Meet the Turner Prize 2025 shortlisted artists
Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa are in the running for the Turner Prize 2025 – here they are with their work

The four artists shortlisted for the Turner Prize 2025 – Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa – work across an eclectic spectrum of materials and mediums. This year, themes from the spiritual to the political and personal are considered, through painting, sculpture, photography and installation.
An exhibition of the shortlisted artists’ work will be held at Cartwright Hall Art Gallery in Bradford, from 27 September 2025 to 22 February 2026, as part of Bradford 2025 City of Culture. The jury, headed by Alex Farquharson, director, Tate Britain, and comprising Andrew Bonacina, independent curator; Sam Lackey, director, Liverpool Biennial; Priyesh Mistry, associate curator of Modern and Contemporary Projects, The National Gallery; and Habda Rashid, senior curator of Modern and Contemporary Art, Fitzwilliam Museum, will announce the winner on 9 December 2025.
Nnena Kalu
Nnena Kalu
Nnena Kalu, ‘Conversations’, Walker Art Gallery, installation view
Nnena Kalu, ‘Hanging Sculpture 1 to 10’, installation view, 2024
Nnena Kalu’s installations are sculpturally sublime, encompassing tightly packed, colourful textiles and paper. By binding, layering and wrapping them in cellophane and tape, they become cocoon-like when hung, a process she repeats in a practice integral to her philosophy. The abstract, meandering patterns make a vibrant foil to her considerations of the space her works command.
Kalu is nominated for her work, part of the exhibitions ‘Conversations’, at the Walker Art Gallery in Liverpool, and ‘Hanging Sculpture 1 to 10’ at Manifesta 15, Barcelona.
Rene Matić
Rene Matić
Rene Matić, ‘AS OPPOSED TO THE TRUTH’, Installation view, CCA Berlin, 2024
Rene Matić, ‘AS OPPOSED TO THE TRUTH’, Installation view, CCA Berlin, 2024
Artist and writer Matić intertwines personal references throughout works that consider broader themes of identity and belonging. Considering their family’s heritage, and their own, they include photographs of family and friends, showcased in frames that are stacked, to express moments of tenderness amidst turmoil. Matić also works with sound and installation to create an immersive environment that represents their experience in the community. Matić's exhibition, Idols Lovers Mothers Friends, is currently on show at Arcadia Missa, London, until 3 June.
Matić is nominated for their solo exhibition, ‘AS OPPOSED TO THE TRUTH’, at CCA Berlin.
Mohammed Sami
Mohammed Sami
Installation view, ‘Mohammed Sami, After the Storm’, Blenheim Art Foundation, Blenheim Palace, Woodstock, 9 July–6 October, 2024
Installation view, ‘Mohammed Sami, After the Storm’, Blenheim Art Foundation, Blenheim Palace, Woodstock, 9 July–6 October, 2024
Mohammed Sami is concerned with memory and loss, subjects he explores in evocative, large-scale paintings. Sami’s ambiguous works eschew the presence of people to focus instead on landscapes and environments, their emptiness reiterating the absence of people and the dearth of memory. In these ambiguous situations, the human presence is clearly near. Through layers of patterns and colours, Sami draws on his life in Baghdad during the Iraq War, and, later, his time as a refugee in Sweden.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Sami is nominated for his solo exhibition ‘After the Storm’ at Blenheim Palace, Oxfordshire.
Zadie Xa
Zadie Xa
Zadie Xa with Benito Mayor Vallejo, ‘Moonlit Confessions Across Deep Sea Echoes: Your Ancestors Are Whales, and Earth Remembers Everything’, 2025. Installation view
Xa works across mural, textile, sound and painting to create spiritual works that put the sea as the focus, blending cultures and references to create ethereal other worlds. Tradition, folklore and stories combine in her installation at 2025's Sharjah Biennial, which married bojagi patchwork and painting with a sculpture made of over 650 brass wind chimes inspired by Korean shamanic ritual bells.
Xa is nominated for ‘Moonlit Confessions Across Deep Sea Echoes: Your Ancestors Are Whales, and Earth Remembers Everything’, with Benito Mayor Vallejo, at Sharjah Biennial 16.
An exhibition of the shortlisted artists’ work will be held at Cartwright Hall Art Gallery in Bradford, from 27 September 2025 to 22 February 2026, as part of Bradford 2025 City of Culture. The winner is announced on 9 December 2025
Hannah Silver is the Art, Culture, Watches & Jewellery Editor of Wallpaper*. Since joining in 2019, she has overseen offbeat design trends and in-depth profiles, and written extensively across the worlds of culture and luxury. She enjoys meeting artists and designers, viewing exhibitions and conducting interviews on her frequent travels.
-
Wallpaper* checks in at Rosewood Miyakojima: ‘Japan, but not as most people know it’
Rosewood Miyakojima offers a smooth balance of intuitive Japanese ‘omotenashi’ fused with Rosewood’s luxury edge
-
Thrilling, demanding, grotesque and theatrical: what to see at Berlin Gallery Weekend
Berlin Gallery Weekend is back for 2025, and with over 50 galleries taking part, there's lots to see
-
A first look inside the new Oxford Street Ikea. Spoiler: blue bags and meatballs are included
The new Oxford Street Ikea opens tomorrow (1 May), giving Londoners access to the Swedish furniture brand right in the heart of the city
-
The art of the textile label: how British mill-made cloth sold itself to Indian buyers
An exhibition of Indo-British textile labels at the Museum of Art & Photography (MAP) in Bengaluru is a journey through colonial desire and the design of mass persuasion
-
From counter-culture to Northern Soul, these photos chart an intimate history of working-class Britain
‘After the End of History: British Working Class Photography 1989 – 2024’ is at Edinburgh gallery Stills
-
Surrealism as feminist resistance: artists against fascism in Leeds
‘The Traumatic Surreal’ at the Henry Moore Institute, unpacks the generational trauma left by Nazism for postwar women
-
From activism and capitalism to club culture and subculture, a new exhibition offers a snapshot of 1980s Britain
The turbulence of a colourful decade, as seen through the lens of a diverse community of photographers, collectives and publications, is on show at Tate Britain until May 2025
-
Jasleen Kaur wins the Turner Prize 2024
Jasleen Kaur has won the Turner Prize 2024, recognised for her work which reflects upon everyday objects
-
Peggy Guggenheim: ‘My motto was “Buy a picture a day” and I lived up to it’
Five years spent at her Sussex country retreat inspired Peggy Guggenheim to reframe her future, kickstarting one of the most thrilling modern-art collections in history
-
Please do touch the art: enter R.I.P. Germain’s underground world in Liverpool
R.I.P. Germain’s ‘After GOD, Dudus Comes Next!’ is an immersive installation at FACT Liverpool
-
‘Regeneration and repair is a really important part of how I work’: Bharti Kher at Yorkshire Sculpture Park
Bharti Kher unveils the largest UK museum exhibition of her career at Yorkshire Sculpture Park