Kvadrat Sisu fabric by Nanna Ditzel reinterpreted by Danh Vo

Originally conceived by Nanna Ditzel in the 1960s, the Kvadrat Sisu upholstery fabric is a bold take on the designer’s iconic Hallingdal, now revisited by artist Danh Vo in 16 new colours

A sitting area with two wooden blue cushioned chairs, a red foot stool and and round coffee table with a potted plant on it in front of two windows.
Kvadrat launches Sisu, an upholstery textile originally conceived by Nanna Ditzel in the 1960s and now reinterpreted by artist Danh Vo. To celebrate the launch, Vo and Louise and Martin Feldt from Galleri Feldt took over old menswear shop Birgers Herretøj in Stubbekøbing, Denmark, with an immersive installation
(Image credit: Nick Ash)

Few have contributed as much to Danish heritage as the midcentury designer Nanna Ditzel, renowned for having broken traditional thinking patterns with her prolific output, which spanned from furniture and jewellery to silverware and textiles. Where the latter is concerned, Ditzel’s acclaimed Hallingdal from 1965 is revered in the textile world. The first textile to be released by leading manufacturer Kvadrat, it went on to become an archetype for many that followed. 

Nanna Ditzel and Danh Vo: Kvadrat Sisu

A doorway with a blue carpeted floor and wall in front of it.

Inspired by Ditzel, Kvadrat has embarked on a new exploration of the play between contemporary culture and timeless Danish design with its newest launch, Sisu. Originally conceived and created by Ditzel in the 1960s, the textile has been reinterpreted for our time by artist Danh Vo, who came across it in Kvadrat’s archives, before choosing it for his solo exhibition ‘Take My Breath Away’ at the National Gallery of Denmark in 2018. 

Sisu can be seen as a bridge to Hallingdal, reminiscent of examining it through a magnifying glass. With a bold yet understated checked pattern, Sisu comes in a range of vibrant colours, infusing spaces with a warmth that nods to Ditzel’s personality. The thick woollen yarns raise colourful patterns across the textile’s surface, catching the light in a way that gives it a broad character and expression. 

(Image credit: Nick Ash)

A circle made of different coloured materials.

(Image credit: Nick Ash)

Stine Find Osther, vice president of design at Kvadrat, says, ‘Sisu directly links to Hallingdal, which is one of Kvadrat’s first textiles and plays a big part in our story. It also acts as a timely reminder that most textile designers have traditionally been women – which is sometimes overlooked. The idea of underlining the defining role of female designers informed our exploration of the Kvadrat archives from the start.’ 

Ditzel was a key figure in the renewal of Danish design in the 1990s, and this progression by Vo feels fitting as the next step in revitalising a classic. Sisu showcases the enduring relevance of Danish design, carried forward by Vo’s curiosity about how textiles shape the experience of furniture, which is what originally drew his attention to Ditzel’s work. ‘I was curious about materials and what defines their purposes, or occupations so to speak. Why is it that fabric cannot be in the foreground? How do we differentiate between these kinds of things in art and design?’ says Vo.

A doorway to a staircase with yellow walls next to a doorway to a room with pink walls.

(Image credit: Nick Ash)

‘It was a good experiment to go back to a time when people were much more wild. I really believe in empirical knowledge and to gain that knowledge is to work with it, see the potential and jump into it and see how it’s functioning. If we think that colours are all about light, and how light reflects a surface, why is it that painting is this protagonist of culture, while textiles are made to reflect light in a much more constructive way in the house?’ Vo continues. 

The original Hallingdal is available in an expansive scale of vibrant pastel colourways, while Sisu comes in a more tightly curated 16 colourways, matched to Hallingdal to ensure a seamless complement. The project is a testament to the circular nature of design. ‘Many companies don’t design things to last. So, it is beautiful to see how seriously Kvadrat has reproduced this textile with every intention to make it last,’ Vo says. 

In a continuation of the pioneering work that Kvadrat is known for, Sisu is both contemporary and classic, breathing new life into a deeply rooted Scandinavian design icon driven by simplicity and innovation.

Ditzel’s ‘Ring’ chair from 1958. A overview of a round blue cushioned chair.

Kvadrat Sisu by Nanna Ditzel reinterpreted by Danh Vo, shown on Ditzel’s ‘Ring’ chair from 1958.

(Image credit: Nick Ash)

A pink wall next to a brown fabric covered wall with a wooden floor in front of it.

(Image credit: Nick Ash)

A doorway into a room with green walls next to a doorway to a room with pink walls.

(Image credit: Nick Ash)

A small room with pink walls and an angled wall with a window on it.

(Image credit: Nick Ash)

A view through a doorway of another doorway with white double doors and a green wall behind it.

(Image credit: Nick Ash)

A bedroom with pink walls, a pink single bed with a wooden base, a wooden ceiling and a red pendant light.

(Image credit: Nick Ash)



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