Building blocks: new structures around the globe in 2019

Architecture | 15 Apr 2019

Architecture is the basis for modern human existence – providing shelter, places to work, gateways for travel and entertainment arenas. Here we shed light on some of the less ordinary structures cropping up across the world that, from cultural destinations to port authorities, are the pillars of our societies.

Ilan Ramon International Airport, Amir Mann-Ami Shinar Architects and Planners in partnership with Moshe Zur Architects
Eliat, Israel

Israel’s first from-scratch airport has been completed. The Ilan Ramon International Airport sits 18km north of Israeli resort city Eliat, occupying a 1,250 acre crop of desert space. Its minimalist design was spearheaded by architect Amir Mann, who took inspiration from the futuristic world of aviation and the ‘timeless’ arid site. The airport will act as a southern gate to Israel, and is estimated to welcome 2.25 million passengers a year (expected to grow by a further two million in years to come). Photography: Hufton + Crow

Amir Mann-Ami Shinar Architects and Planners and Moshe Zur Architects — **lan Ramon International Airport, Amir Mann-Ami Shinar Architects and Planners in partnership with Moshe Zur Architects**
Eliat, Israel

Triangular insulating aluminium panels are clad to the exterior of the terminal by a steel and concrete skeleton structure. The white panels reflect light and UV rays, helping to reduce internal temperature. Meanwhile, the interior features a continuous network of bamboo ceilings, adding warm contrast. Environmental preservation was also important to the two firms, which used the site’s excavated sand and rock for filler in the construction of runways, airplane hardstands and roads. *Photography: Hufton + Crow*

lan Ramon International Airport, Amir Mann-Ami Shinar Architects and Planners in partnership with Moshe Zur Architects
Eliat, Israel

Triangular insulating aluminium panels are clad to the exterior of the terminal by a steel and concrete skeleton structure. The white panels reflect light and UV rays, helping to reduce internal temperature. Meanwhile, the interior features a continuous network of bamboo ceilings, adding warm contrast. Environmental preservation was also important to the two firms, which used the site’s excavated sand and rock for filler in the construction of runways, airplane hardstands and roads. Photography: Hufton + Crow

kuwait cambridge seven exteriors — **Ministry of Education Headquarters, CambridgeSeven**
South Surra District, Kuwai

Boston-based architects CambridgeSeven have just completed Kuwait’s new Ministry of Education headquarters in the country’s district of South Surra. The building, a modern glass and metal composition, now houses eight ministry departments and some 3,600 employees, who relocated from different sites across the country. Consolidating a variety of needs, the new building is set to not only provide modern accomodation for one of the country’s most important public services, but also allow room for growth in the future. *Photography: Jeff Goldberg*

Ministry of Education Headquarters, CambridgeSeven
South Surra District, Kuwai

Boston-based architects CambridgeSeven have just completed Kuwait’s new Ministry of Education headquarters in the country’s district of South Surra. The building, a modern glass and metal composition, now houses eight ministry departments and some 3,600 employees, who relocated from different sites across the country. Consolidating a variety of needs, the new building is set to not only provide modern accomodation for one of the country’s most important public services, but also allow room for growth in the future. Photography: Jeff Goldberg

Ministry of Education Headquarters, CambridgeSeven
South Surra District, Kuwai

The structure’s curved shape is inspired by the rich maritime history of Kuwait, and the architects referenced its shipbuilding industry by designing an office building that abstractly resembles the prow of a ship. A large central courtyard sits at the heart of the ministry, while elsewhere the building features a 600-seat multi-purpose auditorium, a two-level cafeteria, and three levels of parking. To ensure the interiors remain cool, the architects specified that the external glass should be layered with copper so as to better filter the amount of sunlight that enters the building. Photography: Jeff Goldberg

Joan & Edgar Booth Theatre and the College of Fine Arts Production Center at Boston University, Elkus Manfredi Architects
Boston, Massachusetts, USA

A key new part of Boston University, the Booth Theatre (as the project is more commonly known) was designed to unify the institution’s theatre arts programme. Created by Elkus Manfredi Architects, the building is a multi-functional studio theatre with production facilities including scenery, prop, and costume shop. This is a 21st-century learning environment for collaboration and experimentation at its best. Photography: Robert Benson

Joan & Edgar Booth Theatre boston — **Joan & Edgar Booth Theatre and the College of Fine Arts Production Center at Boston University, Elkus Manfredi Architects**
Boston, Massachusetts, USA

Referencing its function, ‘the new centre is enveloped in a first-of-its-kind pre-cast concrete scrim that evokes the frame of a proscenium theatre’, explain the architects. Its light-filled lobby features a mirror-like 14m glass curtainwall, which cants forward 14 degrees, reflecting the city scene below. Just outside, Mikyoung Kim Design has created a 2,364 sq m plaza – the first in the area in many years – conceived as a public ‘room’ and extension of the campus community. It features bold, sculptural signage and terraced steps that double as street-side seating. *Photography: Robert Benson*

Joan & Edgar Booth Theatre and the College of Fine Arts Production Center at Boston University, Elkus Manfredi Architects
Boston, Massachusetts, USA

Referencing its function, ‘the new centre is enveloped in a first-of-its-kind pre-cast concrete scrim that evokes the frame of a proscenium theatre’, explain the architects. Its light-filled lobby features a mirror-like 14m glass curtainwall, which cants forward 14 degrees, reflecting the city scene below. Just outside, Mikyoung Kim Design has created a 2,364 sq m plaza – the first in the area in many years – conceived as a public ‘room’ and extension of the campus community. It features bold, sculptural signage and terraced steps that double as street-side seating. Photography: Robert Benson

Joan & Edgar Booth Theatre ellis manfredi — **Joan & Edgar Booth Theatre and the College of Fine Arts Production Center at Boston University, Elkus Manfredi Architects**
Boston, Massachusetts, USA

The lobby, an extension of the plazza, leads to auditorium and production spaces. The building includes open-plan workshops as well as classrooms for teaching. The scheme’s multi-functional studio theatre features a 12.8m by 11m theatre trap, a sound and lighting room, a motorised catwalk, nine motorised trusses for lighting and scenery, and custom-designed acoustical walls that host rigging and scenery while protecting the acoustical woodwork’s finish. *Photography: Eric Laignel*

Joan & Edgar Booth Theatre and the College of Fine Arts Production Center at Boston University, Elkus Manfredi Architects
Boston, Massachusetts, USA

The lobby, an extension of the plazza, leads to auditorium and production spaces. The building includes open-plan workshops as well as classrooms for teaching. The scheme’s multi-functional studio theatre features a 12.8m by 11m theatre trap, a sound and lighting room, a motorised catwalk, nine motorised trusses for lighting and scenery, and custom-designed acoustical walls that host rigging and scenery while protecting the acoustical woodwork’s finish. Photography: Eric Laignel

The Exploratorium, Bernard Tschumi Architects
Tianjin, China

Slated for an autumn 2019 opening, Bernard Tschumi Architects’ Exploratorium in Tianjin has recently completed. Bringing together artefacts from the Chinese city’s industrial and technological past, the cultural hub offers exhibition and gallery facilities, as well as offices, restaurant and retail spaces. The highlight is the building’s grand central lobby, an immense cone almost doubling the height of the Guggenheim Museum in New York. Photography: Kris Provoost

The Exploratorium, Bernard Tschumi Architects
Tianjin, China

The building’s design takes cues from Tianjin’s industrial heritage. A series of cones defines the layout of different gallery spaces. Tapered, they concentrate warm air, which can be channelled either out or around the building, depending on the internal temperature. Externally, the perforated metal façade reduces heat gain, and the abundance of circular windows lowers the building’s reliance on electrical lighting. Photography: Kris Provoost

Port Service Building, Heams & Michel Architectes
Cannes, France

Designing a brand new service building for the port of Cannes – one of the most glamorous in the world – was no mean feat for Nice-based architects Nicolas Heams and Benjamin Michel. The new structure replaces what effectively was just a bench and houses the programme in a simple, clean and low rectangular volume.

Photography: Aldo Amoretti. Writer: Ellie Stathaki

Port Service Building, Heams & Michel Architectes
Cannes, France

Part of the port’s service systems are hidden, submerged into the water underneath the unassuming new building. Above water, the new structure is carefully placed on a concrete base that doesn’t compromise the precious machinery below. The main body is modest, made of wood with mesh covered openings, ideal for letting sea breeze in.

Photography: Aldo Amoretti. Writer: Ellie Stathaki

The House Of The Arts, Svendborg Architects
Roskilde, Denmark

Copenhagen-based Svendborg Architects worked together with landscape architects BOGL and engineering firms Regnestuen and Spangenberg & Madsen on the redesign of one of Roskilde’s main squares – part of which includes a new cultural concept, The House Of The Arts. Providing space for the community to practice art, as well as bringing together artists and the public, the new, red aluminium sheet clad building is the Danish town’s newest home for painting, sculpture, music and performing arts.

Photography: Rasmus Hjortshøj, COAST Studio. Writer: Ellie Stathaki

The House of the Arts, Svendborg Architects, denmark — **The House Of The Arts, Svendborg Architects**
Roskilde, Denmark

Located in the neighbourhood of Kildegaarden, the project is part of the area’s new masterplan, which also incorporates a square for sitting, playing and events and performances. The House Of The Arts sits subtly as a key component within this new urban landscape, cutting a contemporary figure with its metal, wood and concrete design. Large openings connect it seamlessly with the outdoor areas of the overall plan, while bringing plenty of light inside.

*Photography: Rasmus Hjortshøj, COAST Studio. Writer: Ellie Stathaki*

The House Of The Arts, Svendborg Architects
Roskilde, Denmark

Located in the neighbourhood of Kildegaarden, the project is part of the area’s new masterplan, which also incorporates a square for sitting, playing and events and performances. The House Of The Arts sits subtly as a key component within this new urban landscape, cutting a contemporary figure with its metal, wood and concrete design. Large openings connect it seamlessly with the outdoor areas of the overall plan, while bringing plenty of light inside.

Photography: Rasmus Hjortshøj, COAST Studio. Writer: Ellie Stathaki

The House of the Arts by Svendborg Architects — **The House of the Arts, Svendborg Architects**
Roskilde, Denmark

The minimalist interiors maintain a softly industrial feel, yet are sharp and elegant, featuring concrete floors, timber ceilings and abundant natural light; there’s side and top-lit areas, perfect for the production of visual arts. The large main room can be subdivided into different spaces for further flexibility in use. Meanwhile, the red-tinted anodised aluminium sheets that make up the exterior abstractly reflect the surroundings.

*Photography: Rasmus Hjortshøj, COAST Studio. Writer: Ellie Stathaki*

The House of the Arts, Svendborg Architects
Roskilde, Denmark

The minimalist interiors maintain a softly industrial feel, yet are sharp and elegant, featuring concrete floors, timber ceilings and abundant natural light; there’s side and top-lit areas, perfect for the production of visual arts. The large main room can be subdivided into different spaces for further flexibility in use. Meanwhile, the red-tinted anodised aluminium sheets that make up the exterior abstractly reflect the surroundings.

Photography: Rasmus Hjortshøj, COAST Studio. Writer: Ellie Stathaki

Walker Simpson Lodge exterior — **Pettypool Campsite and Activity Centre, Walker Simpson Architects**
Cheshire, UK

Set within rich woodland, this girlguiding lodge and activity centre in the heart of Cheshire is designed by Manchester-based Walker Simpson Architects. Replacing an older, existing building that was no longer in use, the project includes accommodation for both the Guides and Leaders, plus space for support staff, an activity centre and a kitchen. Clad in vertical planks and placed among trees, the structure becomes a seamless part of the forest around it.

*Photography: Daniel Hopkinson. Writer: Ellie Stathaki*

Pettypool Campsite and Activity Centre, Walker Simpson Architects
Cheshire, UK

Set within rich woodland, this girlguiding lodge and activity centre in the heart of Cheshire is designed by Manchester-based Walker Simpson Architects. Replacing an older, existing building that was no longer in use, the project includes accommodation for both the Guides and Leaders, plus space for support staff, an activity centre and a kitchen. Clad in vertical planks and placed among trees, the structure becomes a seamless part of the forest around it.

Photography: Daniel Hopkinson. Writer: Ellie Stathaki

Walker Simpson Lodge interior — **Pettypool Campsite and Activity Centre, Walker Simpson Architects**
Cheshire, UK

The linearity of the trees continues inside, with exposed timber ceilings leading the gaze out towards the woodland. Open plan areas enhance the overall sense of spatial generosity. The interior programme is composed of two wings which come together in a courtyard, off which is the entrance lobby.

*Photography: Daniel Hopkinson. Writer: Ellie Stathaki*

Pettypool Campsite and Activity Centre, Walker Simpson Architects
Cheshire, UK

The linearity of the trees continues inside, with exposed timber ceilings leading the gaze out towards the woodland. Open plan areas enhance the overall sense of spatial generosity. The interior programme is composed of two wings which come together in a courtyard, off which is the entrance lobby.

Photography: Daniel Hopkinson. Writer: Ellie Stathaki

Walker Simpson Lodge night — **Pettypool Campsite and Activity Centre, Walker Simpson Architects**
Cheshire, UK

Cantilevered, decked terraces and other outdoor areas blend inside and outside, inviting nature into the building. An important part of the brief, explain the architects, was to create a space that is inspirational and commited to improving the lives of young people. ‘The outcome is a facility that provides spaces for gathering, participation, activity and conversation’, they say.

*Photography: Daniel Hopkinson. Writer: Ellie Stathaki*

Pettypool Campsite and Activity Centre, Walker Simpson Architects
Cheshire, UK

Cantilevered, decked terraces and other outdoor areas blend inside and outside, inviting nature into the building. An important part of the brief, explain the architects, was to create a space that is inspirational and commited to improving the lives of young people. ‘The outcome is a facility that provides spaces for gathering, participation, activity and conversation’, they say.

Photography: Daniel Hopkinson. Writer: Ellie Stathaki

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Building blocks: new structures around the globe in 2019

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