Ai Weiwei's largest-ever Lego artwork revealed at London’s Design Museum
At London’s Design Museum, Ai Weiwei has unveiled Water Lilies #1, a new Lego recreation of Claude Monet’s iconic painting. We explore the vast new work ahead of the Chinese artist’s major show at the museum until 30 July
Ahead of his major show at London’s Design Museum, Chinese artist Ai Weiwei has unveiled a homage to Impressionist painter, Claude Monet, constructed entirely of Lego.
The piece, titled Water Lilies #1, is Ai’s largest Lego artwork to date, spanning 15m in length and comprising 650,000 studs of Lego bricks in 22 colours.
The new work will be on view as part of the Design Museum’s much-anticipated exhibition ‘Ai Weiwei: Making Sense’, which opens on Friday 7 April, and will be the artist’s first exhibition to focus on design and architecture, as well as his largest solo show in eight years.
Detail from Water Lilies #1, 2022, by Ai Weiwei. Lego bricks
In Water Lilies #1, Ai probes notions of reality and artifice. Although Monet’s word-famous painting represents the epitome of natural beauty, the pond and gardens he depicts were in fact a man-made construct, designed and created by Monet himself at the turn of the 20th century. In Ai’s work, the Lego bricks eliminate the humanistic gesture of Monet’s brushstrokes in favour of a simplified, depersonalised language of pixel-like parts and colours. Through this, Ai comments on contemporary modes of digital image consumption, and all that might be lost in the process.
As Ai Weiwei commented, ‘Our world is complex and collapsing towards an unpredictable future. It's crucial for individuals to find a personalised language to express their experience of these challenging conditions. Personalised expression arises from identifying with history and memories while creating a new language and narrative. Without a personal narrative, artistic narration loses its quality. In Water Lilies #1 I integrate Monet's Impressionist painting, reminiscent of Zenism in the East, and concrete experiences of my father and me into a digitised and pixelated language. Toy bricks as the material, with their qualities of solidity and potential for deconstruction, reflect the attributes of language in our rapidly developing era where human consciousness is constantly dividing.’
Detail from Water Lilies #1, 2022, by Ai Weiwei. Lego bricks
Ai Weiwei first deployed Lego bricks as an art medium in 2014 when he used them to create portraits of political prisoners. Now a key element of his practice, Lego will also feature heavily in the Design Museum show, most notably in Untitled (Lego Incident) which will see thousands of Lego blocks fill the gallery floor. Ai sourced the materials for the work (seen fully assembled for the first time at the Design Museum) via public donations from around the world, in response to Lego briefly refusing to sell their products to him in 2014.
Justin McGuirk, Chief Curator at the Design Museum and curator of ‘Ai Weiwei: Making Sense’ said: ‘Several of the works in this exhibition capture the destruction of urban development in China over the last two decades. With Water Lilies #1, Ai Weiwei presents us with an alternate vision – a garden paradise.’ McGuirk also describes how Ai has embedded a more poignant narrative into the piece: a dark portal on the right-hand side, representing the door to the underground dugout in Xinjiang province where Ai and his father, the acclaimed poet Ai Qing, lived in forced exile in the 1960s. ‘On the one hand, he has personalised it by inserting the door of his desert childhood home, and on the other, he has depersonalised it by using an industrial language of modular Lego blocks. This is a monumental, complex and powerful work and we are proud to be the first museum to show it.’
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
‘Ai Weiwei: Making Sense’ runs at the Design Museum from 7 April-30 July 2023. designmuseum.org
Detail from Water Lilies #1, 2022, by Ai Weiwei. Lego bricks
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Zayed National Museum opens as a falcon-winged beacon in Abu DhabiFoster + Partners’ Zayed National Museum opens on the UAE’s 54th anniversary, paying tribute to the country's founder and its ancient, present and evolving future
-
Design Miami announces Dubai collectible design platform in collaboration with AlserkalThe new platform will honour the region’s cultural heritage while highlighting its spirit of innovation
-
Four new keyboards are fresh and functional desktop companionsMechanical keyboards are all the rage, bringing with them new ways of personalising your desktop. We’ve found four devices that hark back to the early days of computing
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram
-
A former leprosarium with a traumatic past makes a haunting backdrop for Jaime Welsh's photographsIn 'Convalescent,' an exhibition at Ginny on Frederick in London, Jaime Welsh is drawn to the shores of Lake Geneva and the troubled history of Villa Karma