The dissolving mirages of photographer Jack Davison
After a time-honoured road-trip across America, the young artist from Essex has quickly emerged as one of the leading portrait photographers in the UK

Jack Davison graduated from university in 2012. He worked for six months as a labourer on a building site near his parent’s home in rural Essex, and then, with the money banked, set out on that most time-honoured of photographic journeys. He flew to America and drove for 10,000 miles, from sea to shining sea.
In doing so, he traversed 26 states, taking photograph after photograph in each one – homeless old men, street hoppers, marginalised youths, tough guys, bag ladies, skaters, hipsters, mods and suits. On his return to London, he selected a portrait from each state and set to work editing them. The resulting portraits, each intensely framed and lit, both intimate and oblique, came to life in silky greys and eggshell whites and petrol blacks. Davison had his first major body of work – 26 States.
Speaking today, it’s clear how important that trip around America was for Davison. He met and learnt from a range of older photographers in America, including his now wife, Agnes. It’s here he learnt to use film as well as digital. The work created for 26 States varies from film and digital, from more formal and classical portraiture to stick-‘em-up street shots. He caught geometric cityscapes, carefully composed still lifes, and, with the judicious use of reflections and slow exposures, strange and compelling abstract compositions, in which an eye or a mouth can float discombobulated from the curlicues of smoke, or be distorted through a discarded piece of Perspex he found beneath his feet, or be visible through the shimmering water found on the pavement.
Davison’s family dog is called Dali, named after his favourite artist as a child. The influence of the Spanish surrealist and his great collaborator, Man Ray, are present in Davison’s portraiture – the way he’ll create a ghostly repetition of a face through an exposure, or break and reassemble a portrait by focusing on the jagged reflections of broken glass. But equally, he looked carefully at more staid photographers. He genuflected to Elliot Erwitt’s stately, reverent portraits of strangers, and, for his colourful and carefully composed cityscapes, he looked to the cinematic great of street photography, Saul Leiter.
As he prepares to launch his first monograph, simply called Photographs, it’s fair to say Davison has become one of the leading portraitists working in the UK, across both the fine-art, editorial and commercial sectors – all at the age of 28. This hasn’t happened by accident. Davison hustled hard on his return to London. He made sure to show 26 States, in person, to the gatekeepers of the photography world – the magazine editors, the photography agents, the commercial agencies. Five years later, and he’s represented by Mini-Title, shoots for clients like Hermès, Burberry, Financial Times, Vogue, AnOther and Double, and gained his first solo exhibition, ‘Revisiting Pictures’, at Amsterdam’s Foam museum in 2016.
Amid this range of accolades, one client stands out. Davison is now a regular photographer for The New York Times Magazine. The old grey lady’s photography editor, Kathy Ryan, recently described him as ‘reinvigorating the art of magazine portraiture’. Ryan has put her money where her mouth is, commissioning Davison to shoot the cover story for the magazine’s LA Noir Great Performers issue. Davison had, at that point, only had the experience of shooting one actor for an editorial commission. Now, over the space of a few short days in New York, he had the likes of Denzel Washington and Isabelle Huppert, along with the breakthrough stars of that cinematic year. All were lined up and ready to enter his studio, and he had to find a way to animate each one in his own style.
Photographs is published by Loose Joints, an independent photography publishing company ran by Lewis Chaplin, formerly of Copeland Book Market, and the artist Sarah Piegay Espenon. The pair say Davison has the ability to ‘excavate the surreal and sensual from the fabric of daily life... oscillating from crisp, sharp details to dissolving mirages’. ‘The book indistinguishably shifts from staged, meticulous editorial setups to simple everyday occurrences,’ they write, ‘infused with mystery and depth.’
INFORMATION
Photographs, £40, published by Loose Joints. For more information, visit Jack Davison’s website
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Tom Seymour is an award-winning journalist, lecturer, strategist and curator. Before pursuing his freelance career, he was Senior Editor for CHANEL Arts & Culture. He has also worked at The Art Newspaper, University of the Arts London and the British Journal of Photography and i-D. He has published in print for The Guardian, The Observer, The New York Times, The Financial Times and Telegraph among others. He won Writer of the Year in 2020 and Specialist Writer of the Year in 2019 and 2021 at the PPA Awards for his work with The Royal Photographic Society. In 2017, Tom worked with Sian Davey to co-create Together, an amalgam of photography and writing which exhibited at London’s National Portrait Gallery.
-
Inspired by Robert Mapplethorpe, A/W 2025’s best menswear captures a ‘menacing elegance’
‘A menacing, seductive elegance,’ is how Anthony Vaccarello described his A/W 2025 menswear collection for Saint Laurent, capturing a mood that ran through the season. Here, as seen in Wallpaper’s September 2025 cover shoot and film, a series of looks that invite a sense of risk when dressing for the months ahead
-
Artists imbue the domestic with an unsettling unfamiliarity at Hauser & Wirth
Three artists – Koak, Ding Shilun and Cece Philips – bring an uncanny subversion to the domestic environment in Hauser & Wirth’s London exhibition
-
No guilt, only pleasures await at Singapore’s first all-villa resort
From late-evening scented baths to midnight snack attacks, daily indulgences come in abundance at the tropical Raffles Sentosa Singapore
-
Cult classic ‘Teenagers in Their Bedrooms’ captures the angst of being a teen
Are 1990s teens so different? Three decades after its original release, this photography book by Adrienne Salinger has been published again, by DAP
-
Booker Prize 2025: Kiran Desai returns with long-awaited follow-up as longlist is revealed
This year’s Booker Prize longlist captures the emotional complexity of our times, with stories of fractured families, shifting identities and the search for meaning in unfamiliar places
-
How to be butch: Clark Henley’s sharp, satirical and playful manual is back in print
The 1982 classic, ‘The Butch Manual: The Current Drag and How to Do It’, full of tongue-in-cheek advice, is available once again
-
We are all fetishists, says Anastasiia Fedorova in her new book, which takes a deep dive into kink
In ‘Second Skin’, writer and curator Fedorova takes a tour through the materials, objects and power dynamics we have fetishised
-
The gayest love story ever told: Jeremy Atherton Lin's memoir is a tribute to home
In 'Deep House: The Gayest Love Story Ever Told', Jeremy Atherton Lin mixes memoir with a historical deep-dive into marriage equlaity
-
The glory years of the Cannes Film Festival are captured in a new photo book
‘Cannes’ by Derek Ridgers looks back on the photographer's time at the Cannes Film Festival between 1984 and 1996
-
Taschen’s sexy record covers are hitting all the right notes
Taschen has been through 50 years of album art for its latest tome, ‘Sexy Record Covers’
-
‘Dressed to Impress’ captures the vivid world of everyday fashion in the 1950s and 1960s
A new photography book from The Anonymous Project showcases its subjects when they’re dressed for best, posing for events and celebrations unknown