Underwater art exhibition on Porquerolles island is submerged in intrigue
On view until 17 October at Fondation Carmignac on Porquerolles, sub-aquatic group show ‘The Imaginary Sea’ (La Mer Imaginaire) frames the sea as a source of inspiration, imagination, longing and loss

There are many ways to view art, most of them above sea level. But this is not the case on the Mediterranean island of Porquerolles, France.
At Villa Carmignac, an aptly titled new exhibition ‘The Imaginary Sea’ (La Mer Imaginaire) is being staged indoors, outdoors and underwater, transforming the foundation’s galleries into a sub-aquatic museum that plunges viewers into the bond between humans and the underwater world. From Henri Matisse, Paul Klee and Dora Maar to Lin May Saeed, Jeff Koons, Camille Henrot and Allison Katz, the participating artists are as varied as they are committed to their common subject – one of mystery, immensity and endless intrigue.
Humanity’s relationship with the sea is complex: a source of fear, exploitation, eco-anxiety, peril and mystery. With its fusion of modern and contemporary art and site-specific installations, ‘The Imaginary Sea’ frames the marine world as a precious and evocative resource, swarming with known and unknown lives; a place of vastness, inconceivable depth, unexpected things, and also an eco-system of acute fragility.
Micha Laury, Untitled (Les Méduses), 2006, silicone. Courtesy the artist © ADAGP, Paris, 2021 – Fondation Carmignac.
This exhibition was the brainchild of LA-based curator Chris Sharp, co-founder of the Lulu experimental art space that is destined to become a satellite of the X Museum in Beijing. ‘The Imaginary Sea’ was inspired both by the aquarium-esque effect of the Villa Carmignac's architecture – its spaces submerged under the building’s expansive water ceiling – and by iconic works from its collection, including Bruce Nauman’s kinetic fountain with a hundred bronze fish.
Fondation Carmignac Porquerolles opened its doors in 2018. This relatively nascent museum on a forested island in the Mediterreanian is far removed from crowds, noise and the daily grind. No more than 50 people at a time are ever permitted in the foundation's villa, sculpture park and grounds, and as coronavirus continues to grip the world, the setting provides a natural haven for those ready to dip their toes back into the waters of the art world, quite literally.
RELATED STORY
Jeff Koons, Acrobat, 2003-2009, Fondation Carmignac courtesy of the artist. Shimabuku, Leaves swim, 2011, film. Courtesy of the artist and Air de Paris.
Elsewhere, Miquel Barceló has transformed the vaulted gallery into an organic underwater grotto, and Jeff Koons’ inflatable lobster sculpture engages in some chair-to-chair gymnastics. In another episode of sea life-meets-furniture, Cosima Von Bonin’s fabric Killer Whale sits eagerly at a school desk. In another striking intervention, Bianca Bondi presents her new The Fall and Rise, 2021, a life-size whale skeleton created in resin and salt. Beyond the foundation walls, in a 15th-century fort, photographer Nicholas Floc’h’s exhibition entitled ‘Invisible/Parallel’ is a literal take on submersion. In partnership with the Port-Cros National Park and the Villa Noailles, the photographer has transformed the seabed into a landscape, documenting the more concerning aspects of oceanic change.
‘The Imaginary Sea’ is also a potent reminder that our undersea world, 95 per cent of which is still uncharted, is now endangered. Without action, we are facing a world where many marine creatures and organisms may exist only in our imaginations, or that of artists.
Melik Ohanian, Shell, 2014, courtesy of the artist and Galerie Chantal Crousel, Paris ADAGP, Paris, 2021; Bruce Nauman, Fondation Carmignac. Courtesy of the artist. ADAGP, Paris, 2021.
Gabriel Orozco, Spume 5, 6, Splash, 2003. Courtesy of the artist and Marian Goodman Gallery New York/London/Paris; Henri Matisse, 1964, Tapisserie Ville de Beauvais © Succession H. Matisse
INFORMATION
’The Imaginary Sea’, until 17 October 2021, Villa Carmignac, Porquerolles island, fondationcarmignac.com
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
The Sinclair name is back, attached to a pocket-sized games console with an educational edge
Grant Sinclair’s name is freighted with early computing history. Wallpaper* tapped up the British inventor to find out more about his new GamerCard console and other innovation
-
Beloved sushi restaurant Sōgo Roll Bar comes to Highland Park
The sushi hangout begins a new chapter in its second location, becoming the perfect spot for a quick grab-and-go or a relaxed tasting experience in east LA
-
Japanese designer Shinichiro Ogata's latest venture is a modern riff on the traditions of his home country
As he launches Saboe, a series of new tearooms and shops across Japan, we delve into Shinichiro Ogata's creative vision, mirrored throughout the spaces and objects, rituals and moments of his projects
-
What to see at Rencontres d’Arles 2025, questioning power structures in the state and family
Suppressed memories resurface in sharply considered photography at Rencontres d'Arles 2025. Here are some standout photographers to see
-
After decades capturing the world’s fashion-set, photographer Johnny Rozsa picks up a paint brush
In his first exhibition of paintings, the New York-based artist celebrates the vibrancy of Tangier while rediscovering a familiar creative outlet
-
Leila Bartell’s cloudscapes are breezily distorted, a response to an evermore digital world
‘Memory Fields’ is the London-based artist’s solo exhibition at Tristan Hoare Gallery (until 25 July 2025)
-
‘With a small gesture of buying a postcard, we all become copyists’: the Louvre’s celebration of copying speaks to human nature
Contemporary artists are invited to copy works from the Louvre in a celebration of the copyist’s art, a collaboration with Centre Pompidou-Metz
-
Marlene Dumas’ charged, exposed and intimate figures gather in Athens
The artist’s work from 1992 until the present day goes on show at Athens’ Museum of Cycladic Art (until 2 November)
-
What is recycling good for, asks Mika Rottenberg at Hauser & Wirth Menorca
US-based artist Mika Rottenberg rethinks the possibilities of rubbish in a colourful exhibition, spanning films, drawings and eerily anthropomorphic lamps
-
Get lost in Megan Rooney’s abstract, emotional paintings
The artist finds worlds in yellow and blue at Thaddaeus Ropac London
-
Kaari Upson’s unsettling, grotesque and seductive world in Denmark
The Louisiana Museum of Modern Art in Denmark is staging the first comprehensive survey of late artist Kaari Upson’s work