Celestial bodies: Flavie Audi traps iridescent colours in geological glass forms
French-Lebanese artist Flavie Audi's interest in glass developed when she was studying architecture in London. She became frustrated by the unimaginative way glass was often used – as a flat, stolid material. 'I was keen to manipulate glass in a sensual way, to give it humanity,' she explains. 'When working in architecture, you always have a client and a brief, so I thought the best way to explore this was to move away from architecture and into art.'
Since switching disciplines, Audi has been dubbed a 'glass artist'; which, despite her love of the material, is limiting. She also produces digital and analogue photography, film and multimedia art, as a new exhibition at Tristan Hoare gallery in London displays. Split into two rooms, 'Cell-(estial)' pinpoints the moment virtual and physical worlds meet, through the interaction between Audi's weighty blown-glass sculptures and her ethereal, airy video installations.
Despite the difference in mediums, the exhibition is united by Audi's dazzling, otherwordly aesthetic. There's an alien quality to each work. It's difficult to know how each piece was made, or what it's even made from. 'Everyone always wants to touch my works,' she says. 'I encourage this.'
'Fluid Rock 19'. © Flavie Audi. Courtesy of Tristan Hoare
You half expect the glass works to be soft and rubbery rather than smooth and glazed. The bubble-like textures are created through a variety of innovative glass-blowing techniques that Audi is keeping close to her chest. Though she does tell us, 'I like to misuse or invent new steps in the glass blowing process. It's like making my own recipes.'
All we know is that these mysterious recipes mix together synthetic elements with organic ones, reflecting glass' changing use from a purely physical, architectural object to an interactive one. Today, glass is something that we hold in our hands and interact with on a daily basis through our phones and devices. It is no longer a one-dimensional material; rather, it is an experiential, virtual one, beautifully captured here by Audi's curiously modern forms.
Left, Fluid Rock, 2016; and Gemscape 1, 2016. Photography: Ben Westoby. Right, Fluid Rock 16.
Cloudscape 8, 2016.
INFORMATION
’Cell-(estial)’ is on view until 9 January 2017. For more information, visit the Tristan Hoare
ADDRESS
Tristan Hoare
Six Fitzroy Square
London W1T 5HJ
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.
-
This ‘anti-trend’ Wisconsin lake cabin is full of thrifted treasures – and you book a stayThis historic cabin on Lake Wandawega, preserved and restored by the team behind Camp Wandawega, embraces a salvage-driven approach that celebrates genuine history over polished style
-
Arthur Tress’ photographs taken in The Ramble are a key part of New York’s queer historyThe images, which captured gay men, like Tress himself, cruising around the Central Park woodland in 1969, are the subject of a new book
-
Is this reimagined 1980s brick building the answer to future living?Architects Bureau de Change revamped this Euston building by reusing and reimagining materials harvested from the original – an example of a low-carbon retrofit, integrated into the urban context
-
What do creatives pin to their walls? Artists from Tracey Emin to Michael Stipe reveal allAn exhibition at Incubator gallery, London, asks 45 creatives what is tacked to their studio walls – here are some of their pin-ups
-
Wallpaper* Design Awards: meet Klára Hosnedlová, art’s Best DreamscaperThe immersive worlds that the Czech artist creates make her a worthy Wallpaper* Design Award 2026 winner; she speaks to us ahead of her first show at White Cube, London
-
Out of office: The Wallpaper* editors’ picks of the week'Tis the season for eating and drinking, and the Wallpaper* team embraced it wholeheartedly this week. Elsewhere: the best spot in Milan for clothing repairs and outdoor swimming in December
-
Out of office: The Wallpaper* editors’ picks of the weekFar from slowing down for the festive season, the Wallpaper* team is in full swing, hopping from events to openings this week. Sometimes work can feel like play – and we also had time for some festive cocktails and cinematic releases
-
The Barbican is undergoing a huge revamp. Here’s what we knowThe Barbican Centre is set to close in June 2028 for a year as part of a huge restoration plan to future-proof the brutalist Grade II-listed site
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza