‘This is how I dress’: Natacha Ramsay-Levi on her very personal collaboration with A.P.C.
Ex-Chloé and Louis Vuitton designer Natacha Ramsay-Levi opens up to Wallpaper* about her ‘intimate and sincere’ collaboration with A.P.C., the latest in the French denim brand’s ‘interaction’ series
Amid the reworked classics within Natacha Ramsay-Levi’s new collection for A.P.C. – the quintessential trench coat shorn off at the waist and the wide-leg jeans tied with a white lace; the ornamental pendant that’s actually comprised of nuts and bolts – is a T-shirt upon which a photograph of her own body is printed, a thick band of tape placed across her chest. ‘I wanted something intimate and sincere. I liked the idea that you could feel my hand behind it,’ says the designer, who since leaving her post as creative director at Chloé in 2020 has embarked on a series of similar, small-scale projects (including a stint at Ecco Leather’s At.Kollektive that began in 2022; later, she would become a ‘creative partner’ of the Danish leather brand, designing a collection called NRL).
‘I was at the beginning of finding a new way to work, not in a group or big fashion studio, so I liked the idea of something a bit crafty. This idea of the tape, about doing things in a spontaneous way,’ she says.
A.P.C. Natacha Ramsay-Levi ‘Interaction’ #22
Prior to joining Chloé, where she took over from Clare Waight Keller in 2017, Ramsay-Levi served as design director under Nicolas Ghesquière during his tenures first at Balenciaga and later at Louis Vuitton. Her new work with A.P.C. marks a return, of sorts: she interned with the brand for two weeks during her first year studying at fashion school Studio Berçot. ‘It was not a big thing,’ she laughs today, ‘but I was basically in front of [A.P.C. founder] Jean and [artistic director] Judith [Touitou]’s office, so I could observe and look at the way people got dressed.’ The brand, founded in 1987, has since remained a constant in her life, she explains, recalling her first purchase. ‘It was the standard denim, super classic. I kept and wore it for 20-something years, and I still have it.
‘I see A.P.C. as a family space, but also as a community,’ she continues, alluding to the environment the Touitous have created at their Paris HQ. ‘It’s a place where I know there will be amazing music, interesting people, and conversations about culture and literature.’ Ramsay-Levi’s collection marks the 22nd ‘interaction’ for A.P.C., following past collections with JW Anderson and the late Jane Birkin, and the designer tells Wallpaper* that its genesis began a year and a half ago, on the suggestion of Judith. A confident marriage of A.P.C.’s clean lines and Ramsay-Levi’s more directional approach, the collection dips into archetypal French style with a heavy dose of Americana. ‘My first intention was to make a really good denim and super-great T-shirts,’ shares the designer. ‘There's a culture of denim at A.P.C. that doesn't exist elsewhere. It's not a fashion item, it goes back to the identity of what denim is.’
For his part, the brand’s founder considers Ramsay-Levi ‘conceptual and wearable’, according to the accompanying press notes. ’Her vision of femininity [is] strong and assertive.’ A largely personal affair, the collection’s core elements echo the way the designer herself considers clothes. ‘This is how I dress. For me it’s important those pieces don't shout, that they leave the wearer to express some personality and play around, become like a second skin,’ she says. ‘Usually with a T-shirt [for example] there’s a slogan or it's a music T-shirt – there's always, behind the shirt, a thought; a way to express your being, your [desire] to be part of a community.’
Shot by Nigel Shafran, the British photographer who made his name in the 1980s and 1990s with stripped-back photography capturing quotidian beauty, the campaign imagery is comprised of solo portraits arranged around a relaxed living space: a series of imagined stolen moments, wherein the models, stand-ins for Ramsay-Levi perhaps, appear right at home. ‘There is a humanity in his pictures, he’s always looking for the little accident, something a little weird. I felt it was paying tribute to the way I approached A.P.C.,’ reflects the designer. ‘Natural, not afraid to show vulnerability. In Nigel you have this rawness, but it's always very gentle and soft. Very human.’
A.P.C. Natacha Ramsay-Levi ‘Interaction’ #22 collection, for men and women, is available now.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Zoe Whitfield is a London-based writer whose work spans contemporary culture, fashion, art and photography. She has written extensively for international titles including Interview, AnOther, i-D, Dazed and CNN Style, among others.
-
Discothèque perfumes evoke the scent of Tokyo in the year 2000
As Discothèque gets ready to launch its first perfume collection, Mary Cleary catches up with the brand’s founders
By Mary Cleary Published
-
This unassuming London house is a radical rethinking of the suburban home
Station Lodge by architect Andrei Saltykov in South West London offers a radical subversion to regional residential architecture
By Ellie Stathaki Published
-
Explore 100 years of Svenskt Tenn and the interiors Estrid Ericson has crafted
‘A Philosophy of Home’ explores 100 years of Svenskt Tenn and the daring vision for interiors its founder Estrid Ericson developed
By Diana Budds Published
-
A.P.C. now makes self-care products, including body lotion and cologne
A.P.C. has launched a debut line of self-care items designed to relax the body and mind
By Mary Cleary Published
-
The everyday alchemy in Clarisse Demory’s set design
By Kate Lawson Last updated
-
Talking shop: A.P.C. celebrates fifteen years of exquisite store design
By Laura Hawkins Last updated