The Holburne Museum shows Linda Brothwell's wearable art

The Holburne Museum in Bath celebrates contemporary craft and restoration with a new commission from jeweller and sculptor Linda Brothwell, which will be displayed among Sir William Holburne's collection of antique plinths

(Image credit: Linda Brothwell)

By Elly Parsons

last updated 24 August 2022

The Holburne Museum in Bath is a treasure trove of historical artefacts and rarities from the vast collections of Sir William Holburne (1793–1874). As part of the museum's 'On the Table' series, sculptor and jeweller Linda Brothwell contributes to this electric array, with a special commission of wearable art, displayed in the museum's glass-encased ballroom table and entitled 'The Missing'.

Brothwell, who has work featured at the V&A and the Design Museum among other renowned collections, is perhaps best known for initiating a repair movement in the arts. This year, her 'Acts of Care' series (highlighting the importance of British crafts, skills and tools) sees partnerships with museums and galleries nationwide. It is her commitment to restoration that led to this unique collaboration with one of Britain's most personal, if under-appreciated, historical collections.

Brothwell shares Holburne's love and respect of materials; the more tactile and embellished the better. In a dramatic exploration of what caught Holburne's eye, Brothwell’s new sculptures will be on view among the elaborate carved wooden, gilt bronze and hardstone plinths on which he displayed his coveted porcelain.

Ever the restorer, Brothwell was drawn to plinths that tell the tale of time, despite having access to the musuem's vast stores. The designer favoured the plinths with 'dust marks, scratches, shadows and scuffs'. 'On certain plinths, you can see the traces and impressions that the original items they displayed,' she explains. 'Imagining what could have been there helped to inspire my new works.'

Brothwell's pendant necklaces, globe earrings and ornaments follow a spherical motif, symoblising eternity and echoing the long-lasting nature of the materials that inspired them. Each novelty tells a story with elegant, contemporary ease – as well as being a masterclass in material manipulation. She used ebony, veneers, sterling silver and heavy gold, along with two forms of extinct marble (the beautiful 'Grande Antique' black and white example is particularly sumptuous). Working with such quality, Brothwell felt she had a responsibility to showcase the materials, as well as her own designs. She also had the added pressure of being sensitive to Holburne's original finds. She says, 'I hope this exhibition will allow people to see Holburne's collection in a new light.'

After a few months of back and forth with the Museum, the creation of the extensive range of objects took just seven months. 'It's a very intensive way of working, with a lot of late nights. I hope to take a few weeks off after it's all over.' Before she does, the artist will be in intimate conversation with curator Catrin Jones at a special, ticketed evening event among the artefacts on 22 September.

A repair movement in the arts — Brothwell is known for initiating a repair movement in the arts – her 'Acts of Care' series (highlighting the importance of British crafts, skills and tools) will this year see partnerships with museums and galleries nationwide

The more tactile and embellished the better — Brothwell shares Holburne's love and respect of materials; the more tactile and embellished the better

The long-lasting nature of the materials that inspired them — Brothwell's pendant necklaces, globe earrings and ornaments follow a spherical motif, symoblising eternity and echoing the long-lasting nature of the materials that inspired them

Gilt bronze and hardstone plinths on which he displayed his coveted porcelain — In a dramatic exploration of what caught Holburne's eye, Brothwell’s new sculptures will be on view among the elaborate carved wooden, gilt bronze and hardstone plinths on which he displayed his coveted porcelain

The ones the designer favoured — Ever the restorer, Brothwell was drawn to the plinths that told the tale of time, despite having access to the musuem's vast stores. The plinths with 'dust marks, scratches, shadows and scuffs' were the ones the designer favoured

Each piece tells a story with elegant, contemporary ease – as well as being a masterclass in material manipulation

Curator Catrin Jones at a special, ticketed evening event on 22 September — The artist will be in intimate conversation with curator Catrin Jones at a special, ticketed evening event on 22 September

INFORMATION

’The Missing’ is on view until 2 January 2017. For more information, visit the Holburne Museum website

Photography courtesy the artist

ADDRESS

The Holburne Museum
Great Pulteney Street
Bath, BA2 4DB

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Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.