The London-based Pangolin gallery introduces new works by Danish-born ceramics pioneer Merete Rasmussen in a new show, 'Bronze & Ceramic'. Alongside the artist’s gravity-defying handmade works, the gallery unveils a new series of bronze pieces, presenting a new experimental phase of Rasmussen’s oeuvre; pushing her sinuous lines to new levels and giving her production an unprecedented dynamic stance.
Although Rasmussen’s ceramic work was inspired by fellow Danes such as Arne Jacobsen and Verner Panton – as well as the sand dunes of Namibia – her undulating designs also suggest a mix of Pol Chambost’s and Zaha Hadid’s trademark aesthetics. The sculptures are hand-coiled by the artist and coloured in a variety of shades that enhance their sensual curves.
‘My shapes can represent an idea of a captured movement, as a flowing form stretching or curling around itself,’ the artist says about her work, ‘or the idea of repeated natural forms, or even complex mathematical constructions.’ Each piece, no matter the medium, finds its shape in the ravelling of a piece of material, giving a sense of puzzling continuity to the ever-growing collection.
Seen together, her productions are a feat of technology and art; poems of light and shadow that push the material boundaries into brave new territory. Yet again, Rasmussen’s explorations offer a glimpse of her ongoing shape research and let us marvel at her inspired ability.
The exhibition features the artist’s gravity-defying handmade ceramics...
... as well as a new series of bronze pieces, presenting a new experimental phase of Rasmussen’s oeuvre
Although Rasmussen’s ceramic work was inspired by fellow Danes such as Arne Jacobsen and Verner Panton, her undulating designs also suggest a mix of Pol Chambost’s and Zaha Hadid’s trademark aesthetics
The sculptures are hand-coiled by the artist and coloured in a variety of shades that enhance their sensual curves
The new bronze objects push these sinuous lines to new levels, giving her production an unprecedented dynamic stance
‘My shapes can represent an idea of a captured movement, as a flowing form stretching or curling around itself,’ says the artist
Rasmussen has been experimenting with the idea of repeated natural forms and complex mathematical constructions
Each piece, no matter the medium, finds its shape in the ravelling of a piece of material, giving a sense of puzzling continuity to the ever-growing collection
A feat of technology and art, her productions are poems of light and shadow that push the material boundaries into brave new territory
Rasmussen’s explorations offer a glimpse of her ongoing shape research and let us marvel at her inspired ability
INFORMATION
'Merete Rasmussen: Bronze & Ceramic' is on view until 16 January 2016. For more information, visit Pangolin's website
Images courtesy Pangolin Gallery, London
ADDRESS
Pangolin London
Kings Place
90 York Way
London, N1 9AG
-
Vivienne Westwood’s personal wardrobe goes up for sale in landmark Christie’s auctionThe proceeds of ’Vivienne Westwood: The Personal Collection’, running this June, will go to the charitable causes she championed during her lifetime
-
Montblanc’s leather goods evolution offers peak styleMontblanc takes design inspiration from its iconic writing archive for new collections of leather goods
-
Ray Phoenix to rise in ArizonaRay Phoenix housing project launches, designed by Johnston Marklee, who worked with Lamar Johnson Collaborative and artist Alex Israel, for property experts Ray and Vela
-
Kembra Pfahler revisits ‘The Manual of Action’ for CIRCAArtist Kembra Pfahler will lead a series of classes in person and online, with a short film streamed from Piccadilly Circus in London, as well as in Berlin, Milan and Seoul, over three months until 30 June 2024
-
Yinka Shonibare considers the tangled relationship between Africa and Europe at Serpentine SouthYinka Shonibare‘s ‘Suspended States’ at Serpentine South, London, considers history, refuge and humanitarian support (until 1 September 2024)
-
Gavin Turk subverts still-life painting and says: ‘We are what we throw away’Gavin Turk considers wasteful consumer culture in ‘The Conspiracy of Blindness’ at Ben Brown Fine Arts, London
-
Dorothy Hepworth and Patricia Preece: Bloomsbury’s untold story‘Dorothy Hepworth and Patricia Preece: An Untold Story’ is a new exhibition at Charleston in Lewes, UK, that charts the duo's creative legacy
-
Don’t miss: Thea Djordjadze’s site-specific sculptures in LondonThea Djordjadze’s ‘framing yours making mine’ at Sprüth Magers, London, is an exercise in restraint
-
‘Accordion Fields’ at Lisson Gallery unites painters inspired by London‘Accordian Fields’ at Lisson Gallery is a group show looking at painting linked to London
-
Fetishism, violence and desire: Alexis Hunter in London‘Alexis Hunter: 10 Seconds’ at London's Richard Saltoun Gallery focuses on the artist’s work from the 1970s, disrupting sexual stereotypes
-
Wayne McGregor’s new work merges genetic code, AI and choreographyCompany Wayne McGregor has collaborated with Google Arts & Culture Lab on a series of works, ‘Autobiography (v95 and v96)’, at Sadler’s Wells (12 – 13 March 2024)
