Force of light: David Zwirner New York hosts Doug Wheeler’s ’Encasements’
![David Zwirner is staging a soon-to-be-seminal exhibition of Doug Wheeler’s light installations](https://cdn.mos.cms.futurecdn.net/ukpiQMWQTuqn7VXkS24FHZ-415-80.jpg)
The legendary artist Doug Wheeler is currently front and centre at a solo exhibition staged at David Zwirner’s gallery space in New York. A forerunner in the Light and Space art movement, which originated in Los Angeles during the 1960s and 70s, Wheeler is best known for his installations that tweak perceptions of space, light and volume.
Of these, his Encasements – slender light paintings made from fabricated acrylic and neon – are the most recognisable. The David Zwirner exhibition involves five pieces – no more than two Encasements have ever been exhibited together – allowing visitors a rare chance to consider them in relation to each other, as opposed to as standalone works.
Starting around 1967–69, Wheeler created just 20 works in this typology. Composed of large panels of vacuum-formed plastic and outlined with strips of neon lighting set into the edges, the works are typically installed in an all-white room, devoid of ambient light and any architectural detail, so that the neon light is the only true focus.
Wheeler also created two rarely seen centre light variations, where the light emanates from the middle of the panel – one of which is also included in this exhibition.
By creating an individualised sensorial experience, Wheeler’s Encasements upset the stereotype that art needs to be a physical object. Staged together in an open configuration at David Zwirner, this point will no doubt be hammered home even stronger.
A forerunner in the Light and Space art movement, Wheeler's slender light paintings are made from fabricated acrylic and neon. Pictured: Untitled, 1968/2015
Starting around 1967–69, Wheeler created just 20 works in this typology. Pictured: Untitled, 1969/2014
Composed of large panels of vacuum-formed plastic and outlined with strips of neon lighting, the works are typically installed in an all-white room, devoid of ambient light and architectural detail. Pictured: Untitled, 1969/2014
By creating an individualised sensorial experience, Wheeler’s Encasements upset the stereotype that art needs to be a physical object. Pictured: Untitled, 1969/2014
INFORMATION
’Doug Wheeler: Encasements’ is on view until 5 March. For more information, visit David Zwirner’s website
Photography courtesy of the artist and David Zwirner, New York/London
ADDRESS
David Zwirner gallery
537 West 20th Street
New York City
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Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
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