Scene setting: To commemorate the tenth anniversary of her label, Victoria Beckham chose a new venue to give her latest collection a fresh perspective. The James A Burden House, a landmarked Italian Renaissance style mansion on the Upper East Side just opposite the Cooper Hewitt Smithsonian Design museum, proved to be the right place. With its ornamental spiral staircase, exquisite plasterwork and classically painted ceiling, the building’s intricate interior emphasised the clean construction and refined design of the collection’s pieces.
Best in show: Beckham gravitated towards a multi-layered and multi-textured look this season. Waists on coats and dresses were neatly cinched in, while shoulders were slightly emphasised to cut a strong figure. The use of crushed pleats, asymmetrical cuts and floral patterns imbued garments with an elegant femininity. Paired with masculine square-toed slingbacks and flat brogues in embossed leather, this truly was a portrait of the modern day woman.
Sound bite: ‘These clothes embrace the contours of the female form, echoing the design aesthetic that I originally started with. Here, a decade on, it is strong — presented in a new elevated and evolved form for my woman today,’ the designer stated.
Victoria Beckham A/W 2018.
Victoria Beckham A/W 2018.
Victoria Beckham A/W 2018.
Victoria Beckham A/W 2018.
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John Cage’s ‘now moments’ inspire Lismore Castle Arts’ group showLismore Castle Arts’ ‘Each now, is the time, the space’ takes its title from John Cage, and sees four artists embrace the moment through sculpture and found objects
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Architects collaborate on geometric extension to radically re-shape a London houseMediterranean influences, earthy tones and quirky angles abound in this geometric extension and the soaring living spaces of this reconfigured Victorian townhouse
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‘What a Fantastic Machine’: new film explores the camera, pop culture and human behaviourMaximilien Van Aertryck and Axel Danielson’s new film, ‘And the King Said, What a Fantastic Machine’, dissects the role of the camera in popular culture
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Optimism and pragmatism align at London Fashion Week S/S 2021In a socially-distanced show season different to any other, LFW's designers offered images of hope, escapism and utilitarianism
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Theory A/W 2020 New York Fashion Week Women’s -
Michael Kors A/W 2020 New York Fashion Week Women’s
