Combs turn artworks at Geneva’s Máti gallery
Designer Aurore Piedigrossi untangles the history of the comb with her Grands Hers collection at Geneva’s Máti gallery

Jonas Marguet - Photography
Grand Hers is new collection of sculptural horn combs created by designer Aurore Piedigrossi and now on show at Geneva’s Máti gallery.
The project is an homage to the history of the Hers Valley in the south of France, which, when described by ECAL graduate Piedigrossi, reads almost like a fairytale. ‘The manufacture of combs is a craft that developed in the 14th century in the Hers Valley,’ she says. ‘The production was organised in many factories that were established along the river [the Hers, or Grand Hers].’
‘Millions of combs were produced each year in the region and were distributed around France and exported around the world. There were horn combs of all kinds, for all types of hair. The arrival of plastic in the middle of the 20th century gradually led to the closing of the factories and the loss of the know-how associated with horn comb production, as people turned to the more modern and less expensive plastic combs. Today, that craft has almost disappeared in France.’
The destruction of fine craft at the hands of industrialisation is a familiar story, and one Piedigrossi hopes to rewrite with Grand Hers. By moulding each of the horn combs into unexpected, sinuous shapes, she has transformed an everyday object into a sculptural work of art.
‘The comb is a very classic object in its shape,’ says Piedigrossi. ‘It has become a commonplace object of our daily life and therefore almost invisible. I wanted to offer it a new perspective, to make it evolve in a way.’
The result is an enchanting meditation on the history of the Hers Valley, as well as combs and how we use them. ‘It is a fascinating object to me,’ observes Piedigrossi. ‘The comb has been around in our civilisations for millennia, in infinite forms and materials. It has a special meaning in every culture, and can be found in traditions, but also in myths and rituals.’
‘I like the fact that we all have a personal relationship with our own comb; it is full of emotion and meaning. There’s an aesthetic in its use and its connection to the hair. Beyond that, I think it's a beautiful object. I fell in love with it somehow.’
In this way, Grand Hers has found an ideal match in Máti gallery. An incubator of emerging design talent, the young, nomadic gallery is dedicated to ‘breaking down the boundaries between art and design [so that] everyday objects become works of art’.
Grand Hers is currently available to purchase from Máti and is set to be followed by a more extensive line that will include other hair accessories.
INFORMATION
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Mary Cleary is a writer based in London and New York. Previously beauty & grooming editor at Wallpaper*, she is now a contributing editor, alongside writing for various publications on all aspects of culture.
-
'They're like my friends:’ Max Lamb exhibits a decade of chairs in a former church hall
The British designer’s new London show, ‘Exercises in Seating' (until 2 November 2025), brings together over 30 diverse works in a circle of connection
-
A postmodernist home reborn: we tour the British embassy in Brazil
We tour the British Embassy in Brazil after its thorough renovation by Hersen Mendes Arquitetura, which breathes new life into a postmodernist structure within the country's famous modernist capital
-
Bvlgari's celebration of the Serpenti snakes its way from Tokyo to Shanghai, Seoul and Mumbai
Roman high jeweller Bvlgari marks the Year of the Snake with the sensual Serpenti Infinito exhibition
-
What to see at Switzerland’s art museums this autumn and winter
World-class art, design and photography await at 11 Swiss museums. Take a video tour to peek inside, then plan your trip with our guide to the best exhibitions to see now and into 2026
-
Why are we so obsessed with ghosts? From the psychological to the gothic, a new exhibition finds out
Ghosts have terrified us for centuries. ‘Ghosts: Visualizing the Supernatural’ at Kunstmuseum Basel asks what is going on
-
12 things not to miss at Art Basel 2025
Art Basel is bigger and better than ever. Avoid overwhelm, follow our definite what-to-see guide at this year's event (19-22 June)
-
Switzerland’s best art exhibitions to see in 2025
Art fans, here’s your bucket list of the standout exhibitions to see in Switzerland in 2025, exploring compelling themes and diverse media
-
Out of office: what the Wallpaper* editors have been doing this week
A snowy Swiss Alpine sleepover, a design book fest in Milan, and a night with Steve Coogan in London – our editors' out-of-hours adventures this week
-
‘Happy birthday Louise Parker II’: enter the world of Roe Ethridge
Roe Ethridge speaks of his concurrent Gagosian exhibitions, in Gstaad and London, touching on his fugue approach to photography, fridge doors, and his longstanding collaborator Louise Parker
-
What to see at Art Basel 2024, as the fair arrives at its hometown
Art Basel 2024, the fair of all fairs, runs 13-16 June, with 285 international exhibitors and a long list of side shows and projects
-
Dan Flavin’s fluorescent lights light up Basel
‘Dedications in Lights’ celebrates Dan Flavin’s conceptual works, at Kunstmuseum Basel