South African artist Kemang Wa Lehulere at Frieze 2018
Marian Goodman Gallery has kicked off its 2018-2019 season with an inaugural presentation by draughtsman, performance artist and sculptor Kemang Wa Lehulere at its London outpost. The Cape-town native initially rose to prominence in 2006 with Gugulective, an artist-led, community-engaged collective co-founded with childhood artistic associate, Unathi Sigenu and is rapidly emerging as one of South Africa’s most prominent artistic exports.
Last year he scooped both Deutsche Bank’s Artist of the Year honour and the Malcolm McLaren Award at Performa 17 in New York, exposure that piqued the interest of Marian Goodman Gallery. Drawing on years of social activism, the artist confronts themes of post-apartheid unrest and broader socio-politics by recounting and re-enacting what he deems to be ‘deleted scenes’ from South African history.
The show – titled ‘not even the departed stay grounded’ – features both new works and reworked strands lifted from the multi-element Performa commission, I cut my skin to liberate the splinter, comprising messages-in-bottles, imposing sphinx-like ceramic dogs and bird houses indicating the prevalence of forced removals under apartheid. The exhibition sees an expansion of new imagery with large chalk wall drawings and objects bound and suspended by shoelaces spanning floor to ceiling.
The artist will present a partial reiteration of his now distinctive salvaged classroom desk and chair construction, defaced and riddled with generations of juvenile inscriptions – personal initials and crude carvings of genitalia – exuding themes of collective revolt and a poignant narration of the 1976 student uprising. ‘The works are not as huge and complex as my previous installations. I want to simplify and distil ideas I have been thinking through,’ the artist tells Wallpaper*.
‘Wa Lehulere’s exhibitions and performances are spaces for working out ideas’ says School of the Art Institute of Chicago professor Delinda Collier, ‘not allowing something to be fixed into a static representation is very much at the heart of all he does.’ Visitors to the exhibition will be encouraged to donate books to be passed on to Wa Lehulere’s forthcoming library project in Gugulethu.
INFORMATION
‘Kemang Wa Lehulere: not even the departed stay grounded’ is on view until 20 October. For more information, visit the Marian Goodman Gallery website
ADDRESS
Marian Goodman Gallery
5-8 Lower John Street
London W1F 9DY
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
This Mumbai apartment feels pixelated, like walking into a retro video gameA MuseLAB-designed space embraces a repetitive grid pattern, yet manages to feel completely open and unrestrained
-
Chris Wolston’s first-ever museum show bursts with surreal forms and psychedelic energy‘Profile in Ecstasy,’ opening at Dallas Contemporary on 7 November, merges postmodern objects with Colombian craft techniques
-
The Mobilize Duo x TA is a limited-edition electric microcar, with graphics by TheArsenaleRenault’s Mobilize brand has launched another collaboration with creative agency TheArsenale, fitting out the diminutive Duo with fresh colours and graphics
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* editors curated a diverse mix of experiences, from meeting diamond entrepreneurs and exploring perfume exhibitions to indulging in the the spectacle of a Middle Eastern Christmas
-
Artist Shaqúelle Whyte is a master of storytelling at Pippy Houldsworth GalleryIn his London exhibition ‘Winter Remembers April’, rising artist Whyte offers a glimpse into his interior world
-
Diane Arbus at David Zwirner is an intimate and poignant tribute to her portraitureIn 'Diane Arbus: Sanctum Sanctorum,' 45 works place Arbus' subjects in their private spaces. Hannah Silver visits the London exhibit.
-
Zofia Rydet's 20-year task of photographing every household in Poland goes on show in LondonZofia Rydet took 20,000 images over 20 years for the mammoth sociological project
-
Joy Gregory subverts beauty standards with her new exhibition at Whitechapel GalleryUnrealistic beauty standards hide ugly realities in 'Joy Gregory: Catching Flies with Honey '
-
Bengi Ünsal steers London's ICA into an excitingly eclectic directionAs director of London’s Institute of Contemporary Arts, Bengi Ünsal is leading the cultural space into a more ambitious, eclectic and interdisciplinary space
-
Out of office: The Wallpaper* editors’ picks of the weekThe clocks have gone back in the UK and evenings are officially cloaked in darkness. Cue nights spent tucked away in London’s cosy corners – this week, the Wallpaper* team opted for a Latin-inspired listening bar, an underground arts space, and a brand new hotel in Shoreditch
-
David Goldblatt captures intimate portraits of Johannesburg during apartheidBetween 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb in the west of Johannesburg’s city centre, to photograph the impact of apartheid legislation on its residents and landscape. The resulting photographs have now been collected and published for the first time