Influential textile designer Lucienne Day was known for her love of patterns based on plant forms. A passionate gardener, her work drew flowers, grasses and shoots from nature, and transformed them into abstract designs for wallpapers, textiles, carpets and ceramics.
To celebrate the designer’s centenary year and to mark the relaunch of Day’s ‘Flower Brick’, London furniture showroom Twentytwentyone conceived an exhibition entitled ‘Day for Flowers’.
The ‘Flower Brick’, originally introduced by Day in 1966, is a contemporary interpretation of the decorative Delftware produced during the 18th century to hold ornate floral displays. While the originals were produced in England by Bristol Potteries, Twentytwentyone has teamed with British-made ceramics brand 1882 Ltd to produce a limited edition of 100.
Meadow flowers and grasses by Margaret Howell
‘Lucienne Day responded to the decorative potential of a rectangular ceramic form by designing three quite different surface patterns for two sizes of flower brick,’ explains Twentytwentyone, which invited ten creative individuals from the worlds of fashion, design, interiors, architecture and journalism to design a floral display using a ‘Flower Brick’.
The floral displays, created by Michael Anastassiades, Barber & Osgerby, Paula Day, Max Fraser, Suzy Hoodless, Margaret Howell, Philippe Malouin, Alex Mowat, Nikki Tibbles and Faye Toogood were showcased at the ‘Day for Flowers’ exhibition.
While some went for crisp architectural statements – à la Barber & Osgerby, who filled Day’s black-and-white ‘Triangles Flower Brick’ with a regimented arrangement of dried bulrushes – others chose more wild and natural compositions, such as Margaret Howell, who created an arrangement of meadow flowers and grasses in the ‘Papercut Flower Brick’.
Paula Day’s arrangement included buds from her mother Lucienne’s favourite rose, New Dawn, while Max Fraser’s explosive arrangement of grasses, aliums, craspedia globosa and poppy heads was inspired by fireworks.
‘The arrangements illustrate the versatility and enduring appeal of the Lucienne Day’s design,’ said Twentytwentyone. ‘We are certain that the creative wealth and spirit of those involved will provide a dramatic and inspiring summer show of floral creations – and a fitting tribute to Lucienne Day.’
Paula Day’s arrangement included buds from her mother Lucienne’s favourite rose
Philippe Malouin’s arrangement. Right, Barber & Osgerby filled Day’s ‘Flower Brick’ with a regimented arrangement of dried bulrushes
Alex Mowat’s minimalist arrangement
An eclectic arrangement from stylist (and one-time Wallpaper* interiors editor) Suzy Hoodless
Max Fraser’s explosive arrangement of grasses, aliums, craspedia globosa and poppy heads was inspired by fireworks
INFORMATION
For more information, visit the Twentytwentyone website
ADDRESS
twentytwentyone
18c River Street
London EC1R 1XN
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