Tulsa design collector George Kravis has long been a pivotal figure when it comes to building up formidable holdings. Now, New York's Cooper Hewitt musem is staging ‘Energizing the Everyday: Gifts from the George R Kravis II Collection’, with more than 100 examples on display.
‘What’s on view encapsulates the evolution and breadth of modern and contemporary design,’ says Caroline Baumann, the Cooper Hewitt's director.
Kravis focused on this specialty at an early age. ‘I began collecting when I was ten and then took on a Bakelite RCA record changer,’ he says. Since then he has explored the entire spectrum of design. The diverse collection spans Alexander Girard’s punchy geometric patterned textiles, to the sleek 1937 Waterwitch outboard motor in gleaming cast aluminum and brass, and onto Shiro Kuramata’s 1978 laminated plate glass armchair.
Other early examples, like Gilbert Rohde’s spare 1934 ‘Z Clock’, made from chrome plated brass and plate glass, and Peter Müller Munks 1935 chromium-plated sheet brass 'Normandie' pitcher are extraordinary in terms of their clean, avant-garde lines. Similarly, Norman Bel Geddes’ 1940 'Patriot' radio in black and red plastic remains just as riveting for its sharp design.
Besides Frank Lloyd Wright’s iconic 1956 copper table from the Price Tower in Bartlesville, Oklahoma, there’s Mathias Bengtsson’s 1999 laser-cut plywood 'Slice Chair', which is right in tune with Tony Cragg’s sculptures. Olafur Eliasson’s 2012 'Little Sun' solar-powered LED lantern in a yellow plastic daisy-like shape is another highlight and surprisingly small for such a powerful statement on energy saving concerns.
‘What’s on view encapsulates the evolution and breadth of modern and contemporary design,’ says Caroline Baumann, Cooper Hewitt’s director. Pictured: Braniff Airways Model 66310 Armchair, c.1968, designed by Alexander Hayden Girard and manufactured by Herman Miller
Pictured: vanity model 3920, 1939, designed by Gilbert Rohde, manufactured by Herman Miller
Kravis, who caught the collecting bug at an early age, recalls, ‘I began collecting when I was ten and then took on a Bakelite RCA record changer’
Norman Bel Geddes’ 1940 ’Patriot’ radio (pictured), in black and red plastic, remains just as riveting today
Since then, Kravis’ collection has expanded to span the entire spectrum of design. Pictured: ’America’s Answer! Production’ poster, 1942, designed by Jean Carlu (pictured on wall) and Gilbert Rohde’s ’Z Clock’, 1934 (far right)
Pictured: ’Little Sun’ solar-powered lantern, 2012, designed by Olafur Eliasson and Frederik Ottesen
INFORMATION
’Energizing the Everyday: Gifts from the George R Kravis II Collection’ will be on view until 12 March 2017. For more information, visit the Cooper Hewitt’s website
Photography: Matt Flynn. Courtesy Smithsonian Institution
ADDRESS
Cooper Hewitt, Smithsonian Design Museum
2 East 91st Street
New York, NY 10128
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