The Armory Show at Piers 92 and 94, New York
![An installation view of three wooden chairs in the foreground and a wall with photos in frames](https://cdn.mos.cms.futurecdn.net/nrHCnLfuaG6AfeZaPZCpjn-415-80.jpeg)
New York City is in the throes of art fever this week with the opening of not one but five fairs in the metropolis – the most notable of which is the Armory Show, overlooking the Hudson River at Piers 92/94. In its modern form the art fair has been operating since 1999, though this year it celebrates the centennial of its namesake, the original Armory show of 1913, known for having introduced the work of avant-garde Europeans like Marcel Duchamp to American shores.
It’s with that same pioneering spirit that this year’s fair is pulling out all the stops. Organisers tapped Brooklyn practice Bade Stageberg Cox to design the interior grid landscape, along with a series of experimental plywood-furniture projects in the lounge areas. BSC’s palette of silvers and greys provides the backdrop to Armory 2013’s diverse roster of international galleries, which namecheck not only the heavy-hitters but a bevy of first-timers, too. Also in house are two specially curated settings: a section devoted to one-man shows and a second, called Armory Focus, that groups together galleries geographically.
In the latter, Andy Warhol Museum director Eric Shiner highlights contemporary efforts from 17 established and emerging galleries from the US. The eclectic selection is living proof of the cultural diversity of American artists, set against a wider, international backdrop.
The Armory took another risk with its choice for commissioned artist of the year, Liz Magic Laser. The New York-based performance artist designed the fair’s visual identity along with several limited-edition artworks. In her characteristically satirical way, she conducted her own market research, leading a series of focus groups to discover how fair-goers would like to see her shape the show.
The upshot is complete transparency, from finances to visitor numbers to the cost of renting a booth. Throughout the fair, attendees can spot these facts and figures emblazoned on staff uniforms and tote bags. Card-carrying VIPs learn, for instance, that they are recipient 1 out of 12,365 VIP guests.
With 214 galleries represented, this year’s showcase is intentionally smaller than usual, with all efforts being put towards strengthening the offering. Undeniably, though, its dynamism has secured its status as the pinnacle of New York’s art scene.
'Chin Chin (White)', by Iván Navarro, 2012, presented by Galerie Daniel Templon
Tobias Bernstrup's 'Hope', 2012, a large-scale installation made from wood and cardboard, makes a striking centrepiece at Andréhn-Schiptjenko's booth
Brooklyn-based practice Bade Stageberg Cox designed the space for this year's fair.
The New York-based performance artist Liz Magic Laser designed the fair’s visual identity along with several limited-edition artworks. An usher dons a t-shirt printed with The Armory Show statistics from Laser's commissioned work
In her characteristically satirical way, Laser conducted her own market research, leading a series of focus groups to discover how fair-goers would like to see her shape the show. Pictured, a pastel sketch of one her 2-hour focus groups in session
'Dedicated to Coney Island', by Tom Duncan, 1984-2002, presented by Andrew Edlin Gallery
'All of Nothing', by Todd Pavlisko, exhibited by Samsøn
'Bluey-bluey', by Tony DeLap, 1992, presented by Rena Bransten Gallery in San Francisco
'Blow Up 203', by Kyra Johnson, 2013, exhibited by Morgan Lehman Gallery. The chalk-drawn installation features an image of a Bank of America waiting room overlaid with scrawlings of Roman ruins by 18th Century painter Giovanni Battista Piranesi, as well as subatomic decay patterns
'I am an American', by Shuhei Yamada, showed by Tokyo's Aisho Miura Arts
A mountain of Andy Warhol-inspired Brillo boxes that many fairgoers took and carted around
'A Hundred Years of Sleep', by Jacob Hashimoto, 2012 at the booth of Rhona Hoffman Gallery
A pair of wood carvings by Stefan Baikenhol, 'Man in Dark Red Shirt' and 'Woman, Blonde Hair, Dark Shirt', displayed by Helsinki's Galerie Forsblom
Leo Koenig Inc. is exhibiting a new work by painter Ridley Howard, 'Sky Blue, Diamond Kiss', 2013
'Dr. Oldill Blubbert: Ick Will Blököl', by Johnathan Meese, 2012, presented by Galerie Daniel Tempelon, Paris
Blain Southern, Paris has this ink and pencil diptych 'East [As] West, West [As] East', by Lawrence Weiner, 2012, on show
'T/O/T/E/M (…Two Birds…)', by Nathan Mabry, 2013, presented by Sean Kelly, New York
London's Victoria Miro has 'This Rose', by Idris Khan, 2012, in an edition of seven
Elmgreen & Dragset's 'Home is the Place You Left', 2012, is also on display at Victoria Miro
Claudia Weiser's wonderful untitled sculptures, 2013, at Marianne Boesky's booth
A work by Valeska Soares, also at Max Wigram's booth
Reykjavik's i8 Gallery presents a new work by Olafur Eliasson, 'Your Emergence (dark orange to turquoise)', 2013
Copenhagen's Galerie Bo Bjerggaard has a pair of Tal R paintings, 'Banana Beach' (left), 2012 and 'Boy Lolly' (right), 2013, amongst many others
A new work, 'Formulations', by Odili Donald Odita, 2013, exhibited at Jack Shainman's booth
'Artist Portrait with a Candle (C)', by Marina Abramovic, 2013, presented by Luciana Brito Gallery from Sao Paulo
Ignaio Liprandi gallery in Buenos Aires presents sculptures, by Mathieu Mercier, 2002-2012
Los Angeles' Honor Fraser gallery is exhibiting two works, both called 'Untitled Still Life', by Kaz Oshiro, 2013
'Untitled Still Life', by Kaz Oshiro, 2013
Anthony Meier Fine Arts from San Francisco is showing a series of Roy McMakin works as part of Armory Focus USA
'Ohne Titel (Merry Christmas)', by Alexander Calder, 1972, presented by Crane Kalman Gallery
New York's Henrique Faria Fine Art is offering a rare opportunity to view a model of Alexander Calder's 'Vertical Constellation with Bomb', 1943
ADDRESS
Piers 92/94
711 12th Ave
New York NY 10019
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Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
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