Designers react to the Venetian landscape for Carpenters Workshop Gallery

Bubble like sculptures on terrace
Moments Of Happiness by Verhoeven Twins, 2019 on view at Galleria Giorgio Franchetti alla Ca’ d’Oro in Venice
(Image credit: TBC)

As the boundaries between design and art blur ever further, this year’s Venice Biennale welcomes design fair NOMAD (for a few days in September) and Carpenters Workshop Gallery for a full six month stint. Makers such as Vincenzo de Cotiis, Maarten Baas and Studio Job have barely closed the shutters on Salone del Mobile in Milan before they open them again in Venice. And they are not the only ones: for its biennale debut, Carpenters Workshop, in partnership with Lombard Odier, has brought a further 14 of its designers to Galleria Giorgio Franchetti alla Ca’ d’Oro, a palazzo with a big presence on the Grand Canal.

‘We decided to stage (our show) “DYSFUNCTIONAL” to question what defines an artwork; why can art be non functional and when does design become art?’ asks Carpenters Workshop Gallery co-founder Loïc Le Gaillard. ‘By creating this dialogue, we want to follow the spirit of Baron Giorgio Franchetti, who rejuvenated Ca’ d’Oro in 1894 and was an avant-garde collector.’

Ode vertical sculptures

Ode by Vincenzo De Cotiis, 2019

(Image credit: TBC)

All the new works were created in response to either Venice or the decorative palazzo. Spanish designer Nacho Carbonell has transformed the courtyard and its 15th-century mosaics into a sculptural forest of light; Ingrid Donat’s Klimt Cabinet refers to the palazzo’s former golden decorations, its façade inspired by the patterns of Venetian stained glass windows and lace from the island of Burano; Studio Drift’s frame of light around San Sebastian, a painting from 1506 by Andrea Mantegna, highlights its star position within the museum’s collection (Franchetti enshrined it in a purpose-built marble chapel).

As ever, Venice and its shifting waters were an inspiration; Mathieu Lehanneur’s coffee tables and stools come in green marble and granite shades that echo the waves of the lagoon and Virgil Abloh, who has created a collection of ‘sinking’ pieces in polished bronze in response to Venice’s acqua alta (high tide).

Rick Owens and partner Michèle Lamy, who usually moor up for the Biennale in a boat complete with its own boxing ring, have taken up residence in the gallery’s garden instead. Lamy asked a few fellow Carpenters Workshop contributors to create punch bags in response to the question, ‘What are we fighting for?’ We can expect no shortage of answers.

Real Time by Maarten Baas

Real Time XL The Artist by Maarten Baas, 2018

(Image credit: TBC)

Wooden furniture on terrace

‘Alaska Alaska’ Acqua Alta by Virgil Abloh, 2019

(Image credit: TBC)

Marble cut objects

Ocean Memories Acqua Alta by Mathieu Lehanneur, 2019

(Image credit: TBC)

Forest cloud lighting feature

Inside a Forest Cloud Chandelier, by Nacho Carbonell, 2019

(Image credit: TBC)

Abstract free standing lamps

Renegade by Atelier Van Lieshout, 2019

(Image credit: TBC)

INFORMATION

‘DYSFUNCTIONAL’ is on view from 8 May – 24 November. For more information, visit the Carpenters Workshop Gallery website (opens in new tab)

ADDRESS

Galleria Giorgio Franchetti alla Ca’ d’Oro
Calle Ca’ d’Oro 393
30121 Venice

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Emma O'Kelly is a contributing editor at Wallpaper*. She joined the magazine on issue 4 as news editor and since since then has worked in full and part time roles across many editorial departments. She is a freelance journalist based in London and works for a range of titles from Condé Nast Traveller to The Telegraph. She is currently working on a book about Scandinavian sauna culture and is renovating a mid century house in the Italian Lakes.