Tiffany & Co is taking a deep-dive into a legendary history in a new exhibition opening in June 2022 at London’s Saatchi Gallery. ‘Vision & Virtuosity’ marks 150 years since the New York jeweller arrived in London with a meander through almost two centuries of history divided into seven parts, considering everything from the house’s high jewellery to the well-known popular cultural references.
An antique diamond and platinum brooch, 1961
The exhibition begins with an exploration into the history of the window displays at the flagship Fifth Avenue store, which have sparked the public’s imagination since they began to appear in 1955 under artistic director Gene Moore. Under his tenure, the windows became art installations, with humorous designs bringing a previously unseen irreverence to jewellery displays. This wit also characterises the exhibition’s second chapter, which considers how Tiffany & Co became a ubiquitous presence in everyday culture, taking in everything from the distinctive blue of the jewellery boxes to the brand’s role in film and art. The most iconic movie moment, Breakfast at Tiffany’s, has its own chapter, featuring memorabilia including Audrey Hepburn’s Givenchy black dress and her script, complete with her notes.
High jewellery takes centre stage later on, with an exploration into the fantastical creations of the Blue Book, the mail order catalogue of rare high jewellery that made its debut in 1845. Exceptional pieces include those by respected designer Jean Schlumberger.
Audrey Hepburn’s Breakfast at Tiffany’s script
Tiffany & Co’s diamond expertise forms the subject of subsequent chapters. ‘The Diamonds chapter is where you will find my favourite piece in the exhibition, the reimagined World’s Fair necklace set with the 80.33ct Empire Diamond,’ says Vicky Reynolds, chief gemologist at Tiffany & Co. ‘It is nothing short of spectacular. The Empire Diamond is, in a way, a modern expression of a legacy that began with the Tiffany Diamond in 1878. It’s this relentless pursuit of the world’s finest diamonds that underscores everything we do at Tiffany.’
It is a skill set encapsulated in the engagement ring designs, part of a history that began with the Tiffany Setting and continues to the present day with the unveiling last year of the Charles Tiffany Setting. These more modern pieces sit alongside 19th-century jewels on display including a diamond brooch dating from 1855 and created by Frères Bapst, the French court jeweller, for Empress Eugénie of France, and the legendary Tiffany Diamond, one of the most famous yellow diamonds in the world, discovered in 1877 and purchased by founder Charles Lewis Tiffany a year later.
The Empire Diamond necklace
‘“Vision & Virtuosity” tells the extraordinary story of one of the oldest luxury jewellers, through its nearly 200-year history of pioneering creativity, legendary craftsmanship and sourcing of the world’s most extraordinary diamonds and gemstones,’ adds Anthony Ledru, president and chief executive officer at Tiffany & Co. ‘This exhibition perfectly captures our long-standing heritage in bridging tradition and modernity. We are thrilled to share the world of Tiffany & Co and our unique high jewellery style with London.’
The advert, ’Twenty five rings that deserve a hand’, 1969
The Tiffany & Co Blue Book, 1966-67 catalogue
INFORMATION
‘Vision & Virtuosity’ is at the Saatchi Gallery from 10 June – 19 August 2022. Complementary tickets are available from 2 May through the Tiffany & Co exhibition app. Download on the iOS App Store or on the Google Play App Store
-
Meet the Palestinian artist putting a candy-coloured twist on traditional glassmakingWith her company Ornamental by Lameice, designer Lameice Abu Aker is bringing joy and optimism to a time-honoured craft
-
Messika’s fluid jewellery is given a textural twistThe Parisian brand borrows a textural finish previously reserved for high jewellery with its new collection, ‘Move Ciselé’
-
This ingenious London office expansion was built in an on-site workshopNew Wave London and Thomas-McBrien Architects make a splash with this glulam extension built in the very studio it sought to transform. Here's how they did it
-
‘Disabled people have always been here’: a new V&A show centres on disability in designCurator Natalie Kane takes us through five key exhibits from the London show, where design points the way to a more inclusive society
-
Malta’s London Design Biennale installation ‘reclaims death as a moment of reflection, not fear’Wallpaper* speaks with Andrew Borg Wirth, curator of Malta's installation, ‘URNA’, which reimagines cremation rituals
-
11 things that caught our eye at Clerkenwell Design Week 2025The Wallpaper* team bring you highlights from London’s Clerkenwell Design Week (20-22 May) – from public installations to product launches and a biscuit bar
-
‘R for Repair’ at London Design Festival displays broken objects, re-formedIn the second half of a two-part exhibition and as part of London Design Festival 2022, ‘R for Repair’ at the V&A displays broken objects, re-formed
-
‘Finding quality through the act of making’: Pearson Lloyd celebrates 25 years of designPearson Lloyd’s show ‘Change Making’ reflects on past designs from its archives, showcasing the influences on and evolution of the studio, from furniture design to the NHS
-
Tom Dixon marks his studio's 20 years with a show of design experimentsMushroom, cork, steel coral and more: Tom Dixon showcases an overview of his design experiments as he celebrates his practice's 20 years
-
Porro unveils new London showroom at Coal OfficeLondon Design Festival 2022: industrial architecture meets pure geometries in the new Porro showroom, taking over a space within Tom Dixon’s Coal Office to showcase the brand’s systems and furniture
-
Vitra unveils new London home in the Tramshed, ShoreditchLondon Design Festival 2022: after a year-long renovation, Vitra opens the door to its new showroom in the heart of Shoreditch
