Quirky cabinets frame a curious new collection at Sir John Soane’s museum
A new exhibition at the Sir John Soane’s Museum in London explores the collectable nature of a selection of seemingly obscure contemporary objects within three unique and evocative cabinets designed by architect Mat Barnes

Inspired by British neo-classical architect Sir John Soane’s eccentric approach to collecting, London based architect Mat Barnes and contemporary artist Harry Lawson have collaborated on a quirky commission for the John Soane’s Museum. Exploring the ‘relationship between architecture, objects and time’ the pair have designed and curated three cabinets filled with obscure contemporary objects.
Architect Barnes, who founded his studio CAN in 2016, designed the cabinets for the exhibition as vessels of expression in themselves, just like Soane’s characterful house punctured by lightwells and bespoke adaptations across three terraced houses. The museum is a life-sized cabinet in itself packed with a veritable feast of sculptures, paintings and busts.
The first cabinet is a façade, the second a scaffold, the third a tomb representing the three concepts of the cabinets (All that was; All that is; and All that could have been). Each is a testbed for materials, aesthetics and techniques – from a cheap crackled paint surface, to beautifully buffed scaffolding pipes, or recycled car tyre chippings set in flexible resin and painted matte blue on the outside and black gloss glitter inside. Believe it or not, Barnes is using the latter technique in his house extension too.
The three cabinets display redundant objects of the past, obscure representations of the present and totems of an unrealised future. Barnes and Lawson sourced some of the curious keepsakes from their own personal collections – top-drawer treasures found, pocketed, forgotten and preserved. While some objects are borrowed from the Soane collection.
You’ll find a set of false teeth, a World Trade Center group admission ticket stub, a fragment from the Soane Ante-Room skylight removed in 1991, a Casascius Bitcoin, a spray-painted softwood block and a model of three cork columns available to purchase at the Soane Museum shop.
In our eagerly streamlining digital world, data storage seems infinite whereas our homes are only getting smaller. There’s humour and a powerful nostalgia in this collection of contemporary objects, archiving into history at a quickening pace.
INFORMATION
‘All that could have been: a project by CAN and Harry Lawson’, at Sir John Soane’s Museum; 16 January – 16 February 2020
soane.org
can-site.co.uk
harrylawson.co.uk
ADDRESS
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Sir John Soane’s Museum
13 Lincoln's Inn Fields
Holborn
London
WC2A 3BP
Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.
-
Highlights from the transporting Cruise 2026 shows
The Cruise 2026 season began yesterday with a Chanel show at Lake Como, heralding the start of a series of jet-setting, destination runway shows from fashion’s biggest houses
-
Behind the design of national pavilions in Venice: three studios to know
Designing the British, Swiss and Mexican national pavilions at the Venice Architecture Biennale 2025 are three outstanding studios to know before you go
-
Premium patisserie Naya is Mayfair’s latest sweet spot
Heritage meets opulence at Naya bakery in Mayfair, London. With interiors by India Hicks and Anna Goulandris, the patisserie looks good enough to eat
-
A new London house delights in robust brutalist detailing and diffused light
London's House in a Walled Garden by Henley Halebrown was designed to dovetail in its historic context
-
A Sussex beach house boldly reimagines its seaside typology
A bold and uncompromising Sussex beach house reconfigures the vernacular to maximise coastal views but maintain privacy
-
This 19th-century Hampstead house has a raw concrete staircase at its heart
This Hampstead house, designed by Pinzauer and titled Maresfield Gardens, is a London home blending new design and traditional details
-
An octogenarian’s north London home is bold with utilitarian authenticity
Woodbury residence is a north London home by Of Architecture, inspired by 20th-century design and rooted in functionality
-
What is DeafSpace and how can it enhance architecture for everyone?
DeafSpace learnings can help create profoundly sense-centric architecture; why shouldn't groundbreaking designs also be inclusive?
-
The dream of the flat-pack home continues with this elegant modular cabin design from Koto
The Niwa modular cabin series by UK-based Koto architects offers a range of elegant retreats, designed for easy installation and a variety of uses
-
Are Derwent London's new lounges the future of workspace?
Property developer Derwent London’s new lounges – created for tenants of its offices – work harder to promote community and connection for their users
-
Showing off its gargoyles and curves, The Gradel Quadrangles opens in Oxford
The Gradel Quadrangles, designed by David Kohn Architects, brings a touch of playfulness to Oxford through a modern interpretation of historical architecture