Isaac Julien: Ten Thousand Waves, Shanghai
![A still from the fill, ’Ten Thousand Waves’ by Isaac Julien, on show at ShanghART H-Space](https://cdn.mos.cms.futurecdn.net/4v9qomxffpL5TeCSarHnkm-415-80.jpg)
Isaac Julien began his filmmaking career creating works for TV and cinema but he soon jumped ship to the art world, in search of greater creative freedom. Fusing dance, photography, music, theatre and sculpture, he creates an extraordinary visual language, which is currently being shown across nine different screens at ShanghART H-Space.
Titled 'Ten Thousand Waves', the former Turner Prize nominee's latest project sees him collaborating with some of China's leading artistic lights, from the legendary siren of Chinese cinema Maggie Cheung to master calligrapher Gong Fagen.
Inspired by the Morecambe Bay tragedy of 2004, in which 23 Chinese cockle-pickers drowned, it explores migrants' culture and what motivates people to take perilous journeys in search of a better life. Layering fact, fiction, poetry and film essay genres, it looks at modern and traditional Chinese values and superstitions.
Like most of his films, Ten Thousand Waves is as aesthetically pleasing as it is intellectually challenging - helped by the photogenic backdrop of the remote Guangxi province. His solo show at ShanghART is the gallery's first for a foreign artist.
The Ten Thousand Waves installation in situ in the gallery
The film is set against the backdrop of Guangxi province
Isaac Julien collaborated with master calligrapher, Gong Fagen, on the project
Layering fact, fiction, poetry and film essay genres, it looks at modern and traditional Chinese values and superstitions.
The film is shown across nine different screens
ADDRESS
ShanghART H-Space
50 Moganshan Road, Bldg 18
Shanghai 200060
China
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Malaika Byng is an editor, writer and consultant covering everything from architecture, design and ecology to art and craft. She was online editor for Wallpaper* magazine for three years and more recently editor of Crafts magazine, until she decided to go freelance in 2022. Based in London, she now writes for the Financial Times, Metropolis, Kinfolk and The Plant, among others.
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