Latest articles by Michael Slenske
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Back to black: Edmund de Waal plays with dark glazes in new body of work -
Home grown: Asad Raza stages art show in his one-bedroom NYC apartment -
Separate spaces: Diller Scofidio + Renfro’s new Stanford building is a marvel -
Regurgitated memorywares: Ry Rocklen’s ’LA Relics’ at Honor Fraser Gallery -
’PriV%te’: Tony Oursler’s multimedia masks at Lehmann Maupin, Hong Kong -
Under one roof: Metrograph is a cinema, bookshop, bar and restaurant all in one -
Matt Wedel talks Peaceable Fruit ceramics -
Dark arts: Stephen Burks brings a design slant to NYC's Armory Show -
In Shulamit Nazarian’s new LA gallery, radical artists and curators are making noise -
Female artists turn minimalism on its head at Shulamit Nazarian’s new Hollywood gallery -
Mix-master: Bosco Sodi stages his first solo show in LA to dramatic effect -
Double team: Jenny Holzer and Marco Brambilla open shows across Ibiz -
Through the grapevine: Lee Ufan at Château La Coste's new vineyard gallery -
Break the mold: Adam Silverman debuts new ceramic works at Friedman Benda -
Frozen forms: dance inspires Adam Silverman's new sculptural installations -
Clay mates: Wallpaper* Handmade exhibitor Adam Silverman has been hard at the wheel ahead of Salone 2015
