From a graphic Soviet stockpile to high-powered homes, see inside our November issue

November 2017 issue of Wallpaper*
Left, Richard Rogers, Graham Stirk and Ivan Harbour + Partners created a limited-edition cover featuring models from their practice’s ten-year body of work. Left, newsstand cover.
(Image credit: Robin Friend and Sam Hofman.)

It’s a great honour to be writing my first editor’s letter. In its 21 years Wallpaper* has transformed how the world thinks about design, architecture and art, and for the last ten years I’ve been privileged to work with Tony Chambers – who is swivelling in a new chair as Brand & Content Director, taking Wallpaper* in bold new directions and generally plotting global domination.

I’d also like to say a huge thank-you to the editors, staff, contributors, collaborators past and present (far too many to mention) who have made Wallpaper* what it is today. Wallpaper* is more than a magazine, of course. It is an international community, a super-collider that brings together the most dynamic players in design, architecture, art, fashion, travel and beyond. What other magazine can count Dieter Rams, Karl Lagerfeld, Jil Sander, Giorgio Armani, Rick Owens and Tadao Ando among its loyal subscribers? We are united by a common mission to refine, to enhance, to elevate the best from the rest, to inspire and be inspired.

Jacket, £4,425, by Hermès

Jacket, £4,425, by Hermès

(Image credit: Ilaria Orsini)

Here, I’ve had the pleasure of working with a huge number of artists, designers and long-held heroes, spending time in some of the most exciting places in the world, and searching out the creative frontline. And we will continue to showcase groundbreaking, spirit-lifting and eye-opening design and to collaborate with established titans and emerging talents, wherever they are.

This issue celebrates celestial pendant lighting, nutty treats and high-functioning hotels. We shoot the Wallpaper* woman, art collection in tow, in a new Gianni Botsford house in London, talk to Alfredo Jaar about being ‘an architect who makes art’, celebrate ten years of Rogers Stirk Harbour + Partners, take a tour of Vitsœ’s new HQ and witness the rebirth of a brutalist treasure in Mexico City and the launch of Marcio Kogan’s micro-town near Madrid. We also cook up a Swiss storm with Not Vital’s plain in pigna, the latest daring dish in our artist’s recipe series, showcase the most innovative new work spaces in our annual Officepaper* supplement, and take you to Berlin and São Paulo by way of Thailand, Big Sur and the Suffolk Riviera. In adulthood, Wallpaper* is better and brighter than ever. Now that’s cause for celebration!

Sarah Douglas, Editor

As originally featured in the November 2017 issue of Wallpaper* (W*224)

November 2017 issue of Wallpaper*

Hotel magnate Moisés Micha’s Mexico City pad is a brutalist affair, revamped with a verdant touch by local architect Alberto Kalach.

(Image credit: Adrian Gaut)

November 2017 issue of Wallpaper*

Rogers Stirk Harbour + Partners celebrates ten years together with a slew of new projects.

(Image credit: Robin Friend)

November 2017 issue of Wallpaper*

A visionary MD and loyal customers help build a new model HQ for furniture brand Vitsœ.

(Image credit: Christoffer Rudquist)

November 2017 issue of Wallpaper*

From a hip hub in Uppsala to a fab lab in Toronto, first-class new university buildings are a lesson in architecture.

(Image credit: Adam Mørk)

November 2017 issue of Wallpaper*

Alfredo Jaar brings politics and human rights to the table at Yorkshire Sculpture Park.

(Image credit: Daniel Dorsa)

November 2017 issue of Wallpaper*

We throw the switch on our high-wire act thrillers. 

(Image credit: Sam Hofman)

November 2017 issue of Wallpaper*

As we relocate to a Gianni Botsford-designed London townhouse, it’s the resort wear we unpack first.

(Image credit: Ilaria Orsini)

November 2017 issue of Wallpaper*

This season, accessories are taking a quilt trip.

(Image credit: Philippe Fragnière)

November 2017 issue of Wallpaper*

We’re resurfacing with a sharp-edged selection of fabrics and wallpapers.

(Image credit: Philippe Fragnière)

November 2017 issue of Wallpaper*

The shortlist for this year’s Best Urban Hotels, and the high and frequent flyers tasked with picking the winners. 

(Image credit: Kent Andreasen)

November 2017 issue of Wallpaper*

We’re doing surprising things with our nuts.

(Image credit: Richard Foster)

November 2017 issue of Wallpaper*

We’ve dug deep to build the ultimate power base.

(Image credit: Michael Bodiam)

November 2017 issue of Wallpaper*

David King’s stockpile of Soviet design agitates again at Tate Modern. 

(Image credit: TBC)

November 2017 issue of Wallpaper*

Every other year since 2002, the Rolex Mentor and Protégé Arts Initiative has brought together creative titans with early-career contenders. A year on from our profile on the seven lucky protégés in 2016, we discover how their lives have changed as a result. 

(Image credit: Yann Rabinier)

INFORMATION

The November 2017 issue of Wallpaper* is out now. Subscribe here

Sarah Douglas, former Editor-in-Chief of Wallpaper*, set up her own business in March 2024, acting as an advisor to brands and designers, and as a consultant to the Steve Jobs Archive, in order to inspire the next generation of creatives. Joining Wallpaper* in 2007 as Art Editor, Sarah became Creative Director in 2012, before being named Editor-in-Chief in 2017. While at the brand, she commissioned an array of illustrious artists and designers, including Jean Nouvel, Yayoi Kusama, Tom Sachs, Nendo, Virgil Abloh and Jenny Holzer; championed talents such as Formafantasma, Sabine Marcelis, Martino Gamper, Bethan Laura Wood, Philippe Malouin, and Craig Green; and oversaw partnerships with leading brands including B&B Italia, Prada and Rolex. Sarah is also a member of the judging panel for the London Design Medal, and regularly judges for international design competitions.