Open for business until 19 March, Plinth is an innovative new retail-cum-gallery space located in Bloomsbury.
Set within the elegant confines of 44 Great Russell Street – a listed 18th century Georgian building opposite the British Museum – the initiative was conceived by co-founders Chloe Grimshaw and Paul Franklin as a means of presenting a carefully curated selection of design, homeware, original work and new editions by a range of artists and makers.
Plinth's offering sees affordable products juxtaposed with design classics and work by celebrated artists, many of which are designed for a domestic setting; Yinka Shonibare's intricately illustrated crockery, Julian Opie's 'Sheep' blanket and a candle – 'redolent of libraries and woodsmoke' – by Perfumer H's Lyn Harris sit alongside silk scarves by the lauded Chinese abstract artist Ding Yi and a striking monochromatic umbrella by art-focussed fashion design Duro Olowu.
Those products represent a neat marrying of form and function, but more abstract, decorative and conceptual limited edition pieces are also in abundance; from Richard Wilson's ceramic 'Still Life Jug', Liliane Lijn's technicolour polyester resin 'Liquid Koan' and a weighty, 14cm high brass tooth by David Shrigley (the work, he states, 'could be used for cracking nuts' with).
If the superlative selection of wares wasn't enough, Grimshaw and Franklin have also painstakingly filled the space with candles, flowers – supplied by F.Bombe – and vintage furniture by the likes of Arne Jacobsen and Alvar Aalto.
The pop-up's gallery – a double height space in the property's courtyard – will host talks by artists and curators such as Wilson, Richard Deacon, Nicholas Grimshaw and Dr Gilda Williams (which will be open to the public and subsequently available to view online), as well as workshops with makers such as Nathalie de Leval and site-specific works by contemporary artists including Susan Collis – who will be in residence on the third floor in a collaboration between Plinth and Birmingham's Ikon gallery – and Jacques Nimki, who will install 'invisible' botanical vinyl designs across the space's ceilings and walls.
'Plinth is not only about providing a new platform for unique artist-designed products and limited editions,' say the founders of the initiave. 'It’s a project centered on a spirit of openness, and creating a means by which a wider audience can access and own contemporary art.'
The pop-up’s offering sees affordable products juxtaposed with design classics and work by celebrated artists, many of which are designed for a domestic setting
Grimshaw and Franklin have painstakingly filled the space with candles, flowers – supplied by F.Bombe – and vintage furniture by the likes of Arne Jacobsen and Alvar Aalto
The pop-up is spread across three full floors of the listed 18th century Georgian building
Plinth’s offering sees affordable products juxtaposed with design classics and work by celebrated artists, many of which are designed for for a domestic setting – but more abstract, decorative and conceptual limited edition pieces are also in abundance. Pictured: ‘Liquid Koan’, by Liliane Lijn, 2003
These include Richard Wilson’s ceramic ’Still Life Jug’ and a weighty, 14cm high brass tooth by David Shrigley. Pictured left: ’Brass Tooth’, by David Shrigley, 2009. Right: ’Still Life Jug’, by Richard Wilson, 2015
Pictured left: ‘Liquid Koan’, by Liliane Lijn, 2003. Right: ‘Love and Peace’, by Beatriz Milhazes, 2015
Plinth founders Paul Franklin and Chloe Grimshaw
INFORMATION
For more information, visit Plinth’s website
ADDRESS
Plinth
44 Great Russell Street
London, WC1B 3PA
-
A revived public space in Aberdeen is named Scotland’s building of the yearAberdeen's Union Terrace Gardens by Stallan-Brand Architecture + Design and LDA Design wins the 2025 Andrew Doolan Best Building in Scotland Award
-
Own an early John Lautner, perched in LA’s Echo Park hillsThe restored and updated Jules Salkin Residence by John Lautner is a unique piece of Californian design heritage, an early private house by the Frank Lloyd Wright acolyte that points to his future iconic status
-
20 things that positively delighted us in and around Design Miami this yearFrom covetable 20th-century masterpieces to a tower made from ceramic pickles, these were the works that stood out amid the blur of Art Week
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram
-
A former leprosarium with a traumatic past makes a haunting backdrop for Jaime Welsh's photographsIn 'Convalescent,' an exhibition at Ginny on Frederick in London, Jaime Welsh is drawn to the shores of Lake Geneva and the troubled history of Villa Karma
