This revamped east London terraced house is a music lover’s dream
An east London terraced house gets a boost of personality and sustainability thanks to Archmongers, whose transformation makes room for the owners’ creativity and extensive record collection

There is no shortage of work, such as this east London terraced house, for Archmongers, a London practice specialising in residential retrofits: the capital’s streets are lined with Victorian terraces, modern semis and post-war flats crying out for an update, both in looks and in sustainability.
This year the studio, founded by Margaret Bursa and Johan Hybschmann in 2013, has completed two drastic renovations: the first, the Scandinavian-inspired Elemental House in Hackney, brought a 1970s split-level house up to contemporary standards; the second, Ray House in nearby Dalston, sees the pair retrofit a Victorian house in a conservation area.
Explore this transformed east London terraced house
Owned by a creative couple, Ray House was transformed from a poorly insulated building with single-glazed windows – sadly standard in London – into a hi-tech contemporary home. Gone are the gas boiler and compartmentalised layout; instead the all-electric house is powered by a heat pump (concealed behind a bespoke Corten steel panel in the front garden) and filled with daylight, its various levels linked by a brand new stairwell.
Often narrow and dark, staircases are the Achilles’ heel of Victorian terraced houses, so Archmongers has focused its attention on this space, with a new stairwell accented with black rubber treads and crafted of Douglas fir and ply by designer/maker Charles Tepasse. The same joinery appears throughout the house, from the door frames to the stunning deep timber windowsills, and even a bed frame in the principal bedroom.
‘We conceived the design as a journey, repeating materials and creating sight lines to make connections between the spaces,’ explains Bursa. ‘This journey is also marked by tactility, the contact with materials under hand or foot, hardwood handrails, brass door handles, rounded Douglas fir sills, marble steps to softwood floors.’
A seating area is dedicated to music, with a bespoke Douglas fir DJ cabinet and wall-mounted speakers
The new rear extension, a two-storey yellow brick column that has increased the house’s size by 17 sq m while respecting the strict planning regulations, allowed the creation of unique spaces adjacent to the staircase: a cosy snug next to the dining room, and below it in the basement lounge, a seating area dedicated to music, with a bespoke Douglas fir DJ cabinet and wall-mounted speakers.
Concealed by a wildflower green roof, an annex houses the client’s vinyl collection
The entire house is wired to stream music into every room from this listening space, which opens onto the patio and newly landscaped garden by Miria Harris, where steps lead to a small annex. Concealed by a wildflower green roof, it houses the client’s extensive vinyl collection.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
What’s more, the new rear façade is decorated with a sunny yellow frieze – quite a feat to achieve planning consent for this type of intervention in a conservation area with no precedents. Designed by the house owner Leona Clark, it comprises a bespoke pattern in decorative concrete tiles inspired by the house’s original street-side plasterwork.
‘Working with Archmongers on the tile façade was a highlight. I feel a sense of pride to have my work embedded in the design,’ says Clark. ‘Ray House is a joy to live in; there are so many facets to the house and so many ways to enjoy it.’
Finally, the studio has addressed another typical downside to many traditional terraced houses: the relegating of the kitchen to the lower ground floor. Relocated to the upper ground floor, the heart of the home is now bright and airy, facing onto the front garden and linked to a spacious dining room.
The interiors are peppered with the clients’ collection of classic designs, such as Ettore Sottsass’ ‘Tahiti’ and ‘Callimaco’ lighting, while the cosy downstairs houses both a lounge and a study, accessed via a few steps crafted from the marble recovered from the now redundant Victorian fireplaces.
Léa Teuscher is a Sub-Editor at Wallpaper*. A former travel writer and production editor, she joined the magazine over a decade ago, and has been sprucing up copy and attempting to write clever headlines ever since. Having spent her childhood hopping between continents and cultures, she’s a fan of all things travel, art and architecture. She has written three Wallpaper* City Guides on Geneva, Strasbourg and Basel.
-
Hassan Hajjaj's vibrant portraits put Moroccan women at the centre of the story
For more than three decades, the visual artist has been making portraits that centre Moroccan culture, albeit through a subversive lens. Now, an exhibition in Toronto explores the sporty facet of his portraits
-
A new exhibition interrogates the spectacle of the runway show: ‘Fashion shows are image machines’
The first show at Basel’s Vitra Design Museum dedicated to fashion, ‘Catwalk: The Art of the Fashion Show’ guides us from the silent Paris salon to the raucous digital spectacle of the present day
-
Projection made simple courtesy of Vibe One, the first offering from XGIMI’s new sub-brand
Vibe by XGIMI wants to bring projection to the masses, with a debut product that simplifies and streamlines the art of conjuring up cinema wherever you happen to be
-
The architectural innovation hidden in plain sight at Frieze London 2025
The 2025 Frieze entrance pavilions launch this week alongside the art fair, showcasing a brand-new, modular building system set to shake up the architecture of large-scale events
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’
Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personal
The idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today
-
Join us on a first look inside Regent’s View, the revamped canalside gasholder project in London
Regent's View, the RSHP-designed development for St William, situated on a former gasholder site on a canal in east London, has just completed its first phase
-
The Royal College of Art has announced plans for renewal of its Kensington campus
The Royal College of Art project, led by Witherford Watson Mann Architects, includes the revitalisation of the Darwin Building and more, in the hopes of establishing an open and future-facing place of creativity
-
Ursula K Le Guin’s maps of imaginary worlds are charted in a new exhibition
Ursula K Le Guin, the late American author, best known for her science fiction novels, is celebrated in a new exhibition at the Architectural Association in London, charting her whimsical maps, which bring her fantasy worlds alive
-
Power Hall’s glow-up shines light on science and innovation in Manchester
Power Hall at The Science and Industry Museum in Manchester was given a spruce-up by Carmody Groarke, showcasing the past and future of machines, engineering and sustainable architecture
-
Celebrate the angular joys of 'Brutal Scotland', a new book from Simon Phipps
'Brutal Scotland' chronicles one country’s relationship with concrete; is brutalism an architectural bogeyman or a monument to a lost era of aspirational community design?