Rural grain store buildings inspire a minimal extension in the British countryside

A simple house extension designed by Folkstone-based architect Jonathan Burlow combines mimimal expressions, a concrete platform, and stacked clay bricks – all inspired by local rural architecture

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Jonathan Burlow extension
The white house extension on a concrete platform designed by architect Jonathan Burlow
(Image credit: Simone Bossi)

British-French architect Jonathan Burlow has designed a minimal extension to a house in Hythe, Kent. With its large windows, neat brick exterior and pitched roof the extension follows and abstracts surrounding houses, yet has also been inspired by 18th century rural grain store buildings found in the south of England.

Burlow, who founded his studio in 2018, echoed the properties of grain store buildings through the design. Just like the traditional grain stores that were raised upon saddle stones to protect grain from vermin and water seepage, Burlow raised the extension up onto a concrete platform, which extends into the garden to form a simple patio.

This decision expresses the extension is an independent volume – slightly separated from the main house, with a small cantilever over the immediate landscape. While the exaggerated traditional ‘house’ elements such as the pitched roof also unite it.

Minimal house extension

(Image credit: TBC)

The neat exterior of white stack-bonded clay brickwork is a minimal response to how grain sacks would be stacked in the grain storage buildings. Inside, minimal expression continues with a wide, open and airy interior space with a polished concrete floor. Here, the space has been left clean and simple to allow objects and furniture inside the space define the character of the owner.

Interior of the extension

(Image credit: TBC)

Exterior of the extension

(Image credit: TBC)

Kitchen with glass door and white wall

(Image credit: TBC)

INFORMATION

jonathanburlow.co.uk

Harriet Thorpe

Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.