The legendary artist Doug Wheeler is currently front and centre at a solo exhibition staged at David Zwirner’s gallery space in New York. A forerunner in the Light and Space art movement, which originated in Los Angeles during the 1960s and 70s, Wheeler is best known for his installations that tweak perceptions of space, light and volume.
Of these, his Encasements – slender light paintings made from fabricated acrylic and neon – are the most recognisable. The David Zwirner exhibition involves five pieces – no more than two Encasements have ever been exhibited together – allowing visitors a rare chance to consider them in relation to each other, as opposed to as standalone works.
Starting around 1967–69, Wheeler created just 20 works in this typology. Composed of large panels of vacuum-formed plastic and outlined with strips of neon lighting set into the edges, the works are typically installed in an all-white room, devoid of ambient light and any architectural detail, so that the neon light is the only true focus.
Wheeler also created two rarely seen centre light variations, where the light emanates from the middle of the panel – one of which is also included in this exhibition.
By creating an individualised sensorial experience, Wheeler’s Encasements upset the stereotype that art needs to be a physical object. Staged together in an open configuration at David Zwirner, this point will no doubt be hammered home even stronger.
A forerunner in the Light and Space art movement, Wheeler's slender light paintings are made from fabricated acrylic and neon. Pictured: Untitled, 1968/2015
Starting around 1967–69, Wheeler created just 20 works in this typology. Pictured: Untitled, 1969/2014
Composed of large panels of vacuum-formed plastic and outlined with strips of neon lighting, the works are typically installed in an all-white room, devoid of ambient light and architectural detail. Pictured: Untitled, 1969/2014
By creating an individualised sensorial experience, Wheeler’s Encasements upset the stereotype that art needs to be a physical object. Pictured: Untitled, 1969/2014
INFORMATION
’Doug Wheeler: Encasements’ is on view until 5 March. For more information, visit David Zwirner’s website
Photography courtesy of the artist and David Zwirner, New York/London
ADDRESS
David Zwirner gallery
537 West 20th Street
New York City
-
Architect Erin Besler is reframing the American tradition of barn raisingAt Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
Boathouse Zaka is the radical renovation of an ageing structure into a light-filled workspaceOFIS Architects turns a traditional boathouse into a lakeside laboratory on one of Slovenia’s best-loved bodies of water
-
Mercedes streamlines the CLA Shooting Brake to create an aerodynamic electric load luggerThe new CLA Shooting Brake is the first ever electric estate car from Mercedes-Benz, a tour-de-force of quiet technology and elegant lines
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
The dynamic young gallerists reinvigorating America's art scene'Hugging has replaced air kissing' in this new wave of galleries with craft and community at their core
-
Meet the New York-based artists destabilising the boundaries of societyA new show in London presents seven young New York-based artists who are pushing against the borders between refined aesthetics and primal materiality
-
‘Her pictures looked like pictures everybody knew were the truth’: Diane Arbus at the ArmoryMatthieu Humery curates more than 400 of Arbus’ photographs at New York’s Park Avenue Armory – every picture she was known to have printed
-
Mystic, feminine and erotic: the power of Penny Slinger’s bodies as landscapeArtist Penny Slinger continues her exploration of the sacred, surreal feminine in a Santa Monica exhibition, ‘Meeting at the Horizon’
-
Out of office: the Wallpaper* editors’ picks of the weekIt was a jam-packed week for the Wallpaper* staff, entailing furniture, tech and music launches and lots of good food – from afternoon tea to omakase
-
Out of office: what the Wallpaper* editors have been up to this weekThis week saw the Wallpaper* team jet-setting to Jordan and New York; those of us left in London had to make do with being transported via the power of music at rooftop bars, live sets and hologram performances
-
Photographer Geordie Wood takes a leap of faith with first film, DiversGeordie Wood delved into the world of professional diving in Fort Lauderdale for his first film
