Dear diary: photographers get personal at Fondazione Prada’s new space

The fondazione prada's new exhibition space at Galleria Vittorio Emanuele in Milan
Installation view of 'Give Me Yesterday', the inaugurating show of Fondazione Prada's new exhibition space at Galleria Vittorio Emanuele in Milan
(Image credit: Delfino Sisto Legnani and Marco Cappelletti , Fondazione Prada)

Critic and curator Francesco Zanot has organised an exhibition exploring photography as the new diary. ‘Give Me Yesterday’ includes 14 artists born between 1976 and 1993, whose practices document the peaks and troughs of the personal, alongside names names familiar in the art world and popular on Instagram – Ryan McGinley, Melanie Bonajo, Leigh Ledare, Vendula Knopova and Maurice van Es to name a few.

There are also students and unknowns: this is the first exhibition for Greg Reynolds, a former youth minister who photographed Christian summer camps in the 1970s and is the oldest photographer in the show. ‘I wanted to mix artists who had very different experiences,’ says Zanot. Each artist represents a different way of working with diaristic photography, but with a consistently intimate atmosphere. ‘The images bring you closer to the people who took them, to their friends, their families, themselves,’ adds the curator.

Installation view of works by (from left) Kenta Cobayashi, Greg Reynolds, Antonio Rovaldi and Ryan McGinley

(Image credit: Delfino Sisto Legnani and Marco Cappelletti)

‘Give Me Yesterday’ takes us through staged, performative photographs – such as Izumi Miyazaki’s surreal self-portraits – to more traditional and candid compositions, such as Antonio Rovaldi’s breathtaking barren landscapes. Others, such as Lebohang Kganye, compiles a diary of her present self through old family album photographs. ‘Previously, diary was truth, but now, that would be impossible - we are so used to photography, through social networks, that now we have to manipulate – to stage – to say something true.’

The exhibition inaugurates Fondazione Prada’s new space, a recently restored observatory on the fifth and sixth floors in Milan’s historic Galleria Vittorio Emmanuele II shopping arcade. The space boasts a sweeping, 30m window giving a vast panorama of the city below. ‘Most people living here in Milan haven’t seen a space like this,’ Zanot says. ‘We did not alter the space at all, so visitors can view the exhibition and the space at the same time.’

Orizzonte in Italia

'Orizzonte in Italia (dalla serie)’, Antonio Rovaldi, 2011-2015

(Image credit: Delfino Sisto Legnani and Marco Cappelletti)

Making use of this unusual space, Zanot has installed the photographs as a mural, the works hung side by side: ‘It's quite intimate, it’s like walking into a kid’s bedroom, it gives the feeling of invading a private space.’ The arrangement brings the photographers into proximity, creating a liquid narrative between the artists and their works.

Fondazione Prada’s new space in Milan

The group photography show includes works by the likes of Ryan McGinley, Melanie Bonajo, Leigh Ledare, Vendula Knopova and Maurice van Es

(Image credit: Ryan McGinley, Melanie Bonajo, Leigh Ledare, Vendula Knopova and Maurice van Es)

Exhibition view from Fondazione Prada Milan Fondazione Prada

From left, XXI Frowst, by Joanna Piotrowska, 2013-2014; Ho preso le distanze, by Irene Fenara, 2013; and Camera Woman, by Tomé Duarte, 2015

(Image credit: Joanna Piotrowska)

Fondazione Prada’s new space in Milan

Works by Joanna Piotrowska (left) and Kenta Cobayashi

(Image credit: Joanna Piotrowska and Kenta Cobayashi)

Exhibition view from Fondazione Pradas

From left, Jake (Floor), 2004; Tim Falling, 2003; and Dakota (Hair), 2004, all by Ryan McGinley

(Image credit: Ryan McGinley)

The exhibition view of Fondazione Pradae

From left, Mom As Baby Jane, by Leigh Ledare, 2004; Tutorial, by Vendula Knopová, 2015; and To Me You Are a Work of Art, by Maurice van Es, 2011

(Image credit: Maurice van)

Exhibition view of Fondazione Prada

From left, works by Maurice van Es, Ryan McGinley, Wen Lin and Leigh Ledare

(Image credit: Maurice van Es, Ryan McGinley, Wen Lin and Leigh Ledare)

Fondazione Prada in Milan

Gloria, by Ryan McGinley, 2003

(Image credit: Ryan McGinley)

INFORMATION

‘Give Me Yesterday’ is on view until 12 March. For more information, visit the Fondazione Prada website

ADDRESS

Milan Osservatorio
Galleria Vittorio Emanuele II
Piazza del Duomo
20121 Milan

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Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.