Houston celebrates the opening of Steven Holl’s Glassell School of Art
The completion of Steven Holl’s Glassell School of Art in Houston, Texas, signals the delivery of the first phase of the American city’s major redevelopment of its Museum of Fine Art campus; it is also a key piece in the puzzle that will form an ‘essential center for Houston’s diverse and active art community’, says the school’s director Joseph Havel.
The Glassell is the USA’s only museum-affiliated art school, recieving up to post-graduate students. The L-shaped structure features Holl’s signature abstract geometric shapes and light-play, as well as demonstrating the architect’s expertise in the typology; Steven Holl Architects are behind a wealth of education and art buildings across the country, including the Lewis Arts Complex at Princeton University (2017); and the Visual Arts Building at the University of Iowa (2016).
The building spans some 93,000 sq ft and features a range of naturally lit studios for adults and children. An accessible roof terrace, art galleries, a 75-seat auditorium, and a public coffee bar, as well as a striking centrepiece of a staircase with broad steps that can be used as a gathering space and a sort of ‘forum’, ensure this is a true public building that can be enjoyed by all.
‘Our building for the Glassell School is a key part of the overall strategy to shape the public spaces for the entire campus’, says Steven Holl. ‘The alternating concrete and glass panels create a porosity between indoors and out, and the gathering spaces – including the building’s walkable, sloping roof – provide a civic experience for students and the public alike, with spectacular views of the neighborhood and the city skyline.’
The new art building opened together with the complex’s The Brown Foundation, Inc. Plaza designed by Deborah Nevins & Associates in collaboration with Nevins & Benito Landscape Architecture, D.P.C. The entire campus redevelopment project – the country’s largest cultural project currently under construction – is set to reach full completion in 2020.
This is also is the USA's only museum-affiliated art school. Photography: Richard Barnes
The structure features Holl's signature abstract geometric shapes and light-play. Photography: Richard Barnes
The building opened together with the campus' The Brown Foundation, Inc. Plaza. Photography: Richard Barnes
A dramatic set of wide steps act as a 'forum' for the school. Photography: Richard Barnes
The project includes studio workspaces for both adults and children. Photography: Richard Barnes
INFORMATION
For more information visit the website of Steven Holl Architects
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
Why are Wayne Thiebaud’s paintings at the Courtauld quite so tempting?The American artist’s thickly painted slices of cake at the Courtauld are some of our favourite artworks seen this year. What makes them so special?
-
Taiwan’s new ‘museumbrary’ is a paradigm-shifting, cube-shaped cultural hubPart museum, part library, the SANAA-designed Taichung Green Museumbrary contains a world of sweeping curves and flowing possibilities, immersed in a natural setting
-
Dries van Noten on why he's building a new home for craft in VeniceA year after departing the runway, Dries van Noten unveils his next chapter: the Fondazione Dries Van Noten, a newly announced cultural initiative in Venice celebrating craft in all its forms. Wallpaper meets the designer to find out why he’s not ready to retire.
-
Step inside this resilient, river-facing cabin for a life with ‘less stuff’A tough little cabin designed by architects Wittman Estes, with a big view of the Pacific Northwest's Wenatchee River, is the perfect cosy retreat
-
Remembering Robert A.M. Stern, an architect who discovered possibility in the pastIt's easy to dismiss the late architect as a traditionalist. But Stern was, in fact, a design rebel whose buildings were as distinctly grand and buttoned-up as his chalk-striped suits
-
Own an early John Lautner, perched in LA’s Echo Park hillsThe restored and updated Jules Salkin Residence by John Lautner is a unique piece of Californian design heritage, an early private house by the Frank Lloyd Wright acolyte that points to his future iconic status
-
The Stahl House – an icon of mid-century modernism – is for sale in Los AngelesAfter 65 years in the hands of the same family, the home, also known as Case Study House #22, has been listed for $25 million
-
Houston's Ismaili Centre is the most dazzling new building in America. Here's a look insideLondon-based architect Farshid Moussavi designed a new building open to all – and in the process, has created a gleaming new monument
-
Frank Lloyd Wright’s Fountainhead will be opened to the public for the first timeThe home, a defining example of the architect’s vision for American design, has been acquired by the Mississippi Museum of Art, which will open it to the public, giving visitors the chance to experience Frank Lloyd Wright’s genius firsthand
-
Clad in terracotta, these new Williamsburg homes blend loft living and an organic feelThe Williamsburg homes inside 103 Grand Street, designed by Brooklyn-based architects Of Possible, bring together elegant interiors and dramatic outdoor space in a slick, stacked volume
-
This ethereal Miami residence sprouted out of a wild, jungle-like gardenA Miami couple tapped local firm Brillhart Architecture to design them a house that merged Florida vernacular, Paul Rudolph and 'too many plants to count’