Photographers Bernd and Hilla Becher's iconic industrial scenes go on show at Sprüth Magers London
To say that Bernd and Hilla Becher are one of the world's most famous photography couples would be an understatement. The pair, who started exhibiting their photographic work together in 1963, have been hugely influential in the global contemporary art scene, inspiring peers and the wider public with their powerful work on lonely and seemingly mundane industrial structures.
Working at the renowned Düsseldorf School of Photography, the Bechers famously taught the likes of Andreas Gursky, Candida Höfer and Thomas Struth, making an indelible mark on the world of modern photography.
Bernd (1931 - 2007) and Hilla (b. 1934) Becher's new show opens today at the Sprüth Magers gallery in London, featuring five typologies of industrial structures, as well as a selection of single large-scale photographs. This is their first solo show in London since the Camden Arts Centre in 1998 and the largest presentation of their work since 'Cruel and Tender', at Tate Modern, in 2003.
The photographers are known for organising their clear, black-and-white work into systematic typology groups, which are then presented in neat grids, highlighting the differences and similarities between structures. The same has been done for this exhibition; the five typologies on display span industrial facades, cooling towers, gas tanks, coal bunkers and water towers.
And this striking show is the first stop of the photography season about to hit London this month. Coming up very soon is the Barbican's Constructing Worlds: Photography and Architecture exhibition, opening three weeks later and offering a further look into photography's architectural love affair.
The photographers are known for organising their clear, black-and-white work into systematic typology groups, which are then presented in neat grids, highlighting the differences and similarities between structures. Pictured: Coal Bunkers, 1966-1999, by Bernd + Hilla Becher
Mine Head, Zeche Rossenray, Kamp-Lintford, GER, 1979, by Bernd + Hilla Becher
Lime Kiln, Kaltes Tal, GER, 1997, by Bernd + Hilla Becher
On display are five typologies of industrial structures, as well as a selection of single large-scale photographs. Photography: Stephen White
Gas Tanks, 1973-2009, by Bernd + Hilla Becher
The Sprüth Magers show is the Bechers' first solo exhibition in London since the Camden Arts Centre in 1998. Photography: Stephen White
Blast Furnace, Rombas, Lorraine, F, 1984, by Bernd + Hilla Becher
The Bechers' clear, black-and-white work has hugely influenced the world of contemporary photography. Photography: Stephen White
Blast Furnace, Boel, La Louvière, B, 1985, by Bernd + Hilla Becher
Detail, Petrochemical Plant, Wesseling, GER, 1983, by Bernd + Hilla Becher
Mine Head, Siege De Folschwiller, F, 1987, by Bernd + Hilla Becher
Detail, Duisburg-Bruckhausen, GER, 1995, by Bernd + Hilla Becher
Water Towers, 1969-1993, by Bernd + Hilla Becher
ADDRESS
Sprüth Magers London
7a Grafton Street
W1S 4EJ
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
