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Dries Van Noten: Make-up maestro Peter Phillips took on the grunge-heavy references of the collection, painting the models' lips in a bright hue of matte fuchsia lipstick and adding a light shade of grey on the eyes. For hair, Paul Hanlon, also taking cues from the 1990s, created messy textured hairdos
Chalayan: The tightly pulled-back ponytail - a simple grooming trick - drew the eye to a thin shade of fuchsia on the lips, which brightened up an otherwise clear face
Kenzo: Make-up artist Yadim chose a personalised eye shadow colour - ranging from bright greens and yellows to blues and reds - to match each model's outfit, while Anthony Turner's texturised, jungle-inspired waves framed the faces
Moncler Gamme Rouge: Spidery black lashes and sleek knotted locks of hair touched on a late-1950s aesthetic for Spring
Akris: Diane Kendal chose a powerful shade of orange red for lips, while Guido Palau conjured a minimal, sophisticated look with a side-parted ponytail
Rick Owens: Hairdos were sculptural masterpieces, with Luigi Murenu creating oversized and stiff frizzy bobs - their edges cut sharply at irregular angles. Lucia Pieroni's luminous faces perfectly accompanied the exaggerated grooming
Rochas: Lucia Pieroni mastered a shade of red for the lips that was both delicate and powerful at the same time. A simple, straightened and slightly distressed ponytail was the practical solution adopted by Eugene Souleiman to accommodate the collection's silk headpieces
Haider Ackermann: The dramatic make-up, complete with with spiky eyebrows and iridescent purple lips, was the handiwork of Stéphane Marais. Eugene Souleiman pulled locks back into a stiff, sculptural chignon
Balmain: Make-up guru Tom Pecheux's radiantly painted complexions perfectly accompanied the naturally textured locks by hairstylist Sam McKnight
Stella McCartney: Subtle pastel pink complexions by Pat McGrath were brought to life by a jolt of green, which lined the inside of the lower eyelids. Eugene Souleiman's hairstyles, cool and casual, were centre-parted and naturally brushed down
Chloé: The collection's graphic cuts were referenced in Diane Kendal's 1960s-inspired eye make-up, which came in a soft copper shade. Guido Palau created an 'effortless, swept up look' for hair
Givenchy: A finely bleached brow and dewy lip by Pat McGrath added a touch of elegance to Luigi Murenu's sleek knotted chignons
Hermès: Caroline Colombani created a clean, sophisticated look, highlighted with the softest hint of blush. Odile Gilbert took hair in a similar direction, with a few wispy locks falling out of simple ponytails
Loewe: A dramatic shade of red lit up porcelain faces at Loewe, while a simple, centre parted chignon completed the look
Lanvin: Pat McGrath created a fine, dewy blend of black shadow to circle the eyes, with flawless porcelain complexions providing contrast. Josh Wood's luxurious up-dos were a modern, asymmetrical take on the traditional pompadour
Louis Vuitton: Pulling combed hair over the forehead and up into chignons gave Guido Palau's locks a slightly 1960s feel. This framed the strong, well-defined eyes by Pat McGrath
Valentino: The faces at Valentino were finished with a slightly flushed cheek and beautiful pink, just slightly dewy, lips. Guido Palau represented the sophisticated style of the house with a side parting gathered in low knotted chignons
Veronique Branquinho: The focus was again on the eyes. A sharp black line on the lower lid contrasted heavily with the thick, copper strip on the upper. Hair was voluminously pulled back in a folded chignon-like ponytail
Maison Martin Margiela: Pale complexions, enhanced by a darker shade of foundation on the eyes, gave the girls an otherworldly, ghostly appearance. Contrasting the abstract, geometric shapes of the collection, hair was tousled and relaxed, and pulled into a low, wispy ponytail
Anthony Vaccarello: A sexy, confident look - enhanced by hairstylist Anthony Turner's big and wavy hair - was reflected in Tom Pecheux's ultra shiny lips and touch of metallic-finish blue on the eyes
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