As Nissan’s London studio turns 15, we remember its finest designs

As Nissan’s London studio turns 15, we remember its finest designs

Punching well above its weight – in design quality and sales success – Nissan’s Design Europe studio in London celebrates its 15th birthday this month. The talented 60-strong team has been responsible for many key cars for the Japanese automotive brand in that time, including two generations of the Qashqai, the Juke and NV200 van, plus radical concepts for Nissan and its upmarket sister brand Infiniti.

To mark the milestone, Wallpaper* had an exclusive chat with recently-installed Nissan Design Europe Vice President, Mamoru Aoki, at the former railway depot venue in Paddington, to discover his thoughts on 15 of the studio’s finest designs so far, where the studio goes next and whether it’s a London thing…

Wallpaper*: Why do you think Nissan’s London studio influence has been so impressive compared to other car design satellite studios?
Mamoru Aoki: When we develop new products, we almost always involve all of our design studios and our global competitions are real. The Qashqai and Juke were designed for Europe but this studio also got involved in [Japanese market-specific] kei cars and vehicles for the US too. The London studio has consistently produced good results.

W*: Nissan is the only vehicle maker with a permanent London design studio. Do you think that is significant and if so, why?
MA: It’s a fantastic location – by the canal near Paddington railway station – and there are always so many things going on in London, so that’s inspirational. We can make full-size models here and have an internal viewing space as well. Nissan is the most urban-minded Japanese car brand. We have many nationalities here, but only three or four Japanese!

W*: Which cars from the London studio’s history stand out for you?
MA: The Qashqai is the most important Nissan product in Europe. The Juke, design-wise, is a big icon too. For me, the Nissan Concept 2020 and the Gripz, were also both very impressive in showing the next generation of our design language.

W*: What’s on your wishlist to achieve while working in London?
MA: Nissan has already established its visual identity – ‘emotional geometry’ – and developed many cars according to that philosophy, which I was involved in, back in Japan, as executive director of design. But new design SVP, Alfonso Albaisa, has started a new era, so I want to give a lot of input from a European point of view for this next generation.

W*: What design areas will you focus on more in the next few years?
MA: 2020 onwards will be the real autonomous and EV era, so at that time we will have to challenge with new design directions as the platform will be completely different. We have the chance for new architectures, especially with autonomous interiors. Basically the driver will not drive, they can relax or even sleep in the car, so the atmosphere will be different.

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