Mirror, mirror: Lisson Gallery reflects on the history of video art

Finding interesting ways of presenting video-art is never easy. Lisson Gallery's summer exhibition, 'Performance/Audience/Mirror', aims to step away from the 'uncomfortable chairs in a dark screening room' concept by reaching outside the walls of the London gallery through a programme of live, online screenings designed to provoke world-wide debate. This virtual element 'not only allows global access to the exhibition but also highlights the democratic nature of film while calling into question issues facing artists who work in this discipline', explains curator Emma Gifford-Mead.
The show's title is drawn from Dan Graham’s 1977 performance of the same name, at De Appel Arts Centre in Amsterdam. Contrasting the web screenings, the exhibition also makes use of an intensely intimate, gallery-bound viewing installation, in the form of Graham's 2001 work, Greek Meander Pavilion, Open Shōji Screen Version, where the 'audience' third of the exhibition is held. The pavilion shows a range of films from the 1960s to the present day on a screen encased between two-way mirrors and Japanese-inspired shōji panels. Films can be viewed from inside or outside of the pavilion, along with any gallery-goers who might be exploring inside – so audience members become an integral part of the viewing experience, as opposed to those who might be watching at home on their laptops.
The latter two sections, 'performance' and 'mirror' are more traditional in layout, but they feature some of the exhibition's real gems. These include the UK debut of a darkly comic claymation, Worship (2016), by Swedish duo Nathalie Djurberg and Hans Berg, and the rarely seen SPEAK. by British conceptualist John Latham – a psychedelic, ten-minute snapshot of the 1960s.
The show contributes to London's recent love-affair with technological, performative art (think of Whitechapel Gallery's 'Techtonic Superhighway' or 'Performing for the Camera' at Tate Modern), but also follows an increasing number of exhibitions that include a virtual element, like Bruno Ceschel's app-based photography interactions, and The Supermarket's online gallery space. The result is a winning mix of personal, intimate performances and web-friendly progression.
Graham's pavilion creates an intimate sculptural environment to explore the significance of architecture and space in film, while allowing the audience to more actively engage with the works on view. It is here that the 'audience' section of the show is based. Pictured: installation view of Greek Meander Pavilion, Open Shōji Screen Version, by Dan Graham, 2001
Pictured: a still from Performer/Audience/Mirror
The latter two sections, 'performance' and 'mirror' are more traditional in layout, with darkened screening rooms favoured over two-way mirrors and pavilions. Pictured: installation view of Vexation Island, by Rodney Graham, 1997
One of the exhibition's real gems is the UK debut of a darkly comic claymation, Worship (2016), by Swedish duo Nathalie Djurberg and Hans Berg
Installation view of The Hunt, Christian Jankowski's 1992 performance video piece.
Installation view of How to Appear Invisible, by Allora & Calzadilla, 2008
The result of the show's keen curation is winning mix of intensely personal performances in a web-friendly setting. Pictured: installation view of Telematch shelter, by Wael Shawky, 2008
INFORMATION
'Performer/Audience/Mirror' is on view until 27 August. For more information, visit the Lisson Gallery website
ADDRESS
Lisson Gallery
52 Bell Street
London, NW1 5DA
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.
-
Welcome to io: OpenAI acquires Jony Ive’s secret startup to shape the form of future AI
Jony Ive’s LoveFrom has spent two years assembling io, a crack team of specialists to visualise the physical form of Artificial Intelligence. Newly acquired by Sam Altman at ChatGPT, this tech supergroup hopes to re-shape the landscape of Silicon Valley and our relationship with tech
-
Chelsea Flower Show unfurled: a year of pause, thought and promise
This week’s RHS Chelsea Flower Show – now in its 112th year – has begun to reveal its defining spirit. This year is one of tentative readjustment: a reassuring exploration of the ‘future garden’, and the ways in which landscape design might tackle climate and conservation challenges
-
Milan exhibition celebrates 20 years of Armani Privé: ‘Haute couture is fashion when it becomes art’
Hosted at the Tadao Ando-designed Armani/Silos, ‘Giorgio Armani Privé 2005-2025, Twenty Years of Haute Couture’ displays an expansive collection of the Italian designer’s showstopping haute couture creations
-
Out of office: what the Wallpaper* editors have been up to this week
The Wallpaper* team enjoyed good art, food and drink this week, attending various exhibition openings and unearthing some of the best pasta and cocktails that London has to offer
-
Caroline Walker's new show speaks to women everywhere, including me
'Everything related to my life with young children, because it's such an all encompassing experience,' the artist says of her new show at the Hepworth Wakefield
-
Cassi Namoda is rethinking stained-glass windows at Turner Contemporary in Margate
The artist drew from an eclectic range of references when considering the traditional medium for a Turner Contemporary window overlooking the beach – she tells us more
-
As Photo London turns 10, seven photographers tell us the story behind their portraits
Photo London celebrates its tenth anniversary from 14–18 May 2025 at Somerset House
-
The Tate Modern is hosting a weekend of free events. Here's what to see
From 9 -12 May, check out art, attend a lecture, or get your groove on during the museum's epic Birthday Weekender
-
Artist Zumba Luzamba on the vibrant aesthetic of Congolese fashion rebels, the sapeurs
The Congolese artist takes a deep dive into a fashion subculture in his show at London's Kristin Hjellegjerde Gallery. ‘I draw people in with style so that they can sit with deeper themes,’ he says
-
‘The work is an extension of myself’: Michaela Yearwood-Dan on her debut show at Hauser & Wirth
London-based artist Michaela Yearwood-Dan continues her rapid rise, unveiling monumental new paintings in ‘No Time for Despair’
-
The UK AIDS Memorial Quilt will be shown at Tate Modern
The 42-panel quilt, which commemorates those affected by HIV and AIDS, will be displayed in Tate Modern’s Turbine Hall in June 2025