Snarkitecture opens immersive ‘fun house’ in Washington DC

Snarkitecture’s ‘Fun House’ has opened in the Great Hall of the National Building Museum in Washington DC as part of the institution’s annual Summer Block Party series and it’s likely to be the Instagram hit of the season.
Following in the footsteps of Bjarke Ingels Group, Studio Gang and James Corner Field Operations, who have all created installations at the museum, Snarkitecture has created a white temporary structure that houses some of its most memorable work. The ‘Fun House’, curated by Maria Cristina Didero, will be Snarkitecture’s first comprehensive museum showing and coincides with the practice’s tenth anniversary.
Aerial view of ‘Fun House’, 2018, by Snarkitecture at the National Building Museum, Washington DC.
‘A little over a year ago, we started working on our first book about Snarkitecture, which is coming out in April with Phaidon,’ recalls Alex Mustonen, who founded the practice with Daniel Arsham. ‘The process of sifting through hundreds of projects – from when we first started the studio in 2008 through last year – became an opportunity to reflect on the wide range of work we’ve created within the larger ideas of the practice.’
He adds, ‘In editing and organising everything to fit within the context of a book that would introduce new audiences to Snarkitecture, we started to think of the idea of an exhibition with a similar aim. Many of our projects have existed in a specific places for a short duration of time, so what would it look like to bring these moments together within a single venue, accessible to a diverse audience? We wanted to invite visitors to experience past objects, installations and architectural scale projects by Snarkitecture in a tactile and immersive way.’
Staged within a freestanding, house-like structure that riffs on the idea of a typical home, ‘Fun House’ comprises a series of interactive rooms that showcase recognisable Snarkitecture environments and objects from over the years, as well as new concepts developed especially for the occasion.
Installation view of The Beach, 2015, by Snarkitecture, an interactive exhibition of more than one million antimicrobial balls that filled the Great Hall at the National Building Museum in Washington DC.
The house features a front and back yard filled with ‘outdoor activities’ for visitors to enjoy, plus a kidney-shaped pool full of antimicrobial balls echoing Snarkitecture’s popular The Beach installation (above), which made its debut at the National Building Museum in 2015 before continuing on in numerous iterations and travelling around the world.
‘Making architecture and design approachable and fun is at the heart of the success of our sumer series,’ says Chase Rynd, executive director of the National Building Museum. ‘Snarkitecture really understands our mission of inspiring curiosity about the world we design and build, and we’re excited to be working with them for the second time.’
INFORMATION
For more information, visit the Snarkitecture website and National Building Museum website
ADDRESS
National Building Museum
401 F Street NW
Washington DC 20001
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
Can happiness be designed? A Helsinki exhibition looks for an answer
‘Happiness is both deeply personal and undeniably collective,’ says curator Anniina Koivu, whose exhibition explored the perfect equation for happiness at Helsinki Design Week 2025
-
Is the MG Cyberster an electrifying sports car or a hefty grand tourer? In truth, it’s a bit of both
MG returns to its roots, sort of, with a sporting two-seater that electrifies the sector and points to a bolder design future for the Chinese-owned brand
-
Oystra is ZHA’s sculptural vision for living in the United Arab Emirates
Meet the team translating ZHA’s bold concept for the new development into ‘a community elevated by architecture’ – Dewan Architects + Engineers and developer Richmind
-
Stephen Prina borrows from pop, classical and modern music: now MoMA pays tribute to his performance work
‘Stephen Prina: A Lick and a Promise’ recalls the artist, musician, and composer’s performances, and is presented throughout MoMA. Prina tells us more
-
Curtains up, Kid Harpoon rethinks the sound of Broadway production ‘Art’
He’s crafted hits with Harry Styles and Miley Cyrus; now songwriter and producer Kid Harpoon (aka Tom Hull) tells us about composing the music for the new, all-star Broadway revival of Yasmina Reza’s play ‘Art’
-
Richard Prince recontextualises archival advertisements in Texas
The artist unites his ‘Posters’ – based on ads for everything from cat pictures to nudes – at Hetzler, Marfa
-
The best Ruth Asawa exhibition is actually on the streets of San Francisco
The artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look
-
Orlando Museum of Art wants to showcase more Latin American and Hispanic artists. Do you fit the bill?
The Florida gallery calls for for Hispanic and Latin American artists to submit their work for an ongoing exhibition
-
The spread of Butter: the Black-owned art fair where artists see all the profits
The Indianapolis-based art fair is known for bringing Black art to the forefront. As it ventures out of state to make its Los Angeles debut, we speak with founders Mali and Alan Bacon to find out more
-
Steve Martin wants you to visit The Frick Collection
The actor has appeared in a video promoting New York’s newly renovated art museum
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture