasure-giving, all made to go inside the body
-
Beloved British screenwriter Dennis Potter inspires an exhibition with a difference at Studio Voltaire
Hilary Lloyd's multi-faceted exhibition at Studio Voltaire considers Dennis Potter's life and work, from much-loved TV classics to power inequalities
-
Ralph Steadman has worked with everyone from Hunter S. Thompson to Travis Scott and Quavo – now, the Gonzo illustrator is celebrated in London
A new exhibition provides a rare opportunity to experience the inimitable work and creativity of Gonzo illustrator Ralph Steadman up close. Just don’t call it a ‘style’.
-
Five of the biggest art exhibitions to see in London in 2026
From Marilyn Monroe, to David Hockney and Tracey Emin – get these art exhibitions in your diary now
-
Out of office: the Wallpaper* editors’ picks of the week
With the return of back-to-school, it's back to business for the Wallpaper* team, who’ve been making the rounds at fashion pop-ups and pavilion launches. Elsewhere, we’ve been indulging in new literature and old restaurants, and taking in a farewell exhibition at a landmark gallery...
-
From art to fashion, and back again: Jonathan Schofield’s figurative work is back in style
After graduating from London’s Royal College of Art, Jonathan Schofield began a career as a creative director at Stella McCartney. Now, he has returned to his first love, painting
-
Watch: artist Shezad Dawood lights up The Gaumont, King’s Road’s creatively focused new hub
In our short film, meet the artist, see his new work in the making, and discover more about The Gaumont
-
Out of office: the Wallpaper* editors’ picks of the week
Here in the UK, summer seems to be fading fast. Moody skies and showers called for early-autumn rituals for the Wallpaper* team: retreating into the depths of the Tate Modern, slipping into shadowy cocktail bars, and curling up with a good book
-
‘A Single Man’ is now a ballet – we go behind the design
As ‘A Single Man’ is presented by The Royal Ballet and Factory International in London, here’s how its set designer brought protagonist George’s inner and outer worlds to life on stage