In the darkroom with homoerotic art hero Tom of Finland
At Fotografiska New York, the reference photography for Tom of Finland’s sexually empowered drawings are receiving overdue exposure

Last year, Tom of Finland turned 100. The trailblazing cultural icon (born Touko Laaksonen, 1920-1991), created work that simultaneously dropped jaws, squared up to the stagnant views of 20th-century society, and sang an ode to queer liberation.
In his heroic homoerotic drawings – starring hyper-masculine hunks, clad in uniforms or leather gear, all bulging muscles and members – he fearlessly confronted a system that denied freedom, legality, and basic rights to the gay community.
Photographs taken between 1971-1986, Silver gelatin, paper. Tom of Finland Permanent Collection
To mark the artist’s centenary, Fotografiska in collaboration with the Tom of Finland Foundation produced ‘The Darkroom’, a deep-dive into the artist's life and work. Now on view at Fotografiska’s New York outpost, the show offers an intimate view of a little-known, and forcibly concealed, facet of Tom of Finland’s process: his reference photography.
‘The Darkroom’ consists of never-before-exhibited portraits captured as source material for Tom of Finland’s famed drawings. Among the photographs are portraits of friends and partners – including those Tom of Finland and Robert Mapplethorpe took of each other – that were confined to his home studio and darkroom for years, with much of the correspondence between the artist and his subjects destroyed due to the illegality of homosexuality at the time. To have practiced this process in plain sight would have risked a prison sentence.
Top: Photographic study of Durk Dehner, c. 1970s, model, muse and cofounder of the Tom of Finland Foundation. Above: Graphite on paper preparatory drawings (c. 1973-1987). Tom of Finland Permanent Collection
‘Being aware of what society had denied homosexuals, Tom went about creating the archetype of masculine homosexuals who participate freely together in sex – a decree from Nature herself, says Durk Dehner, president and co-founder of the Tom of Finland Foundation, created in 1984. ‘Men knew instinctively that Tom drew with them in mind. Tom’s motives were nurturing, parental. He wanted men to grow up healthy and strong – in body and mind. He wanted to break the old cycles of self-doubt.’
RELATED STORY
Though the Tom of Finland Foundation’s original goal was to preserve the artist’s vast catalogue of work, it has since evolved into something of far greater magnitude. It now seeks to offer a haven for all erotic art against rampant discrimination. Today, the foundation is committed to educating the public on the cultural merits of erotic art and promoting more inclusive and tolerant attitudes towards sexuality.
Tom of Finland TAME wallpaper in Fotografiska Red by Flavor Paper. Designed by Tom of Finland, Michael Reynolds and Hoffman Creative. Exclusively at The Shop at Fotografiska
And the show doesn’t end on the gallery walls. Another key feature can be found lining the hallway and bathroom of Fotografiska New York, a collaboration between Tom of Finland Foundation and Brooklyn-based wallpaper brand Flavor Paper.
The wallpaper was originally showcased in the 2019 Wallpaper* Handmade X exhibition with Michael Reynolds + Hoffman Creative. The team have now taken their Tom of Finland TAME and XXX designs up a gear, creating an exclusive version for the Fotografiska show in spicy red, available for sale at the museum's physical and online shop.
Tom of Finland: 'The Darkroom', until 20 August, 2021, Fotografiska New York
The darkroom represents Tom of Finland’s photographic process. It is also a potent symbol for the confinement and persecution of LGBTQ+ people that many continue to face.
The show is a portrait of an artist who offered those who saw his work the confidence to live with pride, grab oppression by the horns, and walk, with zest, out from the darkroom.
Untitled, c. 1987. Photographs (Tom & Tom Katt). Tom of Finland Permanent Collection
The 6th floor of Fotografiska New York, the raw, dungeon-like exhibition space that currently houses Tom of Finland's show, ‘The Darkroom’
Top and above: Untitled, c. 1966-1990, Cut-and-pasted paper, photographs and graphite on paper. Tom of Finland Permanent Collection
Robert Mapplethorpe, Portrait of Tom of Finland, 1978, Silver Gelatin print. Copyright Estate of Robert Mapplethorpe Tom of Finland Permanent Collection
Clockwise, left to right: Untitled, c. 1978 (Robert Mapplethorpe, reference for #79.39), silver gelatin, paper; Untitled, c. 1979 (Robert Mapplethorpe #79.39); Untitled, c. 1978 (Robert Mapplethorpe, reference for #79.39), silver gelatin, paper. Tom of Finland Permanent Collection
Aarno, 1976, Silver Gelatin print. Tom of Finland Permanent Collection
INFORMATION
Tom of Finland: ’The Darkroom’, until 20 August, 2021, Fotografiska New York. fotografiska.com
tomoffinland.org
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Premium pocketable audio scales up with the new SP4000 from Astell&Kern
The Astell&Kern A&ultima SP4000 is a serious piece of audiophile equipment, a high-res portable player that offers endless ways to shape your listening experience
-
The ultimate amenity in this Canadian apartment building? A trio of scene-stealing restaurants
Part of Citizen on Jasper, a new residential tower, Va!, Olia, and Mimi offer a thrilling day-to-night dining experience
-
These sculptural mirrors embody the relaxed spirit of the Med
Photographed in a Mallorcan residence designed by local studio Munarq, these new sculptural mirrors by New York furniture company Ready To Hang are inspired by the sea
-
Richard Prince recontextualises archival advertisements in Texas
The artist unites his ‘Posters’ – based on ads for everything from cat pictures to nudes – at Hetzler, Marfa
-
Out of office: the Wallpaper* editors’ picks of the week
Another week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…
-
The best Ruth Asawa exhibition is actually on the streets of San Francisco
The artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look
-
Orlando Museum of Art wants to showcase more Latin American and Hispanic artists. Do you fit the bill?
The Florida gallery calls for for Hispanic and Latin American artists to submit their work for an ongoing exhibition
-
The spread of Butter: the Black-owned art fair where artists see all the profits
The Indianapolis-based art fair is known for bringing Black art to the forefront. As it ventures out of state to make its Los Angeles debut, we speak with founders Mali and Alan Bacon to find out more
-
Steve Martin wants you to visit The Frick Collection
The actor has appeared in a video promoting New York’s newly renovated art museum
-
'What does it mean that the language of photography is invented by men?' Justine Kurland explores the feminist potential of collage
'The Rose,' at the Center for Photography at Woodstock (CPW) in Kingston, New York, examines the work of over 50 artists using collage as a feminist practice
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture