La vie magnifique: a trio of artists celebrate the banal at Palais de Tokyo

As part of a season called ’La Vie Magnifique’, Ugo Rondinone, Ragnar Kjartansson and Mélanie Matranga take over Paris’ Palais de Tokyo with a trio of shows that celebrate the beauty of the everyday. Pictured: ’I ♥ John Giorno’, by Ugo Rondinone (installation view), Palais de Tokyo. 

As part of the 'La Vie Magnifique' season at Paris' Palais de Tokyo, a trio of artists are set to take over the museum with shows that celebrate the beauty of the everyday.

Spanning three generations, the artists – Swiss-born, New York-based Ugo Rondinone, Icelandic Ragnar Kjartansson and young French practitioner Mélanie Matranga – run the gamut in terms of medium and approach.

Headlining the season is Rondinone, who has chosen to curate a retrospective of the work of legendary American poet and performance artist John Giorno; a major figure in the 1960s American underground and the subject of Andy Warhol's 1963 film Sleep.

The show, which becomes a work in its own right, is described by Rondinone as a 'declaration of love'. 'I structured the exhibition in eight chapters,' he explains, 'each representing a layer of Giorno's multifaceted work.' 

Inspired by pop art's appropriation of found images and advertising slogans, New York-based Giorno has always strived to make poetry more accessible. In 1968 he launched Dial-A-Poem – a phone service for listening to poems that will be reactivated for the duration of the show (call 0800 106 106!). In addition, look out for Céline's series of visually striking artworks, which will be displayed around the city during FIAC (opens in new tab) in support of the Giorno exhibition.

Occupying space on the same floor as Rondinone is Kjartansson, an Icelandic performance artist who presents his first solo show in France, 'Seul celui qui connaît le desire'. Named after a poem by Goethe that sits at the crossroads between music and literature, the show explores the boundary between the banal and the sublime.

Highlights include Bonjour, 2015, a performance depicting a fleeting encounter between a man and a woman that will repeat during the show; and Scenes from Western Culture, 2015, a slideshow of cinematic portraits that simultaneously celebrate and deplore the desires fuelled by Western culture.

Meanwhile, on the museum's entrance level, Parisian artist Mélanie Matranga (the winner of last year's inaugural Frieze Artist Award) has installed several immersive and intentionally elusive environments. Titled '反复 [FANFU]' (meaning 'again and again' in Mandarin), the exhibition marks Matranga's first significant solo show. Reflecting upon interiority with elements linked to social attitudes and habits, Matranga has created two large mezzanines, including a smoking room with Isamu Noguchi-inspired paper lights, loudspeakers and photographic prints and drawings that cover several walls. 

Headlining the season is Rondinone, who has chosen to curate a retrospective of the work of legendary American poet and performance artist John Giorno; a major figure in the 1960s American underground scene and the subject of Andy Warhol's 1963 film Sleep. Pictured:  'I ♥ John Giorno', by Ugo Rondinone (installation view), Palais de Tokyo.

Inspired by pop art’s appropriation of found images and advertising slogans, New York-based Giorno has always strived to make poetry more accessible. The show, which becomes a work in its own right, is described as a ’declaration of love’ by Rondinone. Pictured:  ’I ♥ John Giorno’, by Ugo Rondinone (installation view), Palais de Tokyo.

Occupying space on the same floor at the museum is Icelandic performance artist Ragnar Kjartansson, who presents his first solo show in France, ’Seul celui qui connaît le desire’. Pictured: Bonjour, by Ragnar Kjartansson, 2015.

Highlights include Bonjour, 2015, a live performance depicting a fleeting encounter between a man and a woman that will repeat during the show... Pictured: Bonjour, by Ragnar Kjartansson, 2015.

...and Scenes from Western Culture, 2015, a slideshow of cinematic portraits that simultaneously celebrate and deplore the desires fuelled by Western culture. Pictured: World Light – The Life and Death of an Artist, by Ragnar Kjartansson, 2015

Parisian artist Mélanie Matranga (the winner of last year’s inaugural Frieze Artist Award) has installed several immersive and intentionally elusive environments. Pictured: ’反复 [FANFU]’, by Mélanie Matranga (installation view), Palais de Tokyo. 

Titled ’反复 [FANFU]’ (meaning ’again and again’ in Mandarin), the exhibition marks Matranga’s first significant solo show. Pictured: ’反复 [FANFU]’, by Mélanie Matranga (installation view), Palais de Tokyo. 

Reflecting upon interiority with elements linked to social attitudes and habits, Matranga has created two large mezzanines, including a smoking room with Isamu Noguchi-inspired paper lights, loudspeakers and photographic prints and drawings that cover several walls. Pictured: ’反复 [FANFU]’, by Mélanie Matranga (installation view), Palais de Tokyo.

Céline are supporting Rondinone’s ’I ♥ John Giorno’ exhibition with a series of visually striking posters that will be displayed around the city in kiosks during FIAC

INFORMATION

’La Vie Magnifique’ is on view until 10 January 2016

ADDRESS

Palais de Tokyo
13, Avenue du Président Wilson
75116 Paris

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