Anatomy of a logo: behind Hollywoodland, the world’s most famous sign
Thomas Fisk Goff and his Crescent Sign Company created the Hollywood sign in 1923. We take a look at this enduring icon of American graphic design
The world’s most famous sign transcended every conceivable aspiration of its originators, developers SH Woodruff and Tracy E Shoults. The pair were part of a consortium looking to promote their new real estate venture, Hollywoodland. The year was 1923 and the job went to Thomas Fisk Goff of the Crescent Sign Company, who set out the name in 50ft-tall blocky capital letters stalking across the hillside above Beachwood Canyon.
Visible for miles, and brightly illuminated for its first decade, the sign found local favour but soon started to decay. The final act of British starlet Peg Entwistle added tragedy to the site when she jumped off the ‘H’ in September 1932. She became a posthumous symbol of the darker side of Tinseltown.
In 1944, the city took ownership and even considered demolition – at this point, the sign simply read ‘ollywoodland’. Buoyed by local support and with a canny eye to the future, the Hollywood Chamber of Commerce stepped in to save it, agreeing to reinstate the ‘H’ and drop the ‘land’.
As a result, the Hollywood sign became a globally recognised visual shortcut for a neighbourhood that was originally incorporated back in 1903. The original wooden and steel structure was completely overhauled and replaced in 1978, following a $250,000 fundraising campaign led by Hugh Hefner. Each letter was given a sponsor, including Andy Williams for the ‘W’ and Alice Cooper for one of the ‘O’s (given in memory of Groucho Marx). And there it’s remained ever since, frequently trespassed upon, occasionally vandalised, and even threatening to outlast the industry it celebrates.
A version of this article appears in the Wallpaper* August 2026 Creative America issue, available from 4 July, in print on newsstands, on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today
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Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.