One of Rogan Gregory’s earliest memories takes place in his dad’s workshop: he’s three years old, sitting in a high chair, covered in sawdust. ‘I grew up in his shop,’ says Gregory, now 42. A sociology professor and prolific craftsman, his father worked with paint, bronze, wood and textiles, and taught Gregory everything he knew. ‘He thought making things was just a fun thing to do, not an occupation,’ Gregory says. ‘So I never considered doing it.’
Instead, Gregory funnelled his creative energy elsewhere. After finishing college in Miami, he moved to New York and began consulting for top-tier fashion brands, surfing on his days off. He launched his eponymous workwear-inspired line in 2001, pioneered socially conscious clothing through his work at Loomstate and EDUN, and even started a furniture collection, Rogan Objects. All the while he kept making art, often constructing it in the window of his former Tribeca storefront – which stood across the street from burgeoning design gallery R & Company. Its principal, Evan Snyderman, took note. Upon visiting Gregory’s Montauk studio two years ago, Snyderman was blown away by the skillful creations that flooded the space: pared-down, often biomorphic forms sculpted from bronze, wood and stone.
This week, R & Company mounts the largest exhibition of Gregory’s work to date. Ranging from palm-sized bronze and outsize wood sculptures to cavernous stone lamps, the objects are presented in dioramas inspired by those at natural history museums and brought to life with warm, subtle lighting. Each piece evokes a vague resemblance to an animal, bone fragment, or something washed up on the beach, prompting viewers to look closer.
Discovery plays a central role in Gregory’s making process, which is as much about re-embracing a deep-rooted passion as it is exploring the nuances of a medium. Almost every piece is made initially in wood, where Gregory lets its gnarls or grain determine the form. He often starts by cutting with a chainsaw, then uses a chisel or grinder, and refines the wood with sandpaper, which takes the most time. ‘I just finished a hanging sculpture that I’ve been sanding for days,’ he says. ‘I can’t get anyone else to do it because variation of the shape is so subtle.’ Once finished, he might make a mold of the sculpture and cast it in bronze.
Like his father, Gregory plans to continue his day job. ‘Making art and doing fashion is really satisfying,’ he says, noting that he never set out to become a clothing designer. ‘But sculpture is my calling. Being dusty and sanding something for four hours is pure meditation for me.’
Gregory's pared-down, often biomorphic forms sculpted from bronze, wood and stone have been installed as dioramas, inspired by those at natural history museums, and brought to life with warm, subtle lighting
Ranging from palm-sized bronze and outsize wood sculptures to cavernous stone lamps, the objects evoke a vague resemblance to animals, bone fragments, or something washed up on the beach
Almost every piece is made initially in wood, where Gregory lets its gnarls or grain determine the form. He often starts by cutting with a chainsaw, then uses a chisel or grinder, and refines the wood with sandpaper
‘Making art and doing fashion is really satisfying,’ Gregory says. ‘But sculpture is my calling. Being dusty and sanding something for four hours is pure meditation for me’
INFORMATION
‘Rogan Gregory’ is on view at R & Company until 23 June. For more information, visit R & Company’s website
Photography: Joe Kramm. Courtesy R & Company
ADDRESS
R & Company
82 Franklin Street
New York, NY 10013
-
Commune’s sustainable personal care products look ‘quite unlike anything else’Commune’s Somerset-made products stand out in the sustainable skincare crowd. Madeleine Rothery speaks with the brand’s co-founders Kate Neal and Rémi Paringaux
-
‘Hedonistic and avant-garde’: Rabanne’s Julian Dossena on the legacy of the chainmail 1969 bagPaco Rabanne’s 1969 chainmail handbag encapsulates the late designer’s futuristic, space-age style. Current creative director Julien Dossena tells Wallpaper* about the bag’s particular pleasures
-
Postcard from Paris: Olympic fever takes over the streetsOn the eve of the opening ceremony of Paris 2024, our correspondent shares her views from the streets of the capital about how the event is impacting the urban landscape.
-
Alexander May, founder of LA studio Sized, on the joys of creative polymathyCreative director Alexander May tells us of the multidisciplinary approach that drives his LA studio Sized and its offspring, a 5,000 sq ft event space and an exhibition series
-
50 of America’s top creatives, photographed by Inez & VinoodhPhotographed exclusively for Wallpaper* by Inez & Vinoodh, we present a portfolio of 50 creatives driving the current discourse on American culture and its dynamic evolution
-
Nona Faustine confronts the past in New YorkArtist Nona Faustine reframes New York's colonial past in an exhibition at the Brooklyn Museum
-
How the west won: Ivan McClellan is amplifying the intrepid beauty of Black cowboy cultureIn his new book, 'Eight Seconds: Black Cowboy Culture', Ivan McClellan draws us into the world of Black rodeo. Wallpaper* meets the photographer ahead of his Juneteenth Rodeo
-
Casa Bosques’ queer-themed book curation comes to New York’s East VillageIn Pride Month 2024, Casa Bosques’ pop-up bookstore in The Standard hotel, East Village, offers a stylish haven for literary mavens
-
Calling NYC grads! Sarabande Foundation invites you to an industry masterclass to pave way into the creative world‘What Now?’ by Sarabande Foundation is a post-college guide to support graduates in making their next steps, with advice from the likes of Burberry, Thom Browne, and more
-
An avant-garde Korean art movement resurfaces in LALA's Hammer Museum gets its teeth into avant-garde Korean art with ‘Only the Young: Experimental Art in Korea, 1960s–1970s’
-
The New York art exhibitions to see in JulyRead our pick of the best New York art exhibitions to see in July, from Jenny Holzer’s ‘Light Line’ at The Guggenheim to ‘Cosmography: an exploration of space and humanity’ at Templon
