Family values: furniture maker Orior puts Irish design on the map

There’s something in the water on Orior Road, in Newry, Northern Ireland. The street, lined with pebbledashed terraced houses, might look pretty ordinary, but speak to any of the locals and they will proudly reel off stories on the doctors, teachers, scientists – and in this case, designers – who have all been residents of the BT35 postcode. ‘Everyone on that road went on to do some amazing stuff,’ confirms Ciaran McGuigan, the creative director of furniture brand Orior, which is named after the street.
McGuigan’s vested interest in the area runs deep. Both his parents, Brian and Rosie McGuigan, come from the area; they met as teenagers at the local rugby club. Aged 17, they decided to leave behind a war-torn Northern Ireland and head for Copenhagen, where they immersed themselves in the design scene while working at a burger joint to pay the bills. ‘They didn’t have this desire to be a big brand, they just wanted to create beautiful things,’ says McGuigan. In 1979, after a couple of years in Denmark, the pair returned home to found Orior. They have spent the last 40 years building the brand, giving it a quiet yet solid reputation for high-quality interiors and private commissions.
McGuigan took over as creative director in 2012, bringing with him ambitious plans for the future. He first made structural changes, splitting the company into two, so that one half could focus on contract projects (such as the London private club Annabel’s), and the other half on design-led collections. He then moved himself and a group of colleagues to the US permanently, opening up an office in Brooklyn, and, in May this year, a showroom in Tribeca.
Left, the ‘Mular Mirror’. Right, the ‘Vert Chair’ which contrasts textured fabric with smooth leather.
Launched during this year’s New York Design Week, the first new collection under McGuigan’s direction is built around 1970s-inspired pieces alongside designs from his father’s archives. ‘Dad didn’t realise that we’d brought back some of his designs,’ McGuigan says. ‘But seeing what happened in New York had made him want to start designing again, and that was a huge thing for me to see.’ Now, McGuigan and his team are readying themselves to launch another collection this autumn, comprising dining chairs, a coffee table, a mirror and an armoire. Throughout, colours are rich, materials are luxurious and craftsmanship is evident.
Each piece in Orior’s collection is made in Northern Ireland by a skilled team, many of whom have been with the brand from its early days and have seen McGuigan grow up. They recount stories of him on the factory floor sweeping up or waiting around for them to have a kickabout on lunch breaks. This intimacy and connection makes you realise why he decided to bring his closest friends into the company when he was made creative director. ‘I am one of the luckiest guys in the world, to be at the helm of this brand with my family and friends’, McGuigan says. ‘We’re putting Ireland on the map for furniture design,’ he says, with a tenacity that makes you believe every word.
As originally featured in the November 2019 issue of Wallpaper* (W*248) – on newsstands now
The 'Forsyth Table'.
INFORMATION
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
'Scent as the centrepiece of relaxation and creativity': Houseplant and Ripple Home launch incense collection
Seth Rogen's Houseplant and British aroma specialist Ripple Home launch a collection of four elevated micro aromas
-
Here’s what to order (and admire) at Carbone London
New York’s favourite, and buzziest, Italian restaurant arrives in the British capital, marking the brand’s first expansion into Europe
-
Griffin Frazen on conceiving the cinematic runway sets for New York label Khaite: ‘If people feel moved we’ve succeeded’
The architectural designer – who helped conceive the sets for ‘The Brutalist’ – collaborates with his wife Catherine Holstein on the scenography for her Khaite runway shows, the latest of which took place in NYFW this past weekend
-
This Brooklyn townhouse renovation nails ‘classic’ without cliché
Interior design firm White Arrow transformed a Boerum Hill home into a space that feels historic, contemporary, and just unexpected enough to keep things interesting
-
This designer’s Montecito home – once a modest wood cabin – has been transformed into a charming sanctuary
Originally built by architect Lutah Maria Riggs, this compact family home has been reimagined by another influential female designer – Tamara Honey of House of Honey – who has imbued the space with her signature touch
-
These sculptural mirrors embody the relaxed spirit of the Med
Photographed in a Mallorcan residence designed by local studio Munarq, these new sculptural mirrors by New York furniture company Ready To Hang are inspired by the sea
-
The owner of this restored Spanish Colonial home turned it into a gallery – with no social media allowed
Casa Francis in LA is a private residence, but recently opened its doors to one member of the public at a time for an exhibition centred around domesticity
-
Why are so many rooms covered in curtains?
Comfort, privacy, and performance are all contained in the rooms swaddled in plush draperies
-
This Manhattan apartment and studio is a shrine to art
This New York artist's home is both comfortable and flexible, acting as a studio and a showcase for his work and collected pieces. We take a tour for our interiors series, The Inside Story
-
Life’s a beach at this tropical-glam Miami development
Five Park Miami Beach mixes streamlined glamour with vibrant colour, and is the focus of Wallpaper’s interiors series, The Inside Story, as the Floridian city holds its annual Grand Prix
-
A Frank Lloyd Wright lamp broke auction record at Sotheby’s – fetching $7.5 million
The architect's ‘Double-Pedestal’ lamp, which was designed for the Dana House in 1903, has become his most valuable work ever offered at auction