Gulfstream’s newly refurbished London Design Centre offers myriad ways to spec your jet
Purchasing a private jet requires a cavalcade of design decisions. Gulfstream now offers its London customers a new Sales and Design Centre for them to make their decisions at leisure

If someone is in the market for a new Gulfstream business jet (starting at around $25m for the smallest G280), then chances are they’re very familiar with the world of truly bespoke design, whether it’s via yachts, architecture, interiors, haute couture or the special in-house studios set up to customise every facet of a luxury automobile. The gateway to this universe of customisation is the discreet, private office or atelier, where design decisions can be made at leisure, preferably over a glass of something fizzy.
The new Gulfstream showroom, London
Gulfstream’s newly refreshed London Sales and Design Centre scratches that itch for the private aviation customer. Located in the heart of Mayfair – a realm of family offices, wealth managers and big, big brands – the centre is aimed at those who want to check over every single detail of this rather substantial purchase, as well as fly in to check up on the progress of their order.
The powerwall at the new Gulfstream showroom, London
Gulfstream has had this space for over a decade, along with similar venues in Beverly Hills and New York. The newly refreshed interior, tucked away in an office block with no external signage, is fully experiential, with full-size interior mock-ups of the G700 and G400 aircraft to show off the variety of finishes, fixtures and seat types.
Detail of the Gulfstream jet mock-up
The target audience are those rare passengers who might be spending 400-plus hours a year aloft in their aircraft as they criss-cross the globe for business or pleasure. At this rarefied altitude, the thread counts must be high, the leather supple and even the throw cushions can be defined down to the very last stitch.
Gulfstream caters mostly to quiet good taste, as evidenced by the twin mocked-up interiors that greet customers as they step out of the elevator
The design studio includes copious swatches of fabric and materials
My tour of the Gulfstream space began in the Design Showroom, a boardroom-style area where the tables groan under the weight of mood boards and material samples, along with indicative illustrations of the kind of interior you could end up with. Unlike the automotive sphere, where decades of discretion have only recently given way to a new era of polymorphous polychromy, jet interiors are still rather sober, erring towards palettes of tan, taupe, cream and only muted colour. It’s a very, very conservative realm, for the most part – perhaps because many of these private aircraft spend the remaining 8,360 hours (when they’re not being maintained) being chartered out to other customers. Garishness would be frowned upon.
Everything is customisable, down to the crockery
While more outré colour schemes no doubt exist, Gulfstream caters mostly to quiet good taste, as evidenced by the twin mocked-up interiors that greet customers as they step out of the elevator. Mike Bryden, the senior principal designer on hand to show us the ropes of the specification process, cut his teeth on the UHNWI clientele at Rolls-Royce, and expectations are similarly high.
Where things truly differ from a well-specified contemporary first-class class cabin is in the details, and how involved customers can get in shaping things to their liking
Gulfstream's new showroom, London
Just as the interior of the Qatari royal 747 recently gifted to the American administration wouldn’t be comparable to a commercial airliner, a modern private jet interior is a step back from the shagpile, chandeliers and sunken conversation pits of the gilded and groovy first-generation private jets of the 1970s and 1980s.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Partly, this is down to certification – every single design and material decision has to tick a long list of safety criteria. But it’s also down to pragmatism and function; even in a private plane, you’re mostly just sitting, eating or sleeping, along with taking in the occasional movie, meeting or (in rare cases) shower or yoga session. As a result, elaborate furniture choices or design decisions are either legislated into impossibility or just not practical.
An example of a bespoke media console
That’s evidenced by the relatively conventional layouts shown in the two mock-ups. Yes, the seats are broad and the aisles are wide, but visually there’s not a lot to set them apart from a well-specified contemporary first-class cabin. Where things truly differ is in the details, and how involved customers can get in shaping things to their liking.
Gulfstream's configuration software runs on an iPad
Gulfstream prides itself on designing, building and delivering every facet of a private jet, rather than sending a ‘green’ aircraft off to one of the many specialist sub-contractors around the globe. Careful design detailing includes the alignment of the signature large oval windows alongside each seat, the arrangement of ambient lighting and the integration of IT and media devices into cabinets and bulkheads. Monograms and royal crests can be stitched on the seats, which are available in a variety of types, including swivelling, bed-converting models.
The showroom offers a wide range of passenger chairs
The latter elements can be decided using Gulfstream’s configurator app, displayed to customers on a powerwall-style presentation screen but also available on a tablet so they can play around with it at their leisure. Here is where you can drill down into the number of living areas a jet interior can be divided into, depending on the model. It might take anywhere between three and 12 months to specify an aircraft, followed by a year in build, so the gamification of the process through 3D walkthroughs and visualisations is very much a way of retaining customer engagement.
Gulfstream's new showroom
Interiors can be subdivided with curtains or bulkheads, timber finishes can use certain woods or even favourite trees. Seats can be arranged individually or as benches or sofas, with options for full-size beds and even shower rooms. Crew spaces can be sectioned off or more open to allow galley access to all. Thousands of permutations are available.
Surprisingly, soft furnishings are very well represented
Customers both private and corporate are in the business of spending money to save time to make money
Across over 500 sq m of furnishings, fixtures and accessories, the Gulfstream customer is made to feel special. The downsides of extreme personalisation are flagged – a new carpet or seat material might take many months to certify, so it’s best to stick with the (extensive) range of what’s already signed off – but ultimately the choice is theirs.
Spec your jet above the rooftops of Mayfair
Gulfstream can lay claim to pioneering the idea of personal business travel with the introduction of the Gulfstream I in 1958. Over the decades, the company (under parent company General Dynamics) has built over 3,300 aircraft with a modern portfolio that starts with the ‘super-midsize’ G280 and builds up to the continent-crushing G800.
The powerwall in the new Gulfstream showroom
The definition of an asset is something that can be used to produce positive economic value. Like a superyacht, a private jet is expensive to buy, expensive to run and prone to steep depreciation. Yet the asset being created here is time, and Gulfstream’s customers both private and corporate are in the business of spending money to save time to make money. As a result, they can afford to spend time on a pleasurable specification process, something they’ll find within this newly refurbished Sales and Design Centre.
The new Gulfstream showroom in London
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Carine Roitfeld on the magic of Dior
The legendary fashion editor has teamed up with photographer Brigitte Niedermair on a special look into the famed French house's archives as part of the UBS House of Craft x Dior in New York
-
Kvadrat’s new ‘holy grail’ product by Peter Saville is inspired by spray-painted sheep
The new ‘Technicolour’ textile range celebrates Britain's craftsmanship, colourful sheep, and drizzly weather – and its designer would love it on a sofa
-
MillerKnoll's new archive is a design lover's paradise
The furniture design powerhouse is opening its vaults to scholars and enthusiasts like. Take a peek inside
-
‘Wundercar’ celebrates the ineffable aura of the Porsche 959, the first true hypercar
Curated by London creatives INK, ‘Wundercar’ is a London exhibition dedicated to the image and influence of Porsche’s seminal 959, a true icon of 1980s engineering
-
LEVC’s L380 is a truly magnificent minivan
The London Electric Vehicle Company’s L380, is a magnificent minivan designed for upscale long-distance travel, as the maker of the London Taxi branches out into all-purpose EVs
-
The fastest electric bike on earth is a tech toy for thrill-seekers
-
Ocean Liners at the V&A Museum explores the history of transatlantic seafaring design
-
The Volvo Cross Country V90 puts driver engagement front and centre
-
Dynamic and practical? The Porsche Macan GTS deals with both hands
-
Tough on the outside and tenderly designed on the inside, meet the Range Rover Velar
-
A car for all occasions: introducing the Audi RS3