Foster + Partners’ Narbo Via enriches cultural landscape in south of France

Narbo Via, a new museum by Foster + Partners, opens in Narbonne, France

Cultural values are present in the museum
(Image credit: NIGEL YOUNG)

Narbo Via, a museum of Roman antiquities designed by Foster + Partners, is about to launch in Narbonne. Opening in an official ceremony tomorrow (11 December 2021), the brand new cultural draw for the region is set to become a landmark destination for its city, located on the Canal de la Robine in southern France. 

The museum’s low, linear volume is raised on a podium, balancing ‘civic monumentality’, the architects say, with restraint. It is placed among lush, green architectural gardens and landscaping including an outdoor theatre, embedding the new structure into its surroundings. Stone mixes with steel and a distinctive concrete roof, making for a building that appears strong and firmly linked to the earth and its site. 

And while the exterior is defined by its relatively discreet, yet confident, presence, the interior clearly and unashamedly celebrates its content by placing it centre stage through the presence of a ‘Lapidary Wall’, a shelving grid featuring stone displays that belong to the collection. This architectural element is open for all to see, cleverly separating public galleries and restoration spaces where specialists are at work to preserve the museum’s precious cargo. Visitors can catch glimpses of the professionals at work through this semi-permeable wall that places the collection at the design’s heart.

architectural things for museum arrangement

(Image credit: NIGEL YOUNG)

The project also includes an array of public-facing spaces, such as galleries for permanent and temporary exhibitions, a multimedia education centre, an auditorium, a restaurant and a bookshop. Research, restoration and storage facilities, as well as offices, complete the building, which is brightly lit through swathes of glass in openings and floor-to-ceiling transparent walls. 

Foster + Partners has recently completed more work in France – namely the winery Le Dôme, which opened its doors to visitors a couple of months ago. It sits alongside older, iconic projects from the firm’s portfolio, such as the Millau Viaduct and the Carré d’Art in Nîmes. ‘Our work on Narbo Via extends a long relationship between the Foster studio and the south of France. The arts are vital to the life of a city, and a cultural building has the potential to reinvent and regenerate its “sense of place”, to break down physical and social barriers. Bringing together the old and the new, Narbo Via will renew the image of the museum, becoming not just a place for reflection but a creator of knowledge for future generations,’ says the practice’s renowned founder and executive chairman, Norman Foster. 

Looking to the future, the Narbo Via building also employs a comprehensive sustainability strategy. This, the architects note, has been inspired by ancient Roman technology. Natural ventilation is achieved through the clever concrete ceiling structure that helps push air to circulate throughout the interior, supporting a healthy environment for visitors, as well as its rich collection of Roman antiquities. 

Walking pathway cycling public

(Image credit: NIGEL YOUNG)

Exhibition hall picture.

(Image credit: NIGEL YOUNG)

Inside the lifting tracks in museum

(Image credit: NIGEL YOUNG)

 

INFORMATION

fosterandpartners.com (opens in new tab)

Ellie Stathaki is the Architecture Editor at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018) and Glenn Sestig Architecture Diary (2020).

With contributions from