An architect’s own home offers a refined and leafy retreat from its East London surroundings
Studioshaw has completed a courtyard house in amongst a cluster of traditional terraced houses, harnessing the sun and plenty of greenery to bolster privacy and warmth
Set amongst the Victorian housing stock of Walthamstow, East London, the Catching Sun House transforms a backland plot into a secluded green oasis, carefully orientated to bring sunlight into the heart of the living space. Designed for his own use by architect Mark Shaw of Studioshaw, the house occupies the site of an abandoned garage, with several planning permissions in place to transform it into a private house.
The main living space overlooks a planted courtyard
Shaw tore up the existing plans and started again, bearing in mind that the site bordered numerous other houses and gardens and required no less than 27 different party wall agreements to proceed. The end result, shaped by careful orientation, new planting and use of existing sightlines and vegetation, creates a unique private setting for the new house, with practically every aspect from the ground floor living rooms giving no hint of nearby homes.
The kitchen and dining area are set beneath the pitched roof
At a modest 100sqm, the house has been planned around sustainable principles. This includes a passive ventilation strategy combined with an air source heat pump, high levels of insulation and a whole-house heat recovery ventilation system, creating a comfortable ambient temperature year-round with minimal energy costs.
A study area is located on the first floor
The outdoor space consists of three separate courtyards, each one assigned a distinct function. Shaw worked with the gardener Charlie Hawkes to devise the planting scheme, which makes effective use of large leaf tropical and sub-tropical specimens, inside and out, as well as dense shrubs and flowerbeds. A large courtyard serves as the main outdoor space, with two smaller spaces adding biodiversity and more light-capturing opportunities.
Looking back into the house from the main courtyard
The first external space is a planted courtyard that serves as the access corridor, leading visitors into the main space with its sliding glass walls and clerestory window overlooking the main courtyard. These high-level windows catch the tops of nearby trees, adding to the sense of green seclusion, and there are also views to the nearby Walthamstow Marshes. Finally, there is an outdoor bathroom located off the main bedroom, an unusual choice for East London but a space that adds to the feeling of verdant isolation.
The outdoor bath can be seen beyond the main bedroom
Materials are kept simple and straightforward, with exposed concrete block interior walls, aluminium framed windows and timber cladding, all set beneath a lightweight mono-pitched timber roof. Ceilings go right up to the pitch of the roof, allowing for high level views of treetops and sky.
High level windows frame the sky
‘More than just a home, this project embodies a philosophy of wellbeing and sustainable design that is at the core of what Studioshaw stands for; daylight, greenery, and thoughtful spaces come together to create a sanctuary,’ says Shaw, ‘The interplay between built form and nature fosters a restorative environment and offers a peaceful retreat from the hustle and bustle of urban life.’
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
The entrance courtyard
The view from the interior gives little clue as to the built-in surroundings
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Art Deco's centenary is honoured with a grand exhibition in ParisTo mark 100 years of Art Deco, the Musée des Arts Décoratifs in Paris is holding a retrospective that includes furniture, tableware, clothing, jewellery and objets d’art (on view until 26 April 2026)
-
‘Lucybelle II’ is a small scale homage to an iconic racing Ferrari, created by Hedley StudiosHedley Studio has shaped an exacting 75% scale replica of the 1958 Ferrari Testa Rossa J ‘Lucybelle II’, complete with track-worn patina
-
Explore a refreshed Athens apartment full of quirk and midcentury characterA 1960s Athens apartment is revived by architects Aspassia Mitropapa and Christina Iliopoulou, who elegantly brought its midcentury appeal to the 21st century
-
Meet Forefront, a cultural platform redefining the relationship between art and architectureForefront co-founder Dicle Guntas, managing director of developer HGG, tells us about the exciting new initiative and its debut exhibition, a show of lumino-kinetic sculptures in London
-
Corten curves and contemporary flair transform this terraced house in LondonCagni Williams Associates’ sensitive refurbishment of a south London Edwardian house features a striking and sustainable Corten steel extension
-
You may know it as ‘Dirty House’ – now, The Rogue Room brings 21st-century wellness to ShoreditchThe Rogue Room – set in the building formerly known as Dirty House by Sir David Adjaye, now reinvented by Studioshaw – bridges wellness and culture in London's Shoreditch
-
The architectural innovation hidden in plain sight at Frieze London 2025The 2025 Frieze entrance pavilions launch this week alongside the art fair, showcasing a brand-new, modular building system set to shake up the architecture of large-scale events
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personalThe idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today
-
Join us on a first look inside Regent’s View, the revamped canalside gasholder project in LondonRegent's View, the RSHP-designed development for St William, situated on a former gasholder site on a canal in east London, has just completed its first phase
-
The Royal College of Art has announced plans for renewal of its Kensington campusThe Royal College of Art project, led by Witherford Watson Mann Architects, includes the revitalisation of the Darwin Building and more, in the hopes of establishing an open and future-facing place of creativity