Polestar 1 exemplifies the evolution of electric car design
The new Polestar 1 looks curiously modest on the road. Few would guess this is a £139,000, 600-horsepower, technology-packed performance car driven by one of the most radical hybrid systems around. This is exactly how Polestar would like to be perceived. The new electric car company from Volvo wants to do things differently – it intends to be the progressive choice, the intellectual purchase, and part of this narrative is formed by a clear and concise, and heavily directed design theme. It makes for a compelling story. But more on this later. For now, we head to the outskirts of London to test the marque’s premier car, this Polestar 1. A support vehicle follows closely, for this is a preproduction model and there is a potential something may go wrong. It doesn’t, of course, and bar an emergency break lever, this is a perfectly polished product.
The Polestar 1 positions itself as a grand touring luxury coupé, and so it has been designed and engineered for a ride in comfort, on long distances and in various scenarios. It’s a stormy day, and yet the car drives with ease on the motorway and on wet, twisty, narrow country roads. The other cars to join the Polestar family from 2020 will be fully electric. This one though gets most of its power from a traditional 2.0 litre four-cylinder petrol engine, both turbo and supercharged to deliver 308-horsepower. This drives the front wheels and is amplified by a 68bhp electric motor. Then the rear wheels are powered by a pair of electric motors to develop a further 232bhp from the 34kWh battery pack, which also allows for an electric range of 93 miles. Finally, the combined 600bhp helps the Polestar 1 sprint to 60mph in just 4 seconds.
The Polestar 1 design is an evolution of the 2013 Concept Coupé, a study car that looked back to the future and to Volvo’s classics – namely the brilliant 1960s P1800. With its simple two-doors construction and a coupé silhouette, it essentially retains a classic motor car vernacular. This is largely on purpose, as the marque doesn’t feel it needs to invent an entirely new language of design for electric mobility – rather, the approach should be subtler. It is about offering clear, functional design. This Scandinavian theme also reflects a general trend with EVs for vehicle design that is more akin to tech products.
Carbon-fibre forms much of the body reducing some of the weight and allowing for a vast, low, panoramic roof that appears to be one single structure. It works well in enhancing the car’s sporty appearance and the feeling of spaciousness inside. The tinted glass element doesn’t open but cuts out some 95 per cent of UV light. There are slender frameless side mirrors, and the carbon allows for crisp and precise sharp edges and angles enhancing the Polestar 1’s technical expression.
The interior is precisely designed, intuitive, uncluttered and comfortable – if perhaps a touch clinical. The seats are soft and hugging, and the driver elements are in logical positions. The format is 2+2 with the focus on the driver and front passenger space, and there is a clever interaction of lines and light that appears to swallow the interior volume. The cabin features leather extensively, which is perhaps a missed opportunity to explore luxury materials beyond the conventional. The Polestar 2, though, will feature vegan fabrics. This car comes with a high spec as standard to include Bowers and Wilkins stereo, and curiously against the growing trend for personalisation, customers will only be given a choice of two colours – dark grey and beige. The exterior options are also restricted to include chrome or black, wheels with three different finishes and five paint colours in gloss or matt finish.
All this is down to Thomas Ingenlath, the designer and company chief executive who is directing every single element of the Polestar brand. He is very clear that customers will not have a free reign with Polestar cars – instead his team will direct design themes. ‘For a company with such an appreciation of great design, we have to make very clear choices,’ he explained when the Polestar 1 was announced. ‘I think we take away an incredible headache for customers of being lost in the sheer amount of choice they have these days.’ Production numbers will be kept low to maintain a sense of exclusivity, with only 1,500 Polestar 1 cars planned in total at the Snøhetta-designed Chengdu facility in China. Asked who will buy this car, Ingenlath, who considers Tesla and Spotify as inspirational companies, thinks they will need to be progressive and open minded, and not tied down to heritage brands.
The exciting story here perhaps isn’t so much the car we’re driving, as what the brand represents – of how the electric car evolution has opened the gates for companies like Tesla and Byton and Polestar to compete against the big traditional players with a great advantage of no history, no baggage and less formality in how they plan products. Everything with Polestar is considered – from the sustainable production methods, to the electric drivetrain, clear functional design, and with later products, vegan interior, affordable price and shared ownership schemes.
It tells a bold story of the car as consumer technology. Talking to Ingenlath, you get the sense that it is with Polestar 2 and the cars that follow where the true story of the new company will begin.
INFORMATION
polestar.com
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
A writer and editor based in London, Nargess contributes to various international publications on all aspects of culture. She is editorial director on Voices, a US publication on wine, and has authored a few lifestyle books, including The Life Negroni.
-
Paul Rudolph at The Met: ‘from Christmas lights to megastructures’
‘Materialized Space: The Architecture of Paul Rudolph’ opens at the Met in New York, exploring the modernist master's work through a feast of an exhibition
By Stephanie Murg Published
-
‘London: Lost Interiors’ gathers unseen imagery of some of the capital’s most spectacular homes
This new monograph is a fascinating foray into the interior life of London, charting changing tastes, emerging styles and the shifting social history of grand houses in the heart of a fast-changing city
By Jonathan Bell Published
-
Inside the making of Loewe Perfumes’ porcelain bottle toppers, delicately crafted by Lladró
Loewe Perfumes’ limited edition flask toppers are crafted by Spanish porcelain company Lladró. Mary Cleary takes a look inside the making process, as featured in the October 2024 issue of Wallpaper*
By Mary Cleary Published
-
Polestar finally breaks out of its single-model line-up with the Polestar 3 performance SUV
Launched alongside the Polestar 4, the new Polestar 3 is an all-electric SUV that embodies the very best of the Swedish EV brand's approach to design and performance
By Jonathan Bell Published
-
Ora-ïto transforms the Renault 17 into a futuristic yet retro-tinged vision
The R17 electric restomod x Ora-ïto is the fourth in Renault's series of designer-led reimaginings of iconic models from its past. We think it's the best of the lot
By Jonathan Bell Published
-
Specialist car-maker Ariel explorers the power of electrification with the E-Nomad concept
The Ariel E-Nomad is an all-electric, go-anywhere sports car concept for the dedicated enthusiast. Could it be the shape of sporting EVs to come?
By Jonathan Bell Published
-
A new exhibition at Los Angeles’ Petersen Auto Museum charts the rocky road to electric cars
‘Alternating Currents: The Fall and Rise of Electric Vehicles’ brings together EVs old and new, from forgotten prototypes to legendary innovations. We take a tour
By Jonathan Bell Published
-
Four tiny electric motors offer a space-saving take on modern urban transport
This quartet of ultra-compact city cars prove that big is definitely not better when it comes to last mile, last minute short haul travel in a built up area
By Jonathan Bell Published
-
We take Audi’s new Q6 e-tron quattro around and across the fjords of Norway
The new Audi Q6 e-tron quattro is a pure EV that marks a new design direction for the German brand, setting new tech standards along the way. Transportation Editor, Jonathan Bell, takes it for a drive
By Jonathan Bell Published
-
We sample the latest sports car from bespoke British manufacturer Theon Design
With the GBR002, Theon Design have transformed a classic Porsche into a low-key bespoke supercar, uprating and enhancing the iconic 964 model to exacting customer specifications
By Jonathan Bell Published
-
Can Lotus' mighty flagship SUV live up to the hype? We try out the Lotus Eletre R for size
Is day-to-day life with a 905hp electric SUV a delight or a disappointment? A fortnight with a Lotus Eletre R provides the answers
By Jonathan Bell Published