Gaetano Pesce unveils his first solo New York exhibition

At the grand age of 74, Gaetano Pesce shows no signs of slowing down. In the last six months, the seasoned designer and artist has colluded with galleries around the world to present several new creations, including tables in London and jewellery in Paris. This week sees the unveiling of 'L'Abbraccio', his first solo exhibition in 25 years in his adopted hometown of New York, which will not only showcase furniture pieces, but also maquettes, lighting and rare drawings that date back to the 1970s.

In inimitable Pesce style, the show, which will be held at Fred Torres Collaborations, centres on the universal themes of love and empathy that have characterised his work since the 1960s. The title piece of the exhibition is an intricate cabinet shaped in the form of an embracing couple, designed in 2009, that not only embodies the visionary designer's innate understanding of materials and colour, but his approach to figurative representation as well.

'This an exhibition about affection and positive feelings. I hope that people understand that we need to hug, to caress and to love. There's not a lot of it in contemporary life,' Pesce emphasised. 'It's so important that we do these things. It helps to provide a better view on life and that is the critical message of the exhibition.'

To properly showcase the designer's multifaceted creative approach, the exhibition has been installed in three themes - Eros, Philos and Agape. The cabinet is located in the first, alongside sketches of discarded clothing and a maquette of a rag chair, which together symbolise intense passion and desire. A larger room is dedicated to Philos, fraternal love, where rare drawings such as 'Habitat for Two' and 'Commune for Twelve' take centre stage. The third room focuses on a divine and unconditional type of love, Agape. Here, pieces like '9-11 cabinet', Pesce's optimistic reaction to the 2001 tragedy (which was also his entry in the World Trade Centre Memorial competition) are displayed alongside the sculpture 'Italia in Croce', a mildly veiled commentary on the state of Italian politics today.

While the profundity of Pesce's work is undeniable, it is the designer's creative versatility and skilled manipulation of materials as varied as resin, polyurethane and silicon that truly shines through. This exhibition is a worthy opportunity to see Pesce's brilliance up-close.


'L'Abbraccio' (The Hug) by Gaetano Pesce, 2009.

(Image credit: John Rohrer)

Sketch for a modular sofa

Sketch for a modular sofa, 1986

(Image credit: John Rohrer)

Flame Vase

'Flame Vase', 2012

(Image credit: John Rohrer)

Italy on the Cross

'Italy on the Cross', 2010

(Image credit: John Rohrer)

colourful cabinet

'9-11 Cabinet', 2013.

(Image credit: Sebastian Piras)

Church of Solitude Project

'Church of Solitude Project', 1974

(Image credit: John Rohrer)

'Rag Chair' maquette

'Rag Chair' maquette, 1970

(Image credit: John Rohrer)


Fred Torres Collaborations
527 West 29th Street
New York



1.212 244 5074

Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.