Seven exhibitions to welcome London’s Centre for British Photography
Opening on 26 January 2023, the new Centre for British Photography in London is set to build on the Hyman Collection and will be holding seven shows, on until 30 April
The Centre for British Photography will be opening its three floors of exhibition space on 25 January 2023, and to mark the occasion will hold seven shows, comprising two exhibitions and five displays. Building on the Hyman Collection of British Photography, the opening of the centre marks a new era for British photography.
London’s new Centre for British Photography
Tracy Marshall-Grant, deputy director of the Centre for British Photography speaks of the opportunities she hopes to provide through the centre, in its capacity to ‘support British photographers through commissions, grants, exhibitions, acquisitions and sales’. And James Hyman, the centre’s founding director, sees its opening as a chance to create a new home for British photography.
‘We hope that through this initial work to make a home for British photography we can, in the long run, develop an independent centre that is self-sustaining with a dedicated National Collection and public programme,’ he commented.
Bill Brandt, The Perfect Parlourmaid, 1935
In its opening season, the centre will be presenting ‘The English at Home: Twentieth Century Photographs from the Hyman Collection’. The show will display over 150 photographs from the Hyman Collection archives, exploring the nation’s safe spaces through the ages. Using British photographer and photojournalist Bill Brandt’s book, The English at Home as a starting point, the exhibition draws on major bodies of work from the collection, unpicking subcultures and communities through photography.
Alongside this, ‘Headstrong: Women and Empowerment’ will present a photo series by campaign group Fast Forward, which has used the platform to celebrate self-portraiture as a tool for empowerment. The exhibition looks to challenge political discourses and embrace the diversity of the female experience, by reframing the narrative.
Jo Spence, Only when I got to fifty did I realise I was Cinderella (06), 1984
Elsewhere at the centre, a series of ‘in focus’ displays will highlight five works from individual artists: ‘Wish you were here’ by Heather Agyepong; ‘Fairytale for sale’ by Natasha Caruana; ‘Fairytales of Photography’ by Jo Spence; ‘Spitting’ by Andrew Bruce and Anna Fox; and ‘Platinum Prenotations’ by Paul Hill.
The Centre for British Photography opens to the public on 26 January 2023, with exhibitions running until 30 April 2023.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
49 Jermyn Street, London SW1Y 6LX
Heather Agyepong, Wish You Were Here (6. Le Cake-Walk Spotlight on Rest), 2020
Ken Grant, A Kitchen in Birkenhead near Liverpool, 1989
Richard Billingham, Ray's a Laugh, 1994
Paul Hill, Legs Over High Tor, 1975
Martha Elliott is the Junior Digital News Editor at Wallpaper*. After graduating from university she worked in arts-based behavioural therapy, then embarked on a career in journalism, joining Wallpaper* at the start of 2022. She reports on art, design and architecture, as well as covering regular news stories across all channels.
-
La Monique brings the French Riviera to Santa MonicaA transportive room of velvet, candlelight, and Riviera chic, serving French favourites with a modern wink
-
Kat Milne is the designer behind fashion’s most intriguing retail spacesInfused with elements of the surreal, Kat Milne has designed stores for the likes of Marc Jacobs, Sandy Liang and A24. ‘People are looking for a more tactile experience,’ she tells Wallpaper*
-
A refreshed 1950s apartment in East London allows for moments of discoveryWith this 1950s apartment redesign, London-based architects Studio Naama wanted to create a residence which reflects the fun and individual nature of the clients
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram
-
A former leprosarium with a traumatic past makes a haunting backdrop for Jaime Welsh's photographsIn 'Convalescent,' an exhibition at Ginny on Frederick in London, Jaime Welsh is drawn to the shores of Lake Geneva and the troubled history of Villa Karma
-
Maggi Hambling at 80: what next?To mark a significant year, artist Maggi Hambling is unveiling both a joint London exhibition with friend Sarah Lucas and a new Rizzoli monograph. We visit her in the studio