The RIBA House of the Year 2024 winner is a delightful work in progress
The winner of the RIBA House of the Year 2024 is Six Columns in south London – the home of architect and 31/44 studio co-founder William Burges

Six Columns in south London just won RIBA House of the Year 2024. London-based architecture studio 31/44 often works with tight, under-used or unloved urban plots, transforming them into spectacular homes that serve their residents through a quiet brilliance that stands out but doesn’t shout its genius. Architect and practice co-founder William Burges’ own home, Six Columns, is a case in point - and one so expertly executed that it battled off stiff competition from the shortlist's other five brilliant homes to win the UK’s most prestigious accolade in the field.
The project in south London was led by Bruges – he and studio co-director Stephen Davies were flagged in the Wallpaper* Architects Directory 2016 for their flair as an emerging firm. They have gone from strength to strength ever since, picking up the Manser Medal and RIBA National and Regional Awards along the way.
RIBA House of the Year 2024 winner: Six Columns
The RIBA House of the Year 2024 is more than just another feather in the studio’s cap. Conceived and designed as Burges’ own home, it is a project that is personal and richly layered, crafted through a deep understanding of its users’ needs and benefiting from unique insight into the four-strong family’s past, present and future. As a result, it fits its residents ‘like a snug glove’, states the citation of the jury (a group made up of architects and experts that includes this writer). At the same time, ‘the space allows [each of] their personalities to shine through.’
It is a home created to fit the family’s changing needs, with built-in flexibility and a future-facing approach (the upstairs children’s bedrooms can double as guest rooms once they move out, and the cosy loft at the top can be a bedroom, study, or gaming room, depending on requirement). It’s a building located in an awkwardly shaped urban plot, comfortably, accomodating the design difficulties it presented. It sits on a narrowing, sloping trapezoidal site, the structure twisting and stepping down from the street and garden level to make the most of orientation and preserve the users’ and neighbours’ privacy.
Architectural references abound in this home that blends brutalist architecture with creative details, such as pink mortar that matches the Tudor Black bricks’ tones, different levels, a stepping wall, a wild garden and green marble panels. Exposed brickwork, spruce wood and concrete make up a palette that is warm and textured, producing rooms that feel at once snug and expansive.
‘From the quirky arrangements of its six columns [which the building is named after - and which nod to Berthold Lubetkin’s 1930s modernist house Six Pillars on the nearby Dulwich Estate], to the loose-fit wunderkammer (cabinet of curiosity) that wraps around primary structures, the home is full of personal references expressed in a simple yet refined manner without a hint of being forced, whilst turning challenging constraints into advantages with admirable technical confidence,’ the jury citation continues. ‘And from the moment we entered, we were taken by its homeliness.’
On top of this, it is a project that, for its creator, is live and ever-evolving. Burges told writer Clare Dowdy when she reported on the house for Wallpaper* in May 2024: 'The ethos behind the design is that it will always remain unfinished, its interiors a loose fit that can adjust to future requirements and tastes.'
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Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
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