Scene setting: In keeping with last season’s showing, Marc Jacobs once again opted to present its new collection within the Park Avenue Armoury in its raw, untouched state. Seating guests around the sprawling perimeter in a single row, Jacobs sent models out without a soundtrack, proving that silence can indeed be golden.
Mood board: Inspired by an imaginary holiday to a fantastical, far-flung place, Jacobs unveiled an ensemble of decadent, intricately adorned pieces that were imbued with sportswear overtones. Boisterous, 60s-esque prints in silk and stains were mixed with harem-like track pants and topped with oversized wool pea coats with exaggerated fur collars, glittery sequins or both. Oversized, menswear suiting took on a surrealistic bend in Jacobs’ hands. Retro prints, oversized turbans diaphanous resortwear recalled archive looks by Saint Laurent and Pucci. The collection was capped off by a bold colour palette that ranged from powdery pastels to bright fluorescents – it was a perfect finale for New York Fashion Week.
Best in show: Although there was no shortage of attention grabbing details, it was the range of footwear that particularly caught our eye. From chunky soled flip flops to ornate evening babooshes, all festooned with jewels, pom poms, fringing and tassels, the shoes were a creative talking point in their own right, despite the swirl of colour and shine around them.
Marc Jacobs S/S 2018
Marc Jacobs S/S 2018
Marc Jacobs S/S 2018
Marc Jacobs S/S 2018
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John Cage’s ‘now moments’ inspire Lismore Castle Arts’ group showLismore Castle Arts’ ‘Each now, is the time, the space’ takes its title from John Cage, and sees four artists embrace the moment through sculpture and found objects
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Architects collaborate on geometric extension to radically re-shape a London houseMediterranean influences, earthy tones and quirky angles abound in this geometric extension and the soaring living spaces of this reconfigured Victorian townhouse
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‘What a Fantastic Machine’: new film explores the camera, pop culture and human behaviourMaximilien Van Aertryck and Axel Danielson’s new film, ‘And the King Said, What a Fantastic Machine’, dissects the role of the camera in popular culture
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Theory A/W 2020 New York Fashion Week Women’s -
Michael Kors A/W 2020 New York Fashion Week Women’s -
Gabriela Hearst A/W 2020 New York Fashion Week Women’s
