Grooming trends: Paris Fashion Week S/S 2013

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Dries Van Noten: Make-up maestro Peter Phillips took on the grunge-heavy references of the collection, painting the models' lips in a bright hue of matte fuchsia lipstick and adding a light shade of grey on the eyes. For hair, Paul Hanlon, also taking cues from the 1990s, created messy textured hairdos
Chalayan: The tightly pulled-back ponytail - a simple grooming trick - drew the eye to a thin shade of fuchsia on the lips, which brightened up an otherwise clear face
Kenzo: Make-up artist Yadim chose a personalised eye shadow colour - ranging from bright greens and yellows to blues and reds - to match each model's outfit, while Anthony Turner's texturised, jungle-inspired waves framed the faces
Moncler Gamme Rouge: Spidery black lashes and sleek knotted locks of hair touched on a late-1950s aesthetic for Spring
Akris: Diane Kendal chose a powerful shade of orange red for lips, while Guido Palau conjured a minimal, sophisticated look with a side-parted ponytail
Rick Owens: Hairdos were sculptural masterpieces, with Luigi Murenu creating oversized and stiff frizzy bobs - their edges cut sharply at irregular angles. Lucia Pieroni's luminous faces perfectly accompanied the exaggerated grooming
Rochas: Lucia Pieroni mastered a shade of red for the lips that was both delicate and powerful at the same time. A simple, straightened and slightly distressed ponytail was the practical solution adopted by Eugene Souleiman to accommodate the collection's silk headpieces
Haider Ackermann: The dramatic make-up, complete with with spiky eyebrows and iridescent purple lips, was the handiwork of Stéphane Marais. Eugene Souleiman pulled locks back into a stiff, sculptural chignon
Balmain: Make-up guru Tom Pecheux's radiantly painted complexions perfectly accompanied the naturally textured locks by hairstylist Sam McKnight
Stella McCartney: Subtle pastel pink complexions by Pat McGrath were brought to life by a jolt of green, which lined the inside of the lower eyelids. Eugene Souleiman's hairstyles, cool and casual, were centre-parted and naturally brushed down
Chloé: The collection's graphic cuts were referenced in Diane Kendal's 1960s-inspired eye make-up, which came in a soft copper shade. Guido Palau created an 'effortless, swept up look' for hair
Givenchy: A finely bleached brow and dewy lip by Pat McGrath added a touch of elegance to Luigi Murenu's sleek knotted chignons
Hermès: Caroline Colombani created a clean, sophisticated look, highlighted with the softest hint of blush. Odile Gilbert took hair in a similar direction, with a few wispy locks falling out of simple ponytails
Loewe: A dramatic shade of red lit up porcelain faces at Loewe, while a simple, centre parted chignon completed the look
Lanvin: Pat McGrath created a fine, dewy blend of black shadow to circle the eyes, with flawless porcelain complexions providing contrast. Josh Wood's luxurious up-dos were a modern, asymmetrical take on the traditional pompadour
Louis Vuitton: Pulling combed hair over the forehead and up into chignons gave Guido Palau's locks a slightly 1960s feel. This framed the strong, well-defined eyes by Pat McGrath
Valentino: The faces at Valentino were finished with a slightly flushed cheek and beautiful pink, just slightly dewy, lips. Guido Palau represented the sophisticated style of the house with a side parting gathered in low knotted chignons
Veronique Branquinho: The focus was again on the eyes. A sharp black line on the lower lid contrasted heavily with the thick, copper strip on the upper. Hair was voluminously pulled back in a folded chignon-like ponytail
Maison Martin Margiela: Pale complexions, enhanced by a darker shade of foundation on the eyes, gave the girls an otherworldly, ghostly appearance. Contrasting the abstract, geometric shapes of the collection, hair was tousled and relaxed, and pulled into a low, wispy ponytail
Anthony Vaccarello: A sexy, confident look - enhanced by hairstylist Anthony Turner's big and wavy hair - was reflected in Tom Pecheux's ultra shiny lips and touch of metallic-finish blue on the eyes
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Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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