Yinka Shonibare steps into the curator’s seat with a sharp survey of African art

Mayfair gallerist Stephen Friedman has represented British-Nigerian artist Yinka Shonibare for 22 years. Together they have grown to become linchpins of the British art scene, with Friedman having dedicated six solo shows to his Turner Prize-winning friend.
Their latest exhibition, entitled ‘Talisman in the Age of Difference’, celebrates Shonibare as curator. Sticking to themes close to his heart – identity politics, African resistance, the civil rights movement – Shonibare has selected 46 artists of African origin and from across the diaspora for the show, and placed paintings alongside sculpture and drawings spanning the early 20th century to present day.
Installation view of ‘Talisman in the Age of Difference’. Courtesy of Stephen Friedman Gallery, London. Photography: Mark Blower
Big guns such as American sculptor Melvin Edwards and Kehinde Wiley (whose 2017 portrait of Barack Obama was the first of any US President by an African-American) appear alongside lesser-known names such as Lagos-based Temitayo Ogunbiyi, who is transforming former land fill sites in the Nigerian city into childrens’ play parks, and Whitfield Lovell, who creates exquisite charcoal drawings of African-American faces and surrounds them with timeworn, everyday objects.
‘Most people know Yinka as an artist but fewer know him as a curator,’ says Friedman, who was inspired to host the exhibition after seeing Shonibare’s curatorial skills at work at last year’s Summer Exhibition at the Royal Academy. ‘A talisman is thought to possess transformative energy, like a lucky charm, a fetish, amulet, mascot or juju,’ he adds. ‘All the work, either consciously or subconsciously, has a subversive or political message and doesn’t necessarily conform to the Western vision of art. Like Yinka, all the artists in the show view their work as talismans, or vehicles for change.’
Shonibare adds, ‘At a time when the extreme right is on the rise, a strong statement like this will resonate beyond the exhibition. ‘It’s important we show our diversity; we sing, we dance, we perform rituals and we want to share them with everybody.’
Glyth (series 2), 2018, by Larry Achiampong, archival C-type print.
Installation view of ‘Talisman in the Age of Difference’. Courtesy of Stephen Friedman Gallery, London.
Afrikan Boy Sittin’, 2013/1434, by Hassan Hajjaj.
Installation view of ‘Talisman in the Age of Difference’. Courtesy of Stephen Friedman Gallery, London.
Installation view of ‘Talisman in the Age of Difference’. Courtesy of Stephen Friedman Gallery, London.
Yaya Mavundla, Parktown, Johannesburg, 2014, by Zanele Muholi, silver gelatin print. New York
INFORMATION
‘Talisman in the Age of Difference’ is on view until 21 July. For more information, visit the Stephen Friedman Gallery website
ADDRESS
Stephen Friedman Gallery
25-28 Old Burlington Street
Mayfair
London W1S 3AN
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Emma O'Kelly is a freelance journalist and author based in London. Her books include Sauna: The Power of Deep Heat and she is currently working on a UK guide to wild saunas, due to be published in 2025.
-
The artistry of Japanese wine
Fine wine from Japan may not yet register highly on the radars of most oenophiles, but for those who know, it's a hugely rewarding and rich tapestry of flavour. Drinks expert, Neil Ridley visits London's Luna Omakase for the launch of a new dedicated Japanese wine pairing menu
-
In Los Angeles, Darling doesn’t want to be your average dinner spot
Vinyl, live-fire cooking, and California’s finest ingredients come together in this immersive new concept from a celebrated Southern chef
-
Ashlyn, the quietly romantic New York label from a Yohji Yamamoto alumna
The focus of our latest Uprising column, Seoul-born Ashlyn Park worked for fashion greats before starting her own label in 2020. Showing her S/S 2026 collection at NYFW yesterday, she talks to Wallpaper* about marrying Japanese influences with the romance of Parisian savoir-faire
-
What's the story with Henni Alftan’s enigmatic, mysterious paintings? The artist isn’t saying
Paris-based artist Henni Alftan's familiar yet uncanny works are gloriously restrained. On the eve of a Sprüth Magers exhibition in Berlin, she tells us why
-
Five of the biggest art exhibitions to see in London in 2026
From Marilyn Monroe, to David Hockney and Tracey Emin – get these art exhibitions in your diary now
-
Out of office: the Wallpaper* editors’ picks of the week
With the return of back-to-school, it's back to business for the Wallpaper* team, who’ve been making the rounds at fashion pop-ups and pavilion launches. Elsewhere, we’ve been indulging in new literature and old restaurants, and taking in a farewell exhibition at a landmark gallery...
-
Home again: the artists reframing the domestic world
The humble home has fascinated artists for hundreds of years. But what, exactly, is the appeal? Artists including Andrew Cranston, Cece Philips and Do Ho Suh on magic in the mundane
-
From art to fashion, and back again: Jonathan Schofield’s figurative work is back in style
After graduating from London’s Royal College of Art, Jonathan Schofield began a career as a creative director at Stella McCartney. Now, he has returned to his first love, painting
-
Watch: artist Shezad Dawood lights up The Gaumont, King’s Road’s creatively focused new hub
In our short film, meet the artist, see his new work in the making, and discover more about The Gaumont
-
Out of office: the Wallpaper* editors’ picks of the week
Here in the UK, summer seems to be fading fast. Moody skies and showers called for early-autumn rituals for the Wallpaper* team: retreating into the depths of the Tate Modern, slipping into shadowy cocktail bars, and curling up with a good book
-
‘A Single Man’ is now a ballet – we go behind the design
As ‘A Single Man’ is presented by The Royal Ballet and Factory International in London, here’s how its set designer brought protagonist George’s inner and outer worlds to life on stage