The exhibition ‘Garden Futures: Designing with Nature’ – a collaborative project by the Vitra Design Museum, Wüstenrot Foundation, and Nieuwe Instituut – delves into the rich history and potential of modern gardens. The exhibition (on view until 3 October 2023) redefines gardens as avant-garde spaces for social justice, biodiversity, and sustainability.
‘Garden Futures’: gardens as reflections of identities and visions
Installation view of ‘Garden Futures: Designing with Nature’, featuring Jurgen Bey’s 1998 Tree-trunk for Droog Design
The exhibition poses questions about contemporary garden ideals and their role in shaping a liveable future. It showcases diverse examples, from urban farms to community gardens and works by renowned designers like Roberto Burle Marx and Derek Jarman. As soon as you walk inside the museum, on your left, you can see a selection of classic fences, garden tools and lounge chairs up on walls, while walking in the main room you are welcomed by Jurgen Bey’s 1998 Tree-trunk for Droog Design, a bench made of a rough tree trunk with bronze backrests.
Installation view of ‘Garden Futures: Designing with Nature’, featuring Alexandra Kehayoglou's ‘Meadow’ (2023)
Designed by Formafantasma, the exhibition's architecture sets the stage for exploring gardens as reflections of identities and visions. It reveals how gardens combine practicality with profound symbolism, exemplified by the work of artists like Hans Thoma and Alvar Aalto. Gardens are not just personal retreats; they carry social, historical, and cultural influences.
The exhibition uncovers the colonial history intertwined with Western gardens and explores the integration of gardens into urban planning concepts. In the face of major global challenges like the climate crisis and social injustice, gardens become spaces for healing and learning.
On the upper floor, which is defined by a grass-like moquette, projects like Alexandra Kehayoglou's ‘Meadow’ (2023) – a huge, impressive carpet on which it is impossible to walk – highlight climate change threats, while Thomas Rustemeyer's scroll showcases innovative and traditional practices.
Julien de Cerval, The Gardens of Marqueyssac, France, designed in the 1860s
The exhibition's final section focuses on the future of gardens; ‘Garden Futures’ widens our perception of gardens as dynamic spaces that embody cultural and environmental aspirations. It inspires visitors to envision gardens as catalysts for a sustainable and equitable world. Gardens hold immense potential to shape a better future for all. And they are just good for all of us.
‘Garden Futures: Designing with Nature’ is on view until 3 October 2023
Vitra Design Museum
Charles-Eames-Str. 2
D-79576 Weil am Rhein
Germany
Roberto Burle Marx, Rooftop garden of the Gustavo Capanema Building, the Ministry of Education and Health headquarters, c. 1955
Zheng Guogu, Liao Garden, Yangjiang, China, 2017, started from 2005 Courtesy of Zheng Guogu and Vitamin Creative Space
Woman on the Altorfer Lounger, the so-called Spaghetti Chair, 1949
Stefano Boeri Architetti, Bosco Verticale (Vertical Forest), Milan, 2007–2014
Friedrich August Krubsacius, Design for an unknown garden, 1760
Céline Baumann, Parliament of Plants, 2020
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