San Francisco based artist and architectural designer Raveevarn Choksombatcha recently designed her live/work space in the city’s SoMa neighbourhood. Photography: Bruce Damonte
A San Francisco live/work space plays with opacity and transparency
In a gritty but rapidly evolving part of San Francisco’s SoMa (South of Market) neighbourhood, Thai-born artist and architectural designer Raveevarn Choksombatchai (who often goes by the single name Raveevarn) has recently completed a new live-work building for herself. Along these urban streets, it’s increasingly common to encounter cutting-edge and experimental architecture shoulder to shoulder with worn industrial structures. Like much of the recent interventions, Raveevarn’s new home-and-studio took on the challenges of a tight, mid-block site.
She responded with a quiet insertion that strikes a balance between engaging its urban surroundings while maintaining a private, secure inner realm. From outside, the almost cubic, two-story structure – clad in metal that echoes the industrial setting – may appear deceptively simple. But on the inside, this courtyard building reveals itself as an architecture of layered veils.
The outermost skin is a rain-screen, a facade of perforated aluminum panels, which overlap to create moiré patterns and other optical effects. Within that shell, a glass-and-metal layer wraps the 226 sq m of interior space; and further inside is a honeycomb of thin, sheet-metal shelving – a practical storage element that forms a two-story partition along the stairway up to the main residential level. Beyond that steel matrix of cubby holes, the design plays with light in finer-grained ways. For example, the freestanding bathroom structures on each floor glow, lantern-like, at their tops, where layers of stretched, translucent fabric form a light-diffusing enclosure. The architect designed all the built-ins, and the place – which includes a garage and a guest suite — also showcases her collections of mid-century modern furnishings and ceramics (much of that pottery is displayed on the steel shelves).
Throughout, there’s an animated play of opacity versus transparency, with screening elements modulating light, shadow, and views in (while simultaneously providing for generous views out). It’s an architecture that changes appearance continually over the course of the day and night, with the facade morphing from quite solid to seemingly ethereal. Meanwhile, across the inner realm, spaces flow together with boundaries subtly defined, as walls of intense colour — such as tangerine and hot pink — punctuate the interior, leading the way.
Clad in perforated aluminium, the house is an animated play of opacity versus transparency. Photography: Bruce Damonte
From the outside, the structure echoes its industrial setting, but inside it’s a welcoming family home. Photography: Bruce Damonte
An inner courtyard reveals the two-level structure’s different layers. Photography: Bruce Damonte
A brightly lit stairway leads up to the main residential level. Photography: Bruce Damonte
A honeycomb of thin, sheet-metal shelving works as a practical storage element... Photography: Bruce Damonte
...but also forms a handy two-story partition between spaces. Photography: Bruce Damonte
The airy, open plan interior features bright pops of colour, such as tangerine and hot pink. Photography: Bruce Damonte
The main living floor features an open plan kitchen and dinning area, but also the master bedroom. Photography: Bruce Damonte
The master bedroom is somewhat secluded from the rest of the house and includes an en-suite bathroom. Photography: Bruce Damonte
Across the inner realm, spaces flow together with boundaries subtly defined. Photography: Bruce Damonte